This is a friend's consultation question, when he read Li Bai's work, he felt that the arrangement of ping and servant was very strange, and wanted to figure out the relationship between the words and the words.
In fact, we don't need to tangle at all, you should be an ancient poetry, Li Bai's personality is romantic and wanton, and he loves freedom in his life, like the "Quiet Night Thoughts" that we are familiar with, which is a typical five-word ancient.
But let's take this opportunity to talk about this little poem. What's more, Shi Xian is in the stage of gradually taking shape in the Pingshu Lattice Law, and as the second biggest promoter of the seven absolute regularization and standardization (the first is the poet Tianzi Wang Changling), the musical rhythm system in his works cannot be avoided. Just like Wang Wei, as a contemporary, although they have an indifferent attitude towards Gelu's poetry, people absolutely understand that writing poetry is a getaway above Gelu, not that many people at the moment take it for granted that they write poetry without rules.
When talking about Wang Wei's works, we know that many of his poems are alternate and relative, but the rule of matching and sticking developed later, so he did not follow much, so he bent his waist more. Then Li Bai, as a contemporary, is at the forefront of the seven perfections of the lattice, and his five words are also more lattice, but unlike the poets who should be tested and prepared, they are not willing to write in a non-standard manner.
"I don't feel the wine, and the flowers fall on my clothes" comes from his small poem "Self-Dispatch":
I don't feel the wine, and the flowers are full of my clothes.
Drunk at the beginning of the creek moon, birds are also rare.
This is a five-ancient poem, the first sentence is displaced, so it is not relative, and it is not sticky - so most people regard it as five ancient, do not care about its flatness, it can be said that there is no problem.
But I'm going to punch myself in the face here, because since you've come to ask Ping Shu for analysis, I can really give you an analysis.
Many friends believe that the rules of the grid are the compromise methods for posterity to judge the works of the predecessors, including later transfigurations and rescues, which are compromised when the positive grid cannot be locked, so the rules are useless for writing poetry.
The first half of this view is correct, but the second half is wrong. All the rules are summed up from the works and behaviors of our predecessors- why should we study history, is it not to learn from the experience of the rise and fall of predecessors and dynasties, to leave a useful, correct theory of rules, and to abandon useless and wrong behavioral experiences?
Gelu is a set of phonological tools proposed from the poetic works of the ancients and helpful to future generations in writing poetry. Because it is useful, there are still people learning and using it for thousands of years, although you can not use it, but it does not mean that the grammar is useless.
Many people's brains are incomplete, and they always feel that this thing is useless to me, so it is useless to others.
They don't know that Li Bai is familiar with the rules and forgets them, not that he doesn't know them at all.
So, how do we analyze Li Bai's "Self-Dispatch"?
First of all, of course, it is necessary to determine its flat format, and then see whether there is a transgression and rescue, whether it can be reasonably applied to the later rules, and then the poetry type can be divided, rather than using the term "ancient poetry".
To say that it is an ancient poem, and not to analyze the judgment of the ordinary servant, is actually a lazy act, just like my initial answer.
How to judge the flat format? Judging from the first sentence combined with the rhyme foot. "Don't feel the wine", the second word of the first sentence is "wine", then this is the starting sentence, the last word "暝" is a flat sound, then it is the sentence format of the flat collection?
Non-also, we can see that the rhyming foot of this poem is the center of gravity of the words "clothing" and "thin" is the ancient rhyme "five micro" part, and "暝" is the "Nine Qing" part, not even the neighbor rhyme, so why does this phenomenon occur?
There is only one reason, and that is that there is a problem with the pronunciation of the word "暝". Sure enough, the character 暝 was a polysyllabic character in ancient times, and there is also a pronunciation of "mìng", which belongs to the old rhyme "twenty-five paths" part, which means night and night.
Therefore, this sentence is actually a sentence format from the beginning and rhyme.
The standard pingshu of the collection should be "仄仄平平仄", but we see that in Li Bai's "unconscious about wine", "no" and "jue" are all sound words, so the flat servant of this sentence is actually "仄仄仄仄", which is quite a terrible full sentence style - but don't panic, even if it is a full sentence form, it is just a flat voice change of three or four words.
According to the first three or five rounds, the third word of the flat change we do not care, then this situation, in fact, the fourth word of the "jue" word is replaced.
This situation is targeted and rescued. Friends who have read the chapter on rescue in the "Gelug Poetry Column" will know the rescue method of the three or four words of the three or four words of the sentence.
The third word out of the law, that is, "no matter", is regarded as a small twist that can not be saved, and the fourth word is replaced, which belongs to the big problem that must be saved.
The fourth word is displaced, and the fifth word has become a rhyme foot to set the tone, so it is impossible to complete the self-help within the sentence, and can only use the opposite sentence to save.
The so-called pair of sentence rescue is to change the third word of the opposite sentence of "仄仄平平仄平仄" into a flat sound word, becoming "Ping Ping Ping Ping
We see the pair of sentences "Falling flowers and I am dressed" - ping 仄 is "仄平平仄平", and indeed makes a third word ping 仄 change. At the same time, we must also see that the first word "falling" is a slang sound, making this sentence "pingping 仄仄平" become the lonely flat format of "仄平平仄平", so this "Ying" word not only saves the loss of the sentence, but also saves the lonely flat of this sentence.
This is the joint rescue - one word saves two places, and "repay the country with ten thousand deaths, to the people no more green" is the same reason.
Rescue is only divided into self-help in this sentence, rescue in pairs and mixed rescue, and mixed rescue is actually a mixture of self-rescue and self-help in this sentence.
"I don't feel the wine, and the flowers fall into my clothes" is a complete, typical mixed rescue.
Therefore, this small poem still has the potential to become a grammatical poem. Let's move on.
"Drunken start xiyue, birds are also rare" two sentences of ping 仄 for "仄仄仄平仄, 仄平平仄平". What is very interesting is that the two sentences are actually the same as the first two sentences, except that the sentence here is only the third word out of the law, which can be saved without the small difficulty, and the opposite sentence is a typical lonely and flat rescue - this is still qualified, which can be used as a judgment of the grammar poem.
However, since the flat format is the same as before, this shows that this little poem is out of stick.
Loss of stick is not a Grammatical poem? Don't we still have a bent waist that can be accommodated?
Therefore, you insist that I analyze Li Bai's "Self-Dispatch" in terms of grammatical poems, which is a five-word rule of bending waist that uses rescue twice (mixed rescue, self-help in this sentence).
Doesn't it sound particularly twisted?
It's really awkward, but if we let our thinking diverge, you can't say that I don't make sense to divide it this way.
However, in the actual chanting, the rescue itself is a remedy for violating the laws of pronunciation, and the chanting of the verse is damaged, occasionally appearing, and the rescue does not affect the orthographic rhythm.
Li Bai's work not only has two big struggles, but also loses its stick as a whole, so no matter how to accommodate the rules, or use the rules to accommodate, it is still not smooth to chant.
Otherwise, how could Shi Xian have such an unpunished work? Not bad to read, not good to memorize? Like "Quiet Night Thoughts", which is easy to read and memorize (some say that later generations have changed it, in fact, these works may have been smooth at the time), have not long become classics that have been passed down through the ages?
Therefore, we must be able to judge the level, but good works are not based on the judgment of the ordinary servants as the fundamental basis.
Because time has changed, under a hundred generations, even if Li Bai stands in front of you and reads "Quiet Night Thoughts", you may not be able to understand it.