The Northern Song Dynasty literary scholar Ouyang Xiu said: "The scenery of rain and rain, the weather of the spring equinox, and the beauty of a thousand flowers and flowers." ”
After a spring rain, the earth is draped in costumes, the grass sprouts green, the small trees pull out new shoots, all kinds of flowers compete for beauty, peach and plum fragrance, apricot plums are full of flowers, peonies are smiling, peony is stained with tears....... The beautiful rivers and mountains are dressed up in a beautiful and red color, which is particularly charming.
As the saying goes: "A flower alone is not spring, a hundred flowers bloom in the spring and fill the garden." ”
Among these strange flowers, there are also wildflowers and wild grasses dotted by the side of the road, they do not lose the spring light, do not live up to Shaohua, rush to the stubble blooming, to this gorgeous and colorful spring, adding a lot of beauty and fun!
The earliest catch-up to the spring is the cabbage in the field and hill. This wintering cruciferous wild vegetable is fresh and beautiful, not only is it a favorite delicacy, its flowers are white and white, and it is also a small fresh wildflower praised by literati inkers. The Southern Song Dynasty poet Lu You saw that the cabbage in the small courtyard had blossomed, and the snow was white, full of joy, and the song said:
The flowers fill the atrium like snow, and the banana is an inch green.
Lao Tzu often thanked guests, and short hoes accompanied the gardeners.
- "Miscellaneous Poems on Traveling home"
The Southern Song Dynasty general and lyricist Xin Abandoned Disease regarded the cauliflower as the earliest primrose, and chanted poems and praises:
The peach and plum in the city are sad and rainy, and the spring is wild in the creek.
- "Partridge Heaven, Strange On the First Bud"
The poet walked on the mountain path, suddenly saw a large area of cauliflower next to a bend of mountain stream, and could not help but sigh: When those peaches and plums in the city are still sad in the cold wind and bitter rain, there is no spring color, the wild cabbage has long sensed the message of spring, and they have blossomed into one piece, this is the scene of spring! The Southern Song Dynasty literary scholar Yang Wanli walked into the vegetable garden, caught a glimpse of the cauliflower flowers on the head of the furrow and frequently shook his head in greeting to him, and unconsciously came from it, and chanted:
Suddenly, there was a small wind that people did not realize, and countless flowers always shook their heads.
- "The Garden"
The Yuan Dynasty poet Fang Hui was even more enthusiastic in praising the messenger of spring, Xiao Wildflower, who wrote in "Cauliflower":
Snow pick frost boiled spring endlessly, not like my garden cauliflower.
In the depths of spring, all kinds of cauliflowers can't be stopped, you don't let me, I don't let you, from Jiangnan to Jiangbei rush to bloom, golden and bright, they are the splash of ink in spring. Yang Wanli of the Southern Song Dynasty has a different description of the golden color of rape flowers, and he wrote in the poem "Xugongdian in Suxin City":
The hedge is sparse and deep, and the flowers at the head of the tree have not yet become shaded.
Children rush to chase yellow butterflies, flying into cauliflower nowhere to be found.
The flaks of rape flowers bloom so spectacularly, what does their golden color look like? The naughty child chased after the yellow butterfly, chased after the disappearance, and originally ran into the rape flower field and blended into it. Fan Chengda, another "Zhongxing poet" of the Southern Song Dynasty, loved the bright golden color of rape flowers, and his "Four Hours of Pastoral Miscellaneous" has four songs dedicated to rape flowers, and I think this "rape flower" is the most beautifully written:
The peach blossoms are full of cauliflower yellow, attracting bees and butterflies to dance with busy.
Drunken is the sunset and the field is full of golden light.
There is movement and stillness, the combination of movement and static, the most beautiful picture is the sunset in the west, the golden and brilliant rape flowers ripple in the field, flooding the small villages in the distance, but also make our homesickness shine brightly - the yellow of the rape flower is the color of the hometown; the fragrance of the rape flower is the taste of the hometown!
In February and March in the countryside, the tang pear trees on the slopes of the mountain pass blossom, and a cluster of small pink and white flowers is particularly beautiful, attracting bees and butterflies to buzz to make fun. This kind of mountain shrub has long been mentioned in the Book of Poetry, and there is a sentence in the "National Wind, Zhaonan Gantang":
Cover the sweet begonias, do not cut them, do not cut them, and summon the uncles.
Through the praise and love of the tang pear tree, he expressed his praise and remembrance of the summoner. This small wildflower is also very fresh and beautiful, which has aroused the praise of poets. The Tang Dynasty female poet Xue Tao and her friends went out to seek spring, and should have a poem "Tang Pear Blossom and Li Taiwei", which has the sentence "What do the warblers cry on the evening, light and dark red and greasy pressed branches", indicating that the tang pear blossoms bloom densely and attract amorous warblers to come and sing. This is in line with the Poetry of Bai Juyi of the Tang Dynasty when "the wind blows the pear blossoms and the birds cry". The Southern Song Dynasty poet Zhou Bi drifted away for a long time, missed his hometown, and wrote a poem "Thinking of Returning":
Every day, the people are thriving, and the mountains are still in the east although the west surrounds the water.
So he took the spring twilight home, and the tang pear was full of wind.
It turns out that the small mountain village full of tang pear blossoms is the home of dreams. The spring scenery written by the poet Yang Ji in the late Yuan and early Ming dynasties is more beautiful, he wrote:
Tang pear blossoms are full of mountain white, and white orioles fly to spring.
Huang Li Ziyan was too hurried, and there were idlers among the flowers.
Stealing a half-day of leisure, looking at the snow-white tang pear blossoms on the mountain, and listening to the spring birdsong of the Qingling Spirit is a rare enjoyment.
There are many wildflowers that bloom in spring, such as the wild peas called "Wei" in ancient times, and the cloud of the Book of Poetry:
Tsevi Tsevi, Wei also stopped.
The return to the home, the years are endless...
This weed can be eaten when it is tender, and the flowers are beautiful, and the blue grid is brilliant, a bit like purple cloud. Another example is the small flying canopy that grows in the roadside wasteland, which belongs to the Asteraceae family, which can grow to half a person's depth and is messy. In the Book of Verses, Wei Feng, Boxi, it is said:
From the east of the uncle, the first is like a flying canopy.
The "pong" in the idiom "unkempt" is used as a metaphor. Xiaofei Peng bloomed a miniature version of the small chrysanthemum at the end of spring, which was cute and inviting people to love and pity. There are also wheat flowers blooming during the Qingming Dynasty, finely broken yellow and white, tiny, simple, elegant, a little bit of wheat flavor. Du Fu of the Tang Dynasty praised in "For the Peasants":
Outside the smoke and dust in Jinli, there are eight or nine homes in Gangchon.
Round lotus floating leaflets, fine wheat falling light flowers.
It's like a rural spring painting. Dai Biaoyuan of the late Song and early Yuan dynasties said:
Ten hundred langs join the house mountain, wheat flowers light cabbage flower spots.
He likens wheat to a jade-like fairy tree, and the wheat of poplar flowers contrasts with rape flowers, which makes people nostalgic.
Wildflowers are also indispensable and unappreciated in spring.
Su Shi, a northern Song Dynasty writer, said: "Mountain birds play the piano, and wildflowers are idle." ”
The Southern Song Dynasty poet Lu You said: "Wildflowers bloom and fall by rain, and mountain birds come and go when they pass through the forest." ("Drink")
Southern Song Dynasty scholar Zhao Fanyun: "Wildflowers spit out fangs without choosing the land, and the grass blows Fu Ning only spring." "Wildflowers are innumerable and unknown, white, white, red and red. (Wildflowers)
These unknown wildflowers are uncultured, unattended, self-opening and self-falling, self-singing and dancing, and constitute the gorgeous movement in the spring suite.
The wind of the wild path is fragrant, and the famous flowers have not been planted.
But thinking about It, He Neng'er should be the Spring Plains Gathering Fang.
--Southern Song Dynasty Ren Xiyi, "Wildflowers"
The reason why spring is beautiful is because she does not distinguish between the noble and the noble, does not refuse to be humble and weak, and embraces all the good. People who love spring, there are scenic spots in the distance, there is fun in the near distance, and the eyes are poetic!
-Author-
Liu Qirui, male, a native of Tancheng, Shandong, a veteran literature lover, published the essay collection "The Song of that year", "Nostalgia is a Curved Blue Moon" and the short story collection "Hedong Hexi".