Many book lovers believe that to learn Wang Xizhi's writings, it is either the "Orchid Pavilion Order" or the "JiwangZi Sacred Teaching Order".
Of course, this is no problem, but these two works are very difficult to enter. "Jiwangzi Sacred Order", it has a problem is the collection of characters, the rhyme will always have the consciousness of the descendants themselves to join; and the complete work, it can more truly show the original author's pen, knot, chapter and so on.
Therefore, you may wish to broaden your horizons and look at Wang Xizhi's other works. For example, this work of Wang Xizhi's book "Qing Nü Ti":
Wang Xi's book works appreciate the "QingNu Ti", also known as "Erjin Ti" and "Er Ling Ti". 9 lines, 75 words. Height 29 cm. Engraved "Baojin Zhai Ti". There are 4 pictures of two kinds of tuoso calligraphy.
Commentary:
Now be kind and harmonious, and honor the present. The mother and son of the qing daughter are rough and safe. At the time of mourning, the virtuous woman was sick, and at that time, it was not to be done. Divide by now. He knows filial piety. The joy of the previous day is now a mourning, touching people, and in this way it can make mourning go unnoticed and empty of words. As for this, what to repeat.
Wang Xizhi is good at calligraphy, good at both the body of the li, grass, kai, and line, refining the posture, the heart to chase the hand, the wide collection of strengths, the preparation of all the bodies, smelting in one furnace, getting rid of the Han and Wei pen style, becoming a family of its own, far-reaching influence. The style is peaceful and natural, the gestures are euphemistic and subtle, and the beauty is healthy. In the history of calligraphy, he was called "King Zhong" with Zhong Xuan, and "Second King" together with his son Wang Xianzhi. Li Zhimin commented: "Wang Xizhi's calligraphy expresses both the simplicity and xuanyuan based on Lao Zhuang's philosophy and the ChongHe based on the Confucian way of moderation. ”
The true works of Wang Xi predate the existence of the world, and the fine facsimiles of the Tang Dynasty have always been regarded as authentic works. Due to its age and the long history of this post, like Wang Xizhi's other inkblots, there are different inferences about the age of its engraving. Some are called Song G, some are suspected to be copied by Mi Fu, and many more are designated as Tang G. It is extremely well-written and has been repeatedly inscribed into various series of posters, and its preciousness is self-evident in the public and private collections and calendars after the Yuan Dynasty.
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