Yuan Dynasty Yuan Juexing's book "A Piece of Poetry" is a volume on paper, 31.5cm in length and 89.7cm in width. Collection of the Palace Museum in Beijing. "Yi Ling" is the number of the Yuan Dynasty monk Shi Shouning. Shi Shouning was a Yongjia native who was then the abbot of Jing'an Temple (in present-day Shanghai). Yuan Jue's use of the pen is mainly due to the Sui and Tang dynasties writing scriptures, which is very legal, and the knots have the style of the Jin and Song dynasties, and they are more vulgar in their dashing. Under the influence of Mi Fu, the pen is like a brush, but it is not sharp. Learning from the Jin and Tang dynasties makes it more ancient than the general calligraphers of the Song and Yuan Dynasties, but it is completely their own style and there is no suspicion of disembodied according to the mold. It is true that it came from the Jin and Tang Dynasties.

Yuan Jue (1266-1327) was a Scholar of the Yuan Dynasty and the head of the Academy. The word is long, and the number is a Qingrong resident. A native of Qingyuan Yin County (present-day Zhejiang). He began to learn from Dai Biaoyuan, and later learned from Wang Yinglin, who was named after Nengwen.
Yuan Dynasty scholar and head of the academy. The word is long, and the number is a Qingrong resident. A native of Qingyuan Yin County (present-day Zhejiang). He began to learn from Dai Biaoyuan, and later learned from Wang Yinglin, who was named after Nengwen. At the age of 20, He was the head of Lize Academy. In the first year of Dade (1297), he was recommended as a review officer of the Hanlin National History Academy, and when he first established the Southern Suburbs Shrine, he entered the suburbs to worship ten times, and many of them were adopted. Sheng Ying was appointed to the Hanlin script, and was also an editor of the National History Academy. Please purchase the testaments of the Liao, Jin, and Song dynasties for the future compilation of the three histories.
He inherited the inheritance of his great-grandfather Yuan Shao, his grandfather Yuan Xiangdao, and his father Yuan Hong III, and collected a wide range of books. There is a library building "Qing Rong Ju", the wealth of the collection of books, since the Yuan Dynasty A in eastern Zhejiang. He also searched for 10,000 volumes, and compiled the "Yuan's New and Old Bibliography". After his death, the custody was improper, and many were stolen or resold by servants, or more than half were destroyed by concubines. He has written "Dinghai County Xuezang Secretary" and "Yuan's New and Old Bibliography and Preface", which is an important document for the study of the history of bibliography. Because the imperial court discussed the revision of the Three Histories of The Song and Liaojin Dynasties, his grandson Yuan Yu submitted thousands of volumes of remains.
In the more than 20 years of the dynasty, the imperial court made books and inscriptions of the courtiers, and more than one of them. The article is masterful, and the poetry is also handsome. Gong calligraphy, surviving handwriting include "Same Day Divide Tu Ti", "Old Year Bei Gui Ti", "Bao Huang Ting Jian Song Feng Ge Poetry Post" and so on. He is also an accomplished musician and is the author of the "Piano Narrative". He is also the author of more than 10 kinds of works such as "Easy to Say", "Spring and Autumn Saying", "Collection of Qingrong Residents", "Yanyou Simingzhi" and so on. The "Yanyou SimingZhi" is one of the six zhi of the Song and Yuan Dynasties.
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