The TV series "Shang Food" starring Xu Kai and Wu Jinyan has recently been broadcast, telling the inspirational emotional story of the young girl Yao Zizhen (Wu Jianyan) who was selected as a palace girl of the Shang Food Bureau during the Ming Yongle years, adhering to the pursuit of Chinese food skills, meeting friendship and encountering love, and finally getting to know the wise and divine grandson Zhu Zhanji (Xu Kai). It carries forward China's food culture and traditional costume culture.
However, such a TV series aimed at traditional Chinese culture was previously said by South Korean netizens to copy Korean hanbok.
The dispute between Hanfu and Hanbok is already a cliché, and when Xu Kai sent out makeup photos on Weibo before, he was questioned by Korean netizens.
Yu Zheng weibo said that Hanbok originated from Hanfu and was also screenshots posted on the Korean website and rushed to the hot search...
During this year's Winter Olympics, due to South Korea's various confusing behaviors, the relationship between China and South Korea became tense, and the issue of Hanfu and Hanbok was raised again, and the blogger Shiyin released a video to explain the relationship between Hanbok and Hanbok in detail.
This kind of behavior in South Korea will undoubtedly make us angry, but while we are angry, we should also take this opportunity to understand the traditional costumes of the mainland and understand the spiritual core of our own costumes.
Crown the kingdom
Splendid China
Hanfu first appeared in the Yin Shang period and was fixed in the Zhou Dynasty.
The clothing of the Shang Zhou Period is mainly the collocation of "tops and bottoms", "clothes" is a skirt, around a wide-brimmed belt, pants for trousers without crotch, pants cuffs on the shins, also known as shins. This kind of clothing is incapacitated, especially not suitable for war riding and shooting.
During the Spring and Autumn Period and the Warring States Period, the style of Hanfu was gradually enriched, and deep clothes appeared, that is, the top and bottom were connected together, which was characterized by making the body hidden deep and elegant.
During the Qin and Han dynasties, the costumes of men and women still followed the deep clothes of the Warring States period, and the deep clothes at this time were curved and straight. Men's hem is relatively wide and easy to walk, while women's hem is only wrapped around the lower body, making mobility difficult, mainly due to the Han crown originally did not have crotch pants, the hem of the heavy protection to avoid indecent.
After the Eastern Han Dynasty, due to the improvement of underwear, the winding and curved hem that prevailed in the pre-Qin and early Western Han Dynasties has gradually become popular and has become the main model of deep clothing.
The costumes of the Wei and Jin Dynasties and the Southern and Northern Dynasties were influenced by social politics, economy, ideology and other aspects, from the Wei and Jin dynasties still following the old system of the Qin and Han Dynasties to the mutual influence, mutual absorption and gradual integration of various ethnic groups during the Southern and Northern Dynasties. The costumes of this period are mainly characterized by natural freedom and clean and empty.
Tang dynasty:
Chinese costumes
The most exciting chapter
In the Sheng Tang Dynasty, the development of ancient Chinese costumes also entered its heyday. Due to political stability, economic development, and frequent foreign exchanges, the open atmosphere of the Tang Dynasty was also reflected in the clothing, women's long skirts can be tied high to the chest, in addition, hair buns and makeup are also more abundant, showing the beauty of women's grace and luxury.
However, in the Song Dynasty, due to the long-term merger of internal and external troubles, coupled with the influence of Cheng Zhu Lixue and other factors, the costumes of this period changed from the bright and luxurious of the Tang Dynasty to the simple and elegant again, and also changed from the open sleeved shirts of the Tang Dynasty to the narrow skirt of the upper and lower skirts.
The Ming Dynasty, that is, the formation period of Hanbok. The costumes of the Korean royal family were given by the Ming Dynasty Tianzi, allowing them to be a vassal state of China, and Korea improved according to the costumes of the Ming Dynasty, which was essentially different from the Hanfu in terms of cutting, craftsmanship and style, and eventually formed its own clothing system, thus leading to the Korean "yiguan cultural relics with China", that is, in fact, Hanfu originated from Hanfu and was a vassal of Hanfu.
(Hanfu)
(Hanbok)
But now the Korean film and television drama in the Hanbok is more and more Sinicized, "borrowing and using" the mainland film and television drama in the dynasty costume elements, the positive output of culture is essentially a good thing, occasionally borrowing is not to blame, but we always do not forget, in the long river of history, clothing culture is an indispensable part of traditional Chinese culture, is a symbol of the times. Every country should face up to its own history, as long as it is our own things, others can not steal it under any circumstances, and should also take this opportunity to understand the culture of their own country and carry forward the brilliant music of our Yangyang Huaxia.