laitimes

Appreciation of Tang Yin's Landscape Paintings (Part 1)

author:Two or three miles of information

Tang Yin character Bohu, small character Zi Wei, number six ru layman, its landscape painting patriarch Li Tang, Liu Songnian, the integration of the north and south schools, pen and ink delicate, sparse layout, style elegant And Qingjun.

Appreciation of Tang Yin's Landscape Paintings (Part 1)

Akiyama Takashitu Ming Dynasty Tang Yin

The picture depicts the autumn river is wide and far away, the mountain is cool, and Coats or carries a piano, or watches a waterfall, or plays a game, or a fish. A real retreat. Shanshi pen ink learning Li Tang to his slashing momentum into a deep show pen, this volume or Tang Yin's antique pen.

Appreciation of Tang Yin's Landscape Paintings (Part 1)

Dengxiao Girl's Picture Ming Dynasty Tang Yin

The title of this painting is Shangyuan Capital City to see the Aoshan Lantern, Yin will try and then, frustration is sloppy, did not try to go to the Beijing Division, so this painting is regarded as Yu Siji.

Appreciation of Tang Yin's Landscape Paintings (Part 1)

Empty mountain waterfall map Ming Dynasty Tang Yin

This picture depicts a huge peak towering in the sky, a double pine roof, a waterfall splashing between the cliffs, and a Coats waterfall. Tang Yin's self-titled poem "washes the heart", which is deeply pointed. This mountain stone painting method is Tang Yin's typical "chaotic firewood", which is a good embodiment of the danger of the mountain.

Appreciation of Tang Yin's Landscape Paintings (Part 1)

Wild Pavilion Mist Ruitu Ming Dynasty Tang Yin

In the painting, the ancient trees are gloomy, the mist clouds are clothed, the streams are babbling, the mountain paths are twisting, and a boy returns with herbs; on the right, an old man sits in it, and there is a pen, stone, and paper in front of him, slightly contemplative. Technically, with Liu Songnian's painting method as the mainstay, the small axe of the mountain stone house is split and the use of hemp, thirsty pen light ink, very hairy and astringent, and has a moist rhyme, which is Tang Yin's meticulous work.

Appreciation of Tang Yin's Landscape Paintings (Part 1)

Peitai real scene of the Ming Dynasty Tang Yin

In the inscription poem, Tang Yin told the reason for drawing this map. In the first year of Ming Zhengde (1506), when Tang Yin was 36 years old, he accompanied the university scholar Wang Jun to paint this map after touring Peitai and gave it to Mao Chemist. Peitai, also known as Gefengtai, is located in the territory of present-day Pei County, Jiangsu Province, and according to legend, Liu Bang, the ancestor of Han Gao, once drank and sang here, and posterity built this platform to jizhi.

Appreciation of Tang Yin's Landscape Paintings (Part 1)

Huaxi Fishing Hidden Figure Ming Dynasty Tang Yin

Between the picture of Songyu Island, a boat fishing, with a pen round and natural, with ink elegant and wet. It is a former work of Xue Zhou Chen, suspected to be at the age of thirty-one. The character is pure zhao meng's face, which is very close to the lamp curtain. At this time, Yin Forge Yu returned, good Buddha's words, and studied numerology and star divination, and was interested in narrating, and his poems were also created at the peak of this time.

Appreciation of Tang Yin's Landscape Paintings (Part 1)

Jiangshen Caoge Figure Ming Dynasty Tang Yin

This painting is clear and meticulous, revealing a bright and beautiful elegant atmosphere in the wind and bone.

Appreciation of Tang Yin's Landscape Paintings (Part 1)

Southern Tour Map Ming Dynasty Tang Yin

This volume depicts the scene of the gentleman riding a donkey to the south, along the way the plants are lush and the pedestrians on the road are endless.

Appreciation of Tang Yin's Landscape Paintings (Part 1)

Qifeng Gao Yin Figure Ming Dynasty Tang Yin

This depicts peaks towering over the sky, horizontal clouds interrupting, and long waterfalls hanging over the sky. There are red-clad tourists riding high horses on the boardwalk, and there are tall huts built in the shade of dense trees, and the hidden people in the houses seem to be reading. The whole mountain stone is all painted with bohu's unique "stripe", although complex and refreshing.

Appreciation of Tang Yin's Landscape Paintings (Part 1)

Jin Chang farewell figure Ming Dynasty Tang Yin

The picture depicts four people on the shore of Willow Creek bidding farewell, and the friend who is about to leave looks back at his three friends, with deep attachment, and a woodcutter next to him waits for the departing person to board the boat and is about to set sail. In the distance, the mountains are rolling, the clouds are misty, and the sky is high. The whole picture is fused with ink and light color, so that the picture presents a clean and elegant style.

Appreciation of Tang Yin's Landscape Paintings (Part 1)

Buxi Diagram Ming Dynasty Tang Yin

The picture of the mountain peaks is standing on the wall, and the clouds are misty. At the foot of the mountain, one person walked slowly, his sleeves fluttering with the wind, the hermit mood was born from the moment, and the other person stood opposite it, looking pleasant. Pinggang is lined with trees, Banqiao streams, mountain winds and sounds, and the mood is empty and desolate.

Appreciation of Tang Yin's Landscape Paintings (Part 1)

Ming Dynasty Tang Yin

The picture is surrounded by mountains, waterfalls pouring, and the beautiful foothills of green water are lined with green water, there are two or three huts, the water in front of the house is babbling, a bridge connects the two sides, an old man on the bridge moves forward with a staff, and the book boy follows with the violin. A person in the room sat down to read a book, and placed a pot and a cup on the case, as if waiting for Zhiyin to taste tea and discuss poetry.

Appreciation of Tang Yin's Landscape Paintings (Part 1)

Sport fishing figure Ming Dynasty Tang Yin

The picture depicts the scene of late autumn, the lake is sparkling, on a flat leaf boat, two people sit at both ends of the boat, the old man is half-reclining on the boat, as if thinking about the problem; the riverbank under the boulders under the hut hidden in it, an old man holding a poetry book, above the fiery red leaves fluttering.

Appreciation of Tang Yin's Landscape Paintings (Part 1)

Youren Yan sitting figure Ming Dynasty Tang Yin

In the picture, the clouds and peaks are ethereal, the streams are thick with bamboo, and a person in the water pavilion sits quietly, with books and tea sets next to it, as if to wait. A man at the stream with a cane is independent, overlooking the mountains in the distance.

Appreciation of Tang Yin's Landscape Paintings (Part 1)

Bishan Qi Tree Diagram Ming Dynasty Tang Yin

Appreciation of Tang Yin's Landscape Paintings (Part 1)

He tu Ming Dynasty Tang Yin

In a secluded place between the landscape and the mountains, under the pines, a literati uses a flat stone block as a table, lays paper and ink, or writes poems and paintings, or reads and recites poems, and at this moment a crane comes to him, with slender legs and slender neck, without fear of life.

Source: Yezaki Culture

Statement: This article has indicated the source of the reprint, if there is any infringement, please contact us to delete! Contact email: [email protected]

Read on