"The World of Man" has been broadcast for 20 episodes, each episode is full of expectations, unforgettable memories, empathetic topics, wonderful interpretations, composed of this drama with both heartache and tears.
In a lifetime, the grass and trees are autumn, when we watch the stories of others, we see a vivid self, empathy, so that our emotions fluctuate with it and cannot help ourselves.
Thanks to Liang Xiaosheng's "Human World", although the TV series has made some adaptations of the original novel, the flavor of the story is still there, and the main emotions of the characters are still there, which is already very valuable.
Of course, a good film and television drama is inseparable from the interpretation of good actors, and why does this drama make us love it so much? Of course, it has to do with these good actors.
The old drama bones are touching
This is a drama with a history of fifty years, in which the relationship between the characters is intricate, and the time point and location line are also stretched very long.
Three generations, more than a dozen families, and the personality of many characters has distinct characteristics, so it is difficult to do everything, but fortunately, the director uses his own unique techniques to present us with a good drama suitable for all ages.
It is said that it is three generations and more than a dozen families, but the most important characters are still around the Zhou family, so the role of several people in the Zhou family is particularly important.
There are also several characters who have a direct or indirect relationship with the Zhou family, which is also very important, fortunately, the old drama bones in this play are really powerful, they make us shed tears without changing, and let us laugh in the aftertaste.
As an old drama bone of the powerful faction, I personally believe that Sarina, who plays the mother of the Zhou family, is the first in line, because she almost covers most of our tears and laughs.
Sarina as a "screen mother professional household", that title is really not in vain, her emotions are rich, her expression is delicate, and a pair of eyes seem to see through the cold, warmth and vicissitudes of the world.
In the play, as a mother of three children, she is industrious, kind, respectable and lovely, although she has no culture, she has cultivated all three children into talents.
Her husband was away for many years, she had no complaints or regrets, she was impartial to her children, and in that era of material poverty, she ran the family prosperously, and everyone loved each other.
For the sake of her children and husband, she can be said to have given everything she has, she is the warmest spiritual pillar in the family, under sarina's wonderful interpretation, we seem to see her kind mother, her performance is real and natural without any trace.
In her body, we can't see any exaggerated movements and performances, she is always soft and slow, like a spring rain, although silent, but it has long invaded our hearts.
Watching her performance is really a kind of enjoyment, when the children are young, she writes all her love for the children into the eyes, the children are old, and she has become an old man who needs the children's care.
At this time, her face is less stubborn and strong, more satisfied and comfortable, and for these small expressions and small actions to control, Sarina really has too much grasp, she let us only from the changes on her face, we feel the traces of time and years.
And she moved us the most touching scene, is her long goodbye reunion with Zhou Father, in bed, she lay down for more than two years, in these two years, she put down all the burdens, she is too tired, she wants to sleep well, but this sleep for more than two years, after waking up, her spirit is a little bad, but she has a memory of her wife.
On that day, although she held the family photo in her hand, as if she was looking for the shadow of her wife, the moment her wife pushed open the door, her heart recognized her wife at once.
She hesitated and was a little excited, and the two old men approached step by step in each other's eyes and tears in their eyes, and finally they finally embraced each other.
Seriously, that scene is really touching, a family of five, gathering less and leaving more, and their old two is really not easy, old Zhou is so old but still running outside.
His wife was sick, and he couldn't come back to accompany him, and at the moment when they met, Lao Zhou's heart was full of guilt and heartache.
Mentioning Father Zhou cannot fail to mention Ding Yongdai, when his "White Treasure Mountain" corner was really full of fire, now, decades have passed, and his interpretation has reached the point of pure fire.
Any role in his place, really casually without any sense of violation, he played the bad guy, let people hate to grit their teeth, but play a good person, and let people move to tears.
As the father of the head of the family, he wants to earn money to raise three children, and in order to earn more money, he needs to run around the field for many years.
The years had turned his sideburns into frost, and his figure was still working outside, fortunately, he had a good wife at home, and he had a few obedient and sensible children, which made him worry a lot less.
But later, the children all grew up, they came out one by one, but they also had their own ideas and opinions, although they were excellent, but they also made him more worried.
The eldest is a child he looks forward to, fortunately, he has been strong since he was a child, which makes him very pleased, the second is a daughter, but it also makes him most worried, the third is a generous person, for the third, he is the most assured one.
The three children have his three expectations, in the play, Ding Yongdai's performance is very appropriate, when he looks at the boss Zhou Bingyi, his eyes are appreciative and glowing; when he looks at the old second Zhou Rong, his eyes are doting and pitying; and when he looks at the old three Zhou Bingkun, his eyes are more assured and trusting.
All three eyes were played by him, and when the children were all home, the look in his eyes when he looked at the three children changed again.
To the boss, he changed from his previous appreciation to the current somewhat cautious, he said to the boss, the son is getting older and bigger, and the old man is getting longer and smaller, as if time has come for a reincarnation.
The roles of the former son and the current father have been transferred, and the father has become the child who needs to be cared for by the son.
For these adult children, the change in the mother may not be too obvious, but the change in the father is indeed huge, and at this point, Ding Yongdai is really too well represented.
The reason why the old drama bone is called the old drama bone is not to say that the actor is old or the old drama bone, the old drama bone is mainly reflected in the control and understanding of the role, of course, the more experience of life, the more outstanding performance, because a lot of feelings really come from their own empathy.
In this drama, of course, there are several old drama bones, their performances are also very brilliant, Zheng Juan's adoptive mother is played by Wei Qing, although her appearance is not much, but every appearance, let us face the shock of suffering.
The old face, the gray hair, the humble face, the hunched body, and the reeds have really played the old man who has been full of vicissitudes to our tears.
In "I Am Not a Medicine God", she made us cry, and this time, she earned enough of our tears.
The old lady Qu who appeared in the back was indeed a little uncomfortable when she first watched it, but with the development of the plot later, Zhang Kaili became more and more natural, especially the scene she and Lei Jiayin in the park, which really made people a little stoic.
Subsequently, Hao Mu, played by Song Chunyu, appeared, and she still played her own good level as always, and she played the stubborn old cadre very well.
She found a family for her daughter Hao Dongmei, and she was very dissatisfied, but in order to protect her daughter's face, she had to make some polite concessions.
Song Chunli interpreted the arrogance of Mrs. Hao very realistically, and the most wonderful thing was her direct confrontation with Hao Dongmei, her slap flashed, it was really tiger and tiger, and she could feel its strength across the screen.
These old drama bones really made us addicted, they made us moved at the same time, but also let us see their seriousness and perseverance, they are veritable artists.
The middle-aged actor is remarkable
In this drama, although several of the main actors appeared slightly earlier, after that, they used their wonderful acting skills to make up for the small shortcomings before.
Among these main actors, there are a few more prominent, they are Lei Jiayin, who plays the old three Zhou Bingkun, which is really a treasure-level actor.
Each of his films has its own characteristics, and his face is full of charm, and what is more rare is that his eyes are always full of clear colors, which really has nothing to do with age, because some actors are in their youth, and they do not necessarily have such clear and transparent eyes.
In this drama, as the old and young of the Zhou family, he paid the most, but he got the least affirmation from his father, he was somewhat aggrieved and unwilling, at the same time, he was a little angry and reluctant, and these small expressions and small actions were really performed by Lei Jiayin for several levels.
In front of his mother, he was meek like a kitten, but in front of his father, he was like an angry little rooster, he thought that his father was eccentric, and he could not treat him and his eldest brother equally, so he did not give in to his father.
As for the eldest brother, he also respected him from the beginning to the later unconvinced, then he interpreted all these expressions quite well.
His performance is real and vivid, there is no trace of performance, and Yin Tao, who is partnered with him, is also very brilliant, she is the only middle-aged actor who still retains her girlish temperament in middle age.
Yin Tao's performance is the same as Lei Jiayin, they all belong to a serious and heartfelt type of actor, they are very integrated with the role, so that you can't tell which is the role and which is his own.
Among these middle-aged actors, their performance is indeed remarkable, of course, there is Huang Xiaolei, who plays Chunyan, and she really performs the spicy energy on Chunyan.
Before, I really didn't know too much about this actor, but this time her wonderful performance really impressed us.
In this drama, Song Jia's portrayal of Zhou Rong is also great, but this role is changed more than the original, so she has become less pleasing, which may also indirectly affect everyone's love for her.
However, the scene where she kneels next to her mother and weeps after her return is still moving for us, and in the later plot, we still look forward to her better performance.
Finally, I still have to mention an actor, who does not appear in many shots, just a few shots, but we are deeply impressed.
He is playing Sun Zhihong, who plays the water self-flowing, and he was not deeply impressed by him before, but this time his appearance can really be described as stunning.
He doesn't talk much, he's limping, and in the play, he's neither the main character nor an overly deep background, but why can he leave such a deep impression on us? I think this may have something to do with the temperament of the actor, and he played the water flow that was clear in the original work.
He doesn't speak, just standing there, he can make people's eyes revolve around him, it's amazing, this may be the charm of an actor.
The future of the new generation can be expected
In this drama, I really have to say that there is a small actor, he is Han Haolin, who plays Xiao Guangming, this child I still saw him for the first time in "The Knife Line in the Snow", and I was attracted to him at that time.
That TV series was also very popular at the time, and his fight with the Peach Blossom Sword God was particularly wonderful, and many viewers left messages saying that they did not expect that the most wonderful fight actually came from a child.
At that time, I paid attention to him for a few points, but I didn't expect to see him again in this drama, and it seems that his acting skills have not only won the love of the audience, but also won the recognition of the industry.
This time, the blind man he played was bright, and his tragic life made people full of pity, and the sensible person made people feel heartache to tears, and he had such a performance at a young age, which really made people full of expectations for his future.
It seems that the future belongs to the new generation, and I hope that he can go farther and farther on the road of the future, and go more and more smoothly!