There is a word called, "loose can be sloppy, airtight", which is often used to describe the painting style of calligraphy and painting works. Sparse, representing sparseness; dense, representing dense. Visual sparseness and density, commonly used in brushwork on the virtual and real display. These techniques are used to express the relationship between love and scenery.
In this way, it seems a little complicated, and there is exactly a painting of the modern famous Hu Ye Buddha's "Visiting Friends on Songshan" that can explain the relationship between density, weight, and situation. Hu Yefo imitated the techniques of the Song Dynasty and painted this work, using a rigorous and serious pen, flying pens in rough places, and hair in fine details. The dense relationship presented in the painting is completely expressed by the pen-and-ink relationship. Looking at the scenery in the painting, people yearn for it, want to walk into the painting, and talk with the people in the painting.
Hoya Buddha Matsuyama visits friends
The densest part of the pen in "Matsuyama Visiting Friends" is located below the picture, so it is processed in order to maintain the stability of the composition. Imagine if you use a pen like this at the top of the picture, the whole painting loses its stability. Hu Yefo was meticulous in his handling of details, the calligraphy and painting in the study, the saddle on the horse, the luggage carried by the domestic servant, everything was drawn in great detail.
It is reasonable to say that if the painting is so meticulous, it is easy to lose the primary and secondary. He wanted to use a more delicate brushwork to outline an ancient pine tree. It really responds to a sentence, "A mountain is higher than a mountain." You think it's delicate to the extreme, and there are more delicate parts. In a way, this is also a kind of dense contrast, finer and finer. The thick and light transformation of ink color and the brushwork of virtual reality make the picture have multiple levels, which looks dense but not chaotic.
Hoya Buddha Matsuyama visits friends locally
Looking at the stone on the shore again, it was extremely simple to use the pen, and you can count how many strokes he used. The contrast of ink colors reflecting the structure of the stone block is strong, and the thick ink of the thirst pen forms a "flying white" effect, like the highlight part of the natural mountain stone. Without these few flying whites, the texture of the whole stone would change. It can be seen that whether it is a whole work or a small local scene, Hu Yefo has always taken into account the sparseness and confidentiality in his creation.
Hu Yefo's paintings certainly have a purpose, he depicts quiet and deep landscapes, aiming to show the ease and tranquility of the literati's life. Wang Wei said, "Go to the end of the water and sit and watch the clouds rise." "Leisure, freedom, peace, this is the state of life that the reclusive literati have always pursued. Through the technique of contrast, he shows the rationality pursued by the hermit literati. After looking at the landscape in the painting, I know that it is not only the hermit who likes this kind of life, most people want to visit in the painting
Look at the distant mountains and mountains, and then look at the pen and ink chapters, you will feel that it is just right, everything is just right. Good landscape painting emphasizes the unity of technique and content, and there are some landscape painting techniques that serve the content. After reading Hu Yefo's "Matsuyama Visits Friends", you will understand that the focus of writing love and writing scenes lies in true feelings. As long as there is a true love for the mountains and forests, it seems that the technique and content can be put on the back burner.
Just like when Hu Yefo painted the distant mountains, he used his pen with some "madness", which looked real and cute. Curious, he finished the painting in a slightly drunken state.
Enjoy "Matsuyama Visit friends", understand the sparseness and confidentiality, observe the situation and the scenery, and feel the unchanging seclusion of the millennium. There are many such works, but they are not tired of watching, and the reason is probably that many people have a hidden dream in their hearts.