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The ten most classic poems of Li Yu, the lord of the Southern Tang Dynasty, are all famous passages throughout the ages

Mr. Wang Guowei said: "Nietzsche is all words, and the one who loves to write in blood, the word of the Lord, the so-called one who writes in blood." Li Yu's lyrics are all written by him with the most extreme devotion and experience the greatest joy and pain in the world. The work of blood and tears can move people's hearts.

One

Yulou Spring

Evening makeup at the beginning of the bright muscle snow, spring temple concubines and fish. The phoenix blows off the water and clouds, and re-presses the neon song all over the place.

Who is more fragrant in Linchun? Drunken patting dry taste cut. When you return home, put candlelight red, and wait for the horseshoe to clear the night moon.

The ten most classic poems of Li Yu, the lord of the Southern Tang Dynasty, are all famous passages throughout the ages

This song "Yulou Chun" is Li Yu's early work. From this poem, we can glimpse the life of a rich and idle emperor in his early years.

At the evening banquet, the palace ladies finished their makeup, and their skin won the snow, one by one, arranged in the palace. The musicians played moving music, and the sound drifted between the clouds and water. The lyricist was drunk and hazy, a burst of aroma wafted in, I don't know from whom, he slapped the dry, experienced the deep feelings in the music. At the end of the banquet, the lyricist Li Yu asked him not to light the candles, but to listen to the sound of hooves and appreciate the night moon.

This poem can be said to write the life of wealth to the extreme, he wrote the ultimate sensory enjoyment from the aspects of sight, hearing, smell and so on. However, this sensory enjoyment does not stay at the material level, but also has a sense of spiritual satisfaction, such as when he hears music, he can't help but beat the knot, experience the deep feelings in it, after the banquet, he is not only prosperous and noisy enjoyment, but appreciates the night moon, in the alternation of prosperity and tranquility, experience a deeper spiritual enjoyment.

This is the artist's mind.

Two

Bodhisattva man

The dark cage of the bright moon is light and foggy, and it is good to go to Lang's side this evening. Socks step incense steps, hand-held golden shoes.

Seeing the south bank of the painting hall, I have always been snuggled and trembling. It is difficult for slaves to come out, and the gods are merciful.

The ten most classic poems of Li Yu, the lord of the Southern Tang Dynasty, are all famous passages throughout the ages

During the illness of his wife Zhaohuihou, Li Yu fell in love with Zhaohui's sister, and after Zhaohui's death, Li Yu became Xiao Zhouhou. This poem is written about his secret affair with Xiao Zhouhou, and is a famous word in the history of literature.

At night, the moon was hazy and the light fog shrouded the flowers, which was the right time for the meeting, and Xiao Zhou came to the appointment with golden shoes in hand and only socks. They met on the south bank of the painting hall, and after Xiao Zhou was excited, her body was still trembling slightly, and she issued a bold declaration of love: "It is difficult for slaves to come out, and the emperor is willing to pity." ”

Erotic poems would have been criticized, not to mention Li Yu's unorthodox stealing. But Li Yu doesn't seem to care about these things, he is a naked child in art, with a sincere heart and feelings to feel everything in this world, it is this undisguised emotional lyricism, so his words will be particularly moving.

Three

Ching Ping Le

Don't come to the spring half, the eyes are sad. The falling plums were like snow, and the whisk was still full.

There is no evidence for the yanlain to hear, and the road is difficult to achieve. Away from hate is just like spring grass, and it is farther and farther to live.

The ten most classic poems of Li Yu, the lord of the Southern Tang Dynasty, are all famous passages throughout the ages

Li Yu was a man of great affection, his younger brother Li Congshan went to the north and was detained by Zhao Kuangyin in the Capital Division, Li Yu several times asked Zhao Kuangyin to let him return from The Good, but Zhao Kuangyin did not agree. The Southern Book of Tang and the Biography of Congshan says: "The more the Lord of the Hou Dynasty thought more and more sadly, and every time he looked up at the north, he wept and wept, and did not dare to look up left and right." "This poem is likely to be Li Congshan's writing thoughts.

After parting, the spring is halfway through, looking up, not seeing the returnees, full of scenery, and causing inner sorrow. Under the steps, the falling plums fluttered like snow, brushing off the falling plums on their bodies, and soon they were full again. "Chaos" implies confusion. "Whisked a body is still full", indicating that the lyricist has stood for a long time, and also symbolizes that the lyricist's melancholy cannot be discharged, and it is waved away and again.

The geese flew in, but your message did not come, and in such a far place, I am afraid that your dream of returning home will be difficult to fulfill, and this parting hatred, like the spring grass, goes farther and farther but grows more and more.

This word of Li Yu is a natural good word with sincere emotions, deep body and deep body, and natural language.

Four

Break the line

Forty years of home country, three thousand miles of mountains and rivers. Fengge Dragon Tower Lian Xiaohan, Yushu Qiongzhi as a smoke lotus, how many have you ever known Gange?

Once classified as a vassal, Shen Waist Pan sideburns are consumed. The most is the day of the hasty resignation of the temple, and the church still plays a parting song and weeps at gong'e.

The ten most classic poems of Li Yu, the lord of the Southern Tang Dynasty, are all famous passages throughout the ages

Li Yu's poem is to write about the scene and feelings of the Southern Tang Dynasty when the country was broken.

Shang yan wrote about the beauty of the Southern Tang Dynasty. In the thirty-ninth year of the Southern Tang Dynasty, it once ruled thirty-five states, and its palace was majestic, connected to the sky, lush with grass and trees, like a female luo shrouded in smoke, such a beautiful place, where to know the cruelty of war.

The next book writes about the embarrassment of the country when it was broken. Since surrendering as a prisoner, Li Yu's waist and limbs have been thin and his white hair has grown. When he bid farewell to the temple, it was the most hasty, and the parting song was still played in the church, and he could only cry constantly at the palace maid.

This poem is a portrayal of Li Yuguo's scene at this time, and from then on, only blood and tears were left in his words.

Five

WangjiangNan

How much hate, last night in the dream. It is also like the old days of swimming in the garden, and the car is like a flowing water horse like a dragon. The flower moon is springing.

The ten most classic poems of Li Yu, the lord of the Southern Tang Dynasty, are all famous passages throughout the ages

After the kingdom is broken, all good things are only in dreams. This poem is the dream's memory of the Southern Tang.

In the dream, he toured the garden, how beautiful the scene in the dream was, the car was like flowing water, the horses were running like dragons, the flowers swayed in the spring wind, and the bright moon was reflected in the spring wind.

How beautiful it is in the dream, how painful it is to wake up from the dream. In modern times, Yu Yiyun's "Commentary on the Second Main Words of the Southern Tang Dynasty": "With the prosperity of that year, highlight the loneliness of today. The deeper the attachment to the past, the heavier the sorrow at this time. ”

Six

See you soon

Lin Hua thanked Chun Hong, too hurried. Helpless to come cold rain late wind.

Rouge tears, stay drunk, when heavy. Since people grow up to hate water and grow east.

The ten most classic poems of Li Yu, the lord of the Southern Tang Dynasty, are all famous passages throughout the ages

Li Yu's "Meet and Greet" is one of my favorite words, this song withdraws from the specific situation, but injects all the regrets and pains of life into the image of Lin Hua.

Lin Hua thanked, the original meaning has been expressed completely, but the Lord added the word "spring red", these two words can be solved between the incomprehensible, spring is a beautiful time, red is a gorgeous color, Lin Hua thanked, that good time also passed away with lin flowers, that bright color is also hidden in time.

"Too hurried", what a straightforward three words, but can only convey the endless regret, everything has passed away before we have time to cherish.

There are too many consumptions in the world, for Lin Hua, there is cold rain in the morning and miserable wind in the evening. For life, there is bitterness in this day and sorrow tomorrow.

The forest flowers with rain, like tearful beauties, seem to be retained, the flowers will be exhausted, and the red will be rewarded, when will they be reunited? All this makes people incomparably nostalgic, but all this will eventually pass away, and people grow hate, just like the water flows in the east, irreparable.

In this short short word, it contains all the shortcomings, pains, and helplessness of human beings. This is what Wang Guowei said in the Words of the World: "The Latter Lord is like Shakya and Christ bearing the sins of mankind." ”

Seven

Midnight Song

How can life be avoided with sorrow, and what is the limit of soul-destroying self-love! The dream of the homeland was returned, and I felt tears in my eyes.

Tall buildings with whom? Long remember the autumn sunny hope. The past is empty, still like a dream.

The ten most classic poems of Li Yu, the lord of the Southern Tang Dynasty, are all famous passages throughout the ages

This poem is also written in the dream of returning to the homeland, and the sentence is the pain of the subjugation of the country.

Tang Guizhang's "Brief Interpretation of Tang and Song Dynasties" said: "The two questions at the beginning of the sentence have explained the life of the past and the present and the life of oneself. Throughout the ages, everyone has inevitably been sad and bitter, but for Li Yu, his pain is even more soul-destroying. He dreamed of returning to his homeland again, but this time, Li Yu did not write about the scene in the dream, only said that he woke up with tears in his eyes.

He remembered that on a clear autumn day, he and the people around him climbed the tall building and looked at the Southern Tang Dynasty. But now, the tall buildings can only be ascended alone, the homeland can only dream, all the things that were once there have been, have become empty, and those beautiful years are like a big dream.

Chen Tingzhuo of the Qing Dynasty commented in "Don't Tune": "Leisurely heavens, who is this person!" ”

Eight

Waves and sand

The past is only sad, and it is difficult to rehearse the scenery. Autumn Wind Courtyard Moss Invasion Steps. A bead curtain is idle, who comes all day long.

The golden lock has been buried, and the vigorous artemisia is strong. Cool night on a clean moon. I want to get the shadow of the Jade Lou Yao Temple, and the air shines on Qin Huai.

The ten most classic poems of Li Yu, the lord of the Southern Tang Dynasty, are all famous passages throughout the ages

After Li Yu surrendered to the Song Dynasty, although there was no prison disaster, he was restrained everywhere. The song is a portrayal of his life after his surrender.

The opening sentence is infinite sorrow, the obsession with the past, is the pain that Li Yu cannot get rid of in the second half of his life, even in the face of beautiful scenery, it is difficult to discharge. Because the Song court did not allow him to contact outsiders, in his courtyard, the autumn wind was cold, the moss had grown up the steps, and the beaded curtains were hanging idle, and they were not rolled all day long, because no one would come to see him.

The Golden Lock is an allusion to the Three Kingdoms period, when the State of Wu used an iron lock to seal the river against the Jin army, and was eventually destroyed by the Jin. Li Yu's homeland is no longer there, and his former arrogance has long been paid to the wild weeds. At night, the weather was slightly cool, the sky was clear, the moon was shining, it was a good weather, but Li Yu remembered the Qionglou Yuyu of the homeland, their owners were no longer there, only lonely shadows, swaying in the Qinhuai River.

Prosperous old things, has turned into smoke and dust.

Nine

Wave Sand Order

Outside the curtain, the rain is babbling, and the spring is beautiful. Luo Yu was impatient with five more cold. In the dream, I did not know that I was a guest, and I was greedy.

Alone without a column, unlimited rivers and mountains, it is easy to see when it is difficult. Flowing water and flowers go to spring also, heaven and earth.

The ten most classic poems of Li Yu, the lord of the Southern Tang Dynasty, are all famous passages throughout the ages

This poem "Lang Tao Sha Ling", written shortly before Li Yu's death, is also one of his fatal words. For his homeland, Li Yu wrote words of mourning again and again, but he wrote so many articles, but there was no sense of repetition, and he could always bring people into the deep pain of the bone with a deep tone.

Outside the curtain, the sound of rain is murmuring, spring is about to pass, and spring is decaying. The thin quilt could not resist the cold of the night, so that he woke up from his dream at five o'clock. In the dream, he forgot that he was already imprisoned in the capital, thinking that he was still the lord of the Southern Tang Dynasty, and all night long, he coveted the rare pleasure.

No more looking at the fence alone, that infinite country, it is easy to leave, and it is no longer difficult to say goodbye. The water flows east, the flowers fall into dust, and spring is about to pass, comparing the past and the present, one is heaven and the other is earth.

The three words "spring goes also" are extremely painful. Tang Guizhang's "Brief Interpretation of Tang and Song Words" said: "The water flows exhausted, the flowers fall, the spring returns, and the people will die." The four languages are combined into one knot, and the liver and intestines are broken, and the hatred is lost for eternity. ”

Ten

Yu Meiren

When is the Spring Flower autumn moon? How much do you know about the past. Xiao Lou had another east wind last night, and the homeland could not look back at the middle of the moon.

The carved fence jade should still be there, but Zhu Yan changed. How much sorrow can you have? It is like a river of spring water flowing eastward.

The ten most classic poems of Li Yu, the lord of the Southern Tang Dynasty, are all famous passages throughout the ages

This last word is Li Yu's desperate word, and I believe many people can memorize it.

To appreciate this poem, one only need to pay attention to his three sets of contrasts, the first six sentences of this "Yu Meiren", each of which is a set of eternal and impermanent confrontations.

"Spring flowers and autumn moon" are eternal, and "past events" are impermanent. Every year there are spring flowers, every year there are autumn moons, and the past will only gradually disappear into memory.

The "East Wind" is eternal, and the "Homeland" is impermanent. The homeland has been destroyed, and every day when the spring breeze rises, it will only remind the writer of the homeland that cannot be looked back.

"Carved fence jade masonry" is eternal, "Zhu Yan" is impermanent. The palace in the old is still there, but his master has left, and his master has reached the twilight of his life.

Li Yu started from the pain of his own subjugation, and rose to the sorrow of the vagaries of all human beings through the contrast between eternal nature and impermanent life! He wrote a sad song of life.

Tang Guizhang said in the "Commentary on the Lord of Li Hou": "(Li Yu) As the lord of the country, he was rich and prosperous to the extreme; and after the fall of the country, the prosperity disappeared, and he could not look back, and his sorrow also reached the extreme. It is precisely because he alone has experienced this extreme sorrow that his literary harvest is particularly glorious and great. In the words of joy we see a beautiful flower; in the words of sorrow we see a trail of blood and tears. ”

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