Teacher Lv Dongming, Teacher Wang Yinglan and Mr. Zhao Rongchen took a group photo
In the 2012 Chongyang Festival Old Artist Concert, Lu Dongming, who has been in the northeast and has almost no national performances, does not know which wise eye to identify and is invited to participate. Because there is a TV broadcast, many people have the privilege of seeing her good.
Lu's performance information is indeed not much, and what can be easily seen is a few blurry videos. It was "Suolin Capsule" and "Tears of the Barren Mountains" performed with Teacher Zhao Rongchen at the Nationalities Palace in Beijing and Tianjin in the 1980s; there was also a section of "The Great Dengdian Temple", which was a performance by the 1983s.
Obviously, Mr. Zhao attaches great importance to this student, and Mr. Zhao has a record of these performances; if Lu has a reminiscence article, these performances must be important performances that are worth remembering since his art.
It is said that Lü will sing some plays unique to Teacher Zhao, such as "Wanniang and Ziyan", "Miao Qingniang", "The Record of the Broken Kiln in the Wind and Snow", "Flame Foal", "The Emperor and the Prostitute", "Master Li", "Harmonic Fun" and so on.
Probably also true.
Lu Dongming was a student that Mr. Zhao taught in the northeast in the early 1950s, and was one of the first students to learn drama from Mr. Zhao. At that time, Mr. Zhao served as the deputy director and star of the Art Committee in the Northeast Peking Opera Experimental Theater Troupe, which is now Shen
The predecessor of Yangjing Theater. Mr. Zhao starred and often performed in Shenyang, Fushun and other cities that were much larger than Tieling.
Young, handsome, unmarried, with high salaries, and the style of a dashing prince is still there. However, Mr. Zhao was only in the northeast for three or four years, and then he returned to Beijing. For this experience, Mr. Zhao also recalled and mentioned that Lu Dongming studied drama with him. There is a review in "Sixty Years of Ink Career":
"After the abolition of the Northeast Region, all aspects are no longer the scenery of the past, and my mood has cooled down, but I participated in some routine performances and gave my student Lu Dongming a play in my spare time." DongMing was still young at that time, and she couldn't sing in the troupe, but she was very hearty, and whenever I and the violinists Xu Wenmo and Erhu Zhang Shuo and the scenes talked about the drama and hung their voices, she listened carefully; When I perform, she observes and learns without leaks, admires my performing arts very much, and is willing to learn from me. I took the time to give guidance from time to time, but there was no mentor-apprentice relationship.
In the early 1950s, 'worshiping teachers and receiving apprentices' was considered feudal and banned. It was not until 1962 that Lu Dongming officially surrendered to my disciples in Beijing, but before she could formally worship her, I had already accepted Li Wenmin, Zhang Manling, and Xia Yunqiu as apprentices according to the formal etiquette, and she was ranked fourth in chronological order; but in fact she was my first student. ”
Mr. Zhao Rongchen went backstage to visit his disciple Lu Dongming
If cheng Pai really has a "bright voice", then Zhao and Lü Should be the most worth listening to and learning. Calm, pure, powerful, singing method is correct, regular, the rhyme is exquisite, the voice is wide and delicate.
Mr. Zhao's composure is sometimes criticized as slow. Ouyang Zhongshi, who has a deep relationship with Mr. Zhao, has commented that it is a bit long and is not quoted. Zhao's slowness is famous, including singing itself, listening to his "June Snow Sitting in Prison", it really needs to be calm. This is really dangerous for ordinary people.
There are people with great courage, Zhao, Wang, Li and Xue, dare to combine the characteristics of the three, want to brew the essence, the result is like a bean, and also to slow down, it will become a sparse bean.
Back to Lu Dongming. The loss is in the appearance, but the singing ability and singing method make up for the external shortcomings. In addition to her two chongyang festival concerts, one performance in 2016, the most recent performance is the 5th anniversary of Ji Zhao's death in Shanghai, probably in 2001. This is one of the few appearances that young fans can see. Lu is not based on age, nor is it to worship the teacher sooner or later, but because of the singing art itself, he is truly the "first student" under Zhao Shi's disciples.
Atmosphere is an adjective that is difficult to embody, and it is also difficult to describe and even more difficult to learn. This is not only an endowment, but may also require a disposition. The reason why I think Lu's singing can be the first of Zhao Men is not only that she sings very much like Zhao, but that she sings the atmosphere of Zhao, the softness and decency in the boudoir.
After reading it, I know that whether it is Zhang Huoding or Lu Dongming, "Tears of the Desolate Mountain" is zhao zhenchuan.
Just now, Mr. Zhao left the northeast and returned to Beijing. But there was no chance to perform, and then finally had the opportunity to perform, but also the same drama, repeatedly acting out a play, that is, "Tears of the Wild Mountain", Mr. Zhao said that he established "Zhao Yi out".
And this one, it's all the essence.
Mr. Zhao Rongchen's "Tears of the Barren Mountain" Shoutang folded stills
Text | SJKL