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Learn to play! Study notes of a fan of "Tears of the Wild Mountain"

author:Good morning Peking Opera

(Source: Guozhi Jingyun Liaocheng Peking Opera)

Learn to play! Study notes of a fan of "Tears of the Wild Mountain"

Author: On the self-cultivation of a drama fan

Solemn statement: This study note is the author's personal self-study record, not the professional information of professionals, not necessarily correct, only for the reference of theater friends, involving questions of professional knowledge, please consult professionals.

Learn to play! Study notes of a fan of "Tears of the Wild Mountain"
Learn to play! Study notes of a fan of "Tears of the Wild Mountain"
Learn to play! Study notes of a fan of "Tears of the Wild Mountain"
Learn to play! Study notes of a fan of "Tears of the Wild Mountain"

Practicing this "Tears of the Desolate Mountain" by Xin Yanqiu, I have the following experience:

1. During the exercise, I once again understood the importance of rhyming. Especially in the process of row cavity and dragging cavity, it is very important to rhyme with rhyme cavity, and at the same time with rhyme cavity, the resonance cavity should also be in place, there is rhyme and resonance, and the tone is bright and textured, otherwise it is blind humming.

2. Each actor has a unique charm of each actor. These rhymes should be experienced a little bit in the details of the singing segment. Some are unique methods of biting and rhyme; some are a special note when receiving; and some are the control of the dynamics when the sound slides. There is also an emotion of the actor himself, a unique charm that belongs to the actor himself, which can be understood ineffable.

3. Specific to the characteristics of the new Yanqiu,

(1) From the technical research, her singing style, the timbre is relatively thin, brighter, softer, more feminine than the contemporary Cheng Pai disciples' singing.

(2) Her bite rhymes less than modern actors. I feel that the actors of the modern Cheng School, the strength of the bite is relatively large, a little too strong, not natural enough, the actors' mouth shape, in order to highlight this strength, it does not look very good.

(3) Xin Yanqiu singing characteristics: her portamento is more special and should be paid attention to. When the sound slides, the timbre rises, but the breath is pressed down, which is a unique taste.

(4) Another learning feature is the unique air port. These air vents should be meticulous to the rise and fall of each word. For example, the first three words of the first sentence: Listen to the building, these three words are not sung in one breath, each word has its own breath, can not be written in one breath, chaotic. The charm of the new autumn has a lot to do with the way these air vents are handled.

(5) Xin Yanqiu's singing characteristics have her unique treatment of priorities, some words are full of breath, bite words are heavy, and some words are light and short, and it is necessary to carefully study the characteristics of these priorities. This is also her specialty.

(6) Her charm is an emotion when singing, especially her recitation, which is emotional, and it is necessary to sing with this emotion in order to find out her charm. To grasp her charm, you must find this emotion, but it will be indescribable.

(7) Remind again: the importance of rhyming cavities, especially portamento and drag cavities, with rhymes with resonance, is particularly important!!!

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