The water sleeve is actually an extension of the hand, through the water sleeve expressed in various forms of the hand, in these forms to express a certain content and emotion, that is, to let the water sleeve speak. The kung fu and strength of the water sleeve are all in the fingers, wrists and shoulders (of course, it will also be organically linked to the body style and footwork). The mastery of these momentum depends on the usual exercise, if it is specifically applied to the play, it cannot be a simple form and action, but must be combined with the action of the character, which has a certain purpose. Here, take the performance of the figure of "Zhu Lou" in "Suolin Capsule" as an example to illustrate. In the flood of Dengsan, Xue Xiangling's family was separated and exiled to Lu Mansion as a maid to watch the duke. When she played with Lu Gongzi, the ball was thrown up to the Zhu Lou by the Gongzi, and the Gongzi forced her to go upstairs to find the ball, and Mrs. Lu repeatedly confessed that anywhere in the garden could play, only the "Zhu Lou" was not allowed to go up, but Lu Gongzi had to let her go upstairs to find the ball, whether she went upstairs or not, making her feel very conflicted, and finally she was forced to helplessly, and had to step by step like a thin ice to climb up the stairs.
![Zhao Rong, head of the Seventh Guidance Group for Education and Rectification of the Provincial Political and Legal Contingent, inspected and guided the work of education and rectification in Hengshan District[fig]](data:image/gif;base64,R0lGODlhAQABAIAAAP///wAAACwAAAAAAQABAAACAkQBADs=)