Traditional Chinese landscape paintings have majestic mountains and water colors, and lofty mountains and mountains with grass and trees, but more are shallow mountains and valleys, small bridges and flowing water, calm and sparse, leisurely and elegant. The ancients Lezhi Mountain Forest, "Benevolent Leshan, Wise Leshui" like to cultivate the mind in nature, and pursue the harmony of "the unity of heaven and man". The artist we invited today is mainly based on sketching, traveling through the north and south of the great river, pinning his heart on the end of the pen, the majesty of the northern mountains, the beauty of the southern water, one by one jumping on the paper. He is Zhang Jianliang.
Zhang Jianliang's cognition of Chinese and Western painting reflects the breadth of diligence, and strictly implements the "three beauty" in creation, that is, "artistic beauty, form beauty, pen and ink beauty", whether it is the old Beijing Hutong series, the red wall series, the Taihang series, and the Guilin series, on the basis of "three beauty", it is integrated into the formal language of contemporary ink painting, creating a unique Zhang painting style.
Zhang Jianliang image photo
Biography
He is a member of the China Artists Association, a specially invited painter of the Palace Museum, a painter of Wang Wenfang Studio of the Beijing Academy of Painting in 2004, an executive tutor of the National Exhibition Creation Class, a director of the Canadian Luojishan Artists Association, the director of the Beijing Office of the Luojishan Artists Association, the thirteenth generation of Chen Jiagou Taijiquan, a special painter of the Valle Manor Gallery in Brois, France, and a double gold medalist of the 8th International Wushu Invitational Competition.
Today, we invited teacher Zhang Jianliang to create a small-scale painting "Safe House" around the character "hu" that mainly focuses on Beijing houses.
Seeing the word "household" reminded the teacher of "door to door", because the teacher often used the content of the word to represent the old house door. The door in the traditional house door is the door pier, which is square and round. The square is the book box, which means the book fragrant door; the circle is the war drum, which means the war drum beating tired, and the martial general mendi. "Household pair" is a wooden structure with a door frame growing above the door, like the hairpin on the bun of an ancient woman, because it is a pair, so it is called "household pair". How many household pairs represent family identity, so the ancients paid attention to "door to door" when they got married.
First draw a vertical line, the teacher said that the number of tiles does not need to be tangled, free to play. After that, the teacher will use the entire wall skin with a flanking edge, and then draw a ladder next to it, breaking the vertical line structure from the near middle position, also painting wadang, Chinese painting pays attention to short point perspective, not focus perspective.
When painting the gate building, pay attention to the stubble parts, some are connected, some are disconnected, and some are points up. Then draw the vertical wall, and when you draw the steps, you will also draw it completely straight, which needs to be twisted and turned, intermittently, so as to produce a sense of rhythm. The masonry is carefully extended, and then the top is infiltrated by the wetness, so that after baking, a very natural charm appears.
When painting the details, the pen is relatively slow, so as to reflect its quality, the teacher draws half on the left and the right side is fully exposed, so that there is a change. Then draw light poles, bicycles and other things with the atmosphere of life. The main room does not need to be painted very clearly, and it is more natural to paint other things inside when it is wet.
There is a technique in landscape painting called splashing ink, which is superimposed over and over again, which is equivalent to a finishing touch. Use ochre to dye, then use the flower cyan to take advantage of the semi-wet, gradually process, and then use a lighter flower blue to dye the distant trees, including the sides of the house, and then use the scattered edge to dye in the distant tree space, slightly hooking the branches.
Well, today's work created around the word "household" is here, I hope you like it.
Appreciation of works
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