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Paint the snow method
Painting snow scenes should be good at leaving blanks, blanks can be dyed with powder or not dyed with powder, white is snow, stay well, and get the spirit of snow. Traditional painting of snow is nothing more than depicting the hazy and cloudy scenery of the sky. Trees are used for dead trees with antlers or crab claws, and rarely painted evergreen trees. The trunk is slightly applied to the ochre, and the others are always dominated by dark cyan or pure ink, which is a gray and dark tone. Snow is silent, so it is also a quiet tone.
This is the experience of the former people limited to experience, can not see the snowy mountains on the Qinghai-Tibet Plateau, the sky is blue, the snow is crystalline, a reverse gray tone, so the contrast is strong. On the shady side of the snowy mountains and in the wind, the snow cannot accumulate, and the stone bones should be exposed, and the handwriting should be seen with thick ink, which is spicy and solemn, setting off the bluer sky and whiter the snow. In the meantime, storms fly glaciers, avalanches, clouds go, all the scenes of nature are moving, and the hues are bright.
It is a personnel embellishment, in the past, it was only painted "snow night visit dai", "riding a donkey to see plums", "boiling wine in the furnace", etc., but now in the Kunlun Mountains, braving the wind and snow to build roads, or taking dangerous roads to transport, or opening rivers in three winters, making fields in the moon, fighting the sky and fighting the earth, they are also moving. The times are different, you can't use the old routine, you must change, in order to depict the spirit of the new era.
Flying snow painting method
Drawing a picture of flying snow, legend has it that a slingshot is used to slingshot powder dots, as if it were dense snow. The "Daizong Mixue Map" of Wang Meng of the Yuan Dynasty used this method. I don't know how the bow is shaped and how to play, and I can't do it. Later, I used the "knocking snow method", and the effect was very good.
The method is to use two pens, one full of white powder, lying flat, and then use the other pen shaft to hit the flat shaft, to knock heavy, that is, there are fine points of powder scattered down. The white powder dipped in the tip of the pen is somewhat different, and the scattered ideas are also finely dense. You can try it on another paper in advance, and when the idea is of the right size, you can knock it on.
Rainscape Painting
In the past, people painted rain scenes, roughly painting cloud mountains after rain, or drizzling rain, and rarely painted heavy rain. Even those who painted "Returning to the Boat in The Wind and Rain" have not yet reached the state of maturity. When a rainstorm comes, it will be followed by strong winds, and the wind will carry the rain and pour down. Liu Zi Hou Shiyun: "The dense rain obliquely invades the Xueli wall." "This oblique word is used well.
We observe the coming of heavy rain, because of the strong wind, it is bound to be oblique. And it is not like a silk curtain, nor is it a dense color, it is a road woven in the middle, you can first use a line of pens to dip in ink and green water, and draw one or two inches of wide strips on the paper in parallel, one deep, one shallow, spaced each other, but the boundary can not be too obvious.
After drying, you can use deeper ink on the strips and draw trees, stones, houses, bridges, people, etc. The two sides are deep in the strip and fade into sight. Its grass and tree painting method is the same as the painting style, going against the direction and obliquely to reserve its momentum. Embellish the figures, paint rain gear, and go up against the wind to add to the atmosphere.
Painting style method
Wind is the flow of air, colorless and shapeless. Therefore, to paint the style, it all depends on the background of other things. Paint the atmosphere with surrounded grass and trees to fully set off the wind. When the wind comes from the east, the trunks of the trees on all sides face the wind and come out to the east, draw to the top of the branches, and turn their heads upside down to swing west in all directions. The vines and leaves on the trees also fell to the west, and the grass under the trees also moved westward.
In short, write that the grass and trees fight with the wind, and their beginnings are indomitablely opposed, in order to store their momentum, and their ends are trying their best, and the wind is going downwind to see the wind. The stones and slopes under the trees, although solid and not able to be stirred by the wind, must also be prepared to the east to headwind, and if they go west, they will be discouraged.
Painting the breeze simply shakes the tree right as a beep. The spring breeze is full of peach and plum in the garden, lightly lifted, blowing people intoxicated. Painting headwinds makes people shudder, but to paint the spirit of people, the courage to dare to fight against the cold air.
Painting fog method
The scenery in the fog, a blur, to use light ink to outline the object in the blur, slightly deeper in the near, and fainter in the distance. Do not use thick ink, thick is the meaning of fog. Painting fog does not need thick ink, a piece of light ink, do not lose in the flat. So only on the point line of the handwriting to seek its unevenness. For example, large ink blocks are used for nearby mountain stones, thick pens for near trees, and thin pens for distant trees, and the interspersing of complexity and simplicity and density and virtual reality can also be uneven. Once painted, the entire frame can be rendered in very light ink to increase its whiteness. There is no wind on foggy days, so the branches cannot be dynamic or sound, and it is a quiet pale gray tone.
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