Zhang Zhehan attends his friend's wedding at Nogi Shrine and laughs and takes pictures at the Yasukuni Shrine. Faced with the issue of principle, Zhang Zhehan touched the pain of history. After the incident, he expressed his ignorance in an apology letter.
Zhang Zhehan was born in 1991 in Xinyu City, Jiangxi Province, and graduated from the Shanghai Theater Academy. A child born in Xinyu, Jiangxi, Xinyu City is only 200 kilometers away from the revolutionary base area of Jinggangshan, has he ever visited Jinggangshan to study? A student of the Shanghai Theater Academy, after the college entrance examination, how did he learn history? Are there any history courses in the university?
Zhang Zhehan apologized for his ignorance, and behind this is that our propaganda and education work is not in place.
Jiang Wen said: Resisting the invaders is a work that should be most expressed in the world, China is not doing as well as foreigners, every year their investors, their artists, are doing such things, so that a young man who grew up in China, even a small-town youth, knows what the Nazis did.
There are many classic works of foreigners mentioned by Jiang Wen, such as "Schindler's List", "Beautiful Life", "Sarah's Key", "Boy in Striped Pajamas" and so on.
Spielberg, the director of "Schindler's List," said after making many successful commercial films, he said he wanted to make a film for his people to commemorate this suffering nation. This nation is the Jewish people. And the eight major Hollywood film companies are all Jewish, all belong to the same ethnic group, even if they do not make money, they are willing to make a movie for their own nation.
Too many foreign films show the suffering, pain and misery of their own nation. What they have in common is that they directly show the cruelty and asexuality of the Nazis, and these films directly show the Nazis frantically beating, smashing, robbing, burning, and openly persecuting and abusing Jews in Jewish homes, shops, and churches. How did the Nazis drive Jews to concentration camps where they toiled like slaves and then wantonly slaughtered. The SS exterminated the Jews like demons. The Nazis used shooting, shipwrecks, poison gas, and other methods to massacre Jews.
In terms of direct performance, Chinese films, as Jiang Wen said, really don't do enough.
There are many excellent Anti-War films in China, most of which mainly reflect the bravery and fearlessness of Chinese soldiers. There are only a handful of films that directly reflect Japan's brutal slaughter of Chinese. Although the treatment of the historical scene of the massacre in "Nanjing Nanjing" is relatively simplified, it is still very shocking. The original author of "Jinling Thirteen Chao" is Yan Geling, telling the touching story of what happened between a church in Nanjing when it was massacred. "Jinling Thirteen Chao" shoots the humanity of japanese people from a female perspective, which is very tense. Huang Bo's "Bullfighting" is a simple story of an ordinary farmer protecting cattle, but the plot of the whole village being slaughtered is well shown.
I don't watch many movies, but I can think of only a few films that embody Japan's brutal slaughter of Chinese.
Now, I reflect on myself, as a post-70s, in addition to the Nanjing Massacre, I don't know what other massacres there are.
After consulting the network information, the network information is not comprehensive and relatively small.
In fact, from the Lushun Massacre that began in the Sino-Japanese War, to the Factory Cellar Massacre, the Pingyang Massacre, the Panjiayu Massacre, the Pingdingshan Massacre, and so on. These massacres abound. The Japanese killing in China is a game, more brutal and inhuman than the Nazi genocidal plan against the Jews.
In Jiangxi, where Zhang Zhehan was located, the Japanese army wantonly pursued the "three lights" policy of burning, killing, and robbing the light, and carried out aircraft bombing, raping women, mutilating laborers, poisoning and scattering epidemics, plundering wealth, destroying civilization, and exercising criminal rule in Jiangxi, committing unforgivable and heinous crimes in Jiangxi. In Zhang Zhehan's education, it is all zero.
It is the provincial capital city, from March 1939, in the 6 years of the occupation of Nanchang, the devastating air raids of the Japanese army forced a large number of Nanchang citizens to die and move out, and the original population of more than 300,000 people in the urban area was less than 8. 50,000 people; 100,000 Japanese troops carried out poison gas warfare to siege the city and germ warfare to poison the citizens.
The Japanese army frantically slaughtered the residents of Nanchang, and more than 400 villagers trapped in Nanchang Sima Di were killed except for 1 who survived. The "White Bone Pit" in Guashan Village in Nanchang County and the "Mass Grave" in Xiangtang Town are all ironclad evidence of the atrocities committed by the Japanese army.
More than 20,000 women raped (up to old women in their 70s and underage girls down to seven or eight years old) in Nanchang, of which more than 17,000 were brutally killed after rape, and more than 2,700 were killed or injured.
In addition, he committed heinous crimes in Nanchang, such as burning houses, plundering innocent residents in war zones, brutal conscription and mistreatment of prisoners. The famous Tengwang Pavilion was also bombed at that time.
But the above, in terms of publicity, I only found two on Baidu, or in the 70s of the last century.
It can be seen that our relevant publicity and education is still relatively lacking.
China has developed rapidly in the past 30 years, but this national martyrdom cannot be forgotten, and if these histories are not expressed through written works, film and television works, and if they do not enter the classroom, our next generation will not know this at all. These written works and film and television works only need to truly describe history, do not need to praise, and believe that our children have a sense of justice.
Nowadays, many of our male actors show a feminine spirit, applying white powder, smearing red lips and lips, and playing studs.
Girls chasing such stars also make ordinary boys think that they also want to make women and children like it. This is an abnormal phenomenon. Let the boys return to the sunshine and become bloody and responsible boys.
History has become history, and history also needs to be warmed up, and only when the past can we learn new things.
The national martyrdom cannot be forgotten, the work of education and propaganda has a heavy task and a long way to go, and our education should not only stay in the discipline education, but the national sentiment is more important.