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A woman, driving a taxi, which is her favorite job, with her back to the guests, wanders the streets of this foreign land.
Outside of work, she likes to doodle on the walls and paint the Suzili of her dreams, much like her hometown of Suzili in Saigon, Hong Kong, hoping that one day, she can buy a house there.
Love at first sight, it seems how much of a romantic dreamy word, in this movie, but there is no romantic feeling.
The male and female protagonists are two people who have no intersection, and they meet unexpectedly in the bar, because they are the same Chinese and have made a game about tacit understanding.
So there was the first intimate contact, then the second, the third...
In this way, the relationship occurred, and gradually became familiar.
One is a single mom driving a taxi, and the other is a program genius who owns her own company.
The reality, however, is that even if she suspects that the other person may be a rich person, she would rather believe that he is a marginal person.
It wasn't that she didn't want to believe it, it was that she couldn't believe it.
Fate allows two people who are touched by each other to live together, and they live together day and night, happy and sweet.
But soon, his business was in trouble, facing bankruptcy, he gradually became cold and irritable to her, and finally he was desperate, and he committed himself to the female investor, and she accidentally saw it.
She said nothing but the keys to his house and returned to her former residence with her luggage.
And he didn't explain, nor did he go to her.
Maybe he thinks his self-esteem, his predicament, and even that he wants to give her a better life, is his reason for not looking for her.
He endured, worked hard, and hoped that when he made a comeback, he would pick up this relationship again.
It's just that he was wrong, and when she fell in love with him, when she saw him being caught in the street, she didn't know what his career was like, and she didn't understand how much money he really had.
Without money, she could continue to drive taxis, and all she wanted was to be by his side silently when he was most frustrated.
She didn't understand anything, she just wanted to clean up the house and cook a good meal for him to come back to eat, she didn't ask for it.
And he just said, I'm not enough, I'm not good enough, it's my problem, you're already good to me.
The security men need comes from careers, and women's security comes from men.
She said: "Actually, I don't like San Francisco at all, life is already difficult, and I have to go uphill and downhill." ”
After he made a comeback, he went to ask for her forgiveness, she put on her sunglasses in the crowd and turned away, but when she got home, she expressed regret to her friends, which was her true thoughts.
When the earthquake struck San Francisco, he remembered what he had said to her:
"If tomorrow there is a big earthquake and everything we have is gone, then what to do?"
Now that we're both together, why not cherish what we have now? ”
He ran to her house without thinking about it, and hugged the woman he never wanted to lose again.
Because this movie is starring Dawn and Maggie Cheung, it is often compared with "Sweet Honey".
The two films have similarities, and the characters played by Maggie Cheung are both grassroots who are wandering in a foreign land, looking for rare love in a difficult life.
Living in a foreign land, many things are involuntary...
To be honest, I really dislike the character played by Dawn.
People living in the world will encounter setbacks, but setbacks are not willfully angry at the people around you who are good to you, not to push away the people who love you the most in this way.
He can go for any opportunity and not willfully say dirty things about people who might invest in him.
He doesn't have to value his so-called self-esteem, and he can face everything with her beloved.
I'm more about seeing the light on the character played by Maggie Cheung.
A woman, in a foreign country, with a child, driving a taxi, still has the good wishes of Susilia.
When she encounters difficulties, she can actively cope, no money is nothing, she does not need a man to raise, she continues to drive a taxi on her own, and she can still live well.
She can rely on men, but also does not lose herself, tough as a weed, such a woman is the most charming, isn't she?
Like the classics, like nostalgia, share good films and good dramas, Xiang Yang takes you to relive classic movies and television!
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"I want to be rich": Jacky Cheung A neglected movie, a thought-provoking tragedy