Text: A lot of words
In this era of medical beauty technology + packaging, it is not difficult to do this, however, in the 7 and 80s of the last century, there was such a woman, who with her acting skills, supported the position of a sweet and salty Shaw sister.
This special woman is the late female star Jing Li.
Jing Li, born in 1945 in Jinan, Shandong, is a second generation star.
Jing Li's father, Jing Miao, is a famous actor in the film and television circle, and in the movies of the 50s of the last century, it is often seen that Jing Miao plays a supporting role, and he is also known as the gold medal green leaf in the industry.
In that not peaceful era, my father considered the future development of the family, so the family moved to Taiwan.
When Jing Li was six years old, she was favored by directors in the industry because of her sweet appearance, and participated in the movie "Excalibur Shaking the Rivers and Lakes".
When Jing Li was in high school, the Hong Kong film industry developed rapidly.
In 1963, his father, who was judging the situation, moved to Hong Kong with his family and settled down.
As we all know, in the growth period of children, if the living environment changes many times, it is very easy for children to feel insecure.
Perhaps influenced by her parents' enterprising spirit of self-improvement, Jing Li's ability to adapt to the new environment is very strong, but even so, Jing Li still cannot easily trust others. The reason is that the environment around them changes too quickly, those who have just met each other, the friendship between each other is getting thicker and thicker, but because of the sudden move, it is too late to say goodbye and never see again, so frequent small separation, so that Jing Li is used to being alone, making her own things, never relying on anyone.
Jing Li's father, Jing Miao, later joined the Shaw family, and with the improvement of economic conditions, the family later settled in Kowloon City, Hong Kong.
Jing Miao, who believes in poor children and rich daughters, attaches great importance to the education of her daughters, from childhood to adulthood, Jing Li has been living a life of brocade and jade food, although there is a big gap with those golden and shining rich ladies, but it also looks full of luxury.
If you want to become a talented girl with a poetic and bookish spirit, you must step into the corresponding learning environment.
For all the fathers in the world, their daughters are their lovers in their past lives, so in terms of cultivating their daughters, Jing Miao has always spared no effort.
Under the strict discipline of her parents, Jing Li successfully entered the school gate of Zhuhai University in Hong Kong with excellent results and became an undergraduate student in the Department of Social Education.
At that time, Jing Li, who originally thought that she would eat by talent, never thought of eating youth by her face, because she never wanted to be an actor like her father, and her father did not intend to let Jing Li engage in the same industry as herself.
Because the old actor who has been immersed in the entertainment industry for many years is very aware of the strange environment, the place where the three religions and nine streams gather, anything can happen, how can he be willing to let his daughter engage in this kind of work?
However, Providence makes people, and when she grows up, Jing Li has a beautiful appearance and is very moving, and if such a woman does not enter the entertainment circle to show her glory, it is simply a violent thing!
Hearing Shao's senior management sigh like this, Jing Miao couldn't help but be moved, and when he returned home, he asked his daughter if she had the idea of filming, and Jing Li was actually full of curiosity, and she really wanted to feel what it was like to be an actor.
Therefore, Jing Miao set a lot of rules for her daughter, and the central idea emphasized was quite clear: "Clean yourself up."
In 1966, the 21-year-old Jing Li had not yet graduated from college, and she had to take a temporary suspension because she signed a basic acting contract with "Shaw".
In the entertainment industry, who is the favorite beauty actress?
The answer is Qiong Yao, throughout Qiong Yao's royal use of female leads, without exception all are beautiful women, so Qiong Yao explores the talent and eyesight of beautiful women, and has the combat strength to hang N scumbags.
Jing Li has just entered the film and television circle, and she was invited to the crew to shoot a scene by Qiong Yao, who was strong first.
In 1967, at the age of 22, Jing Li starred in the film "Boat" directed by Tao Qin, in which Jing Li played XiangYi, which was based on Qiong Yao's novel of the same name.
In this play, there is a plot to give Jing Li a close-up shot, when playing the pregnant female partner Xiangyi, Jing Li wants to meet with the heroine's actor He Lili in the café, when the heroine summons Xiangyi, Jing Li wants to perform the pregnant woman's manners, and the female partner Xiangyi's complicated mood at that time, this shot is quite important for Jing Li.
In order to show the manners of pregnant women just right and make the audience feel convinced, this past was later mentioned again by 59-year-old Jing Li.
The reason for recalling the past stems from Shaw's invitation, Jing Li wrote the preface for the "Shaw Light and Shadow Series" "Hundred Beauty and Thousand Jiao", according to her, in order to repay Tao Dao's blue eyes, she was twenty years old, fledgling, full of awe for this industry.
In order to get close to the characters, she observed the pregnant women around her many times before the performance, repeatedly speculated on the behavior of the pregnant women, took notes, read the script, turned the original work, and when it came to the official performance, she was well prepared like a pregnant woman possessed, acting very easily, without any feeling of hardship.
With a serious and patient and meticulous work attitude, after the successful release of this movie, the topic heat of Jing Li and the heroine He Lili was actually difficult to distinguish, and Jing Li, who debuted at the peak, has been playing continuously since then.
Jing Li, the second generation of stars at that time, did not rely on any of her father's personal resources and help, and with her superb acting skills, she won a place in the entertainment circle with abundant talents and fierce competition, and became a popular actress in Shaw's first line.
Jing Li's drama path is very wide, in addition to shooting romance scenes and playing the touching little family Jasper, she is also good at making action movies, and those characters with complex inner and high difficulty coefficients are all handy works in her.
In 1968, Jing Li cooperated with director Tao Qin for the second time, and the feature film "Cloud Mud" starring her was released, and it was well received, in this play, Jing Li played a girl with schizophrenia, both pitiful and cute, not only let the audience see the head, but also quite distracted, earning enough tears from the viewers.
Regarding Jing Li's acting skills, director Tao Qin commented on it this year: Jing Li this type of actor, she has the potential that many actors yearn for, and the plasticity is quite strong, she can play the "Lin Sister" of the weak Willow Fufeng, and can also play the spicy and strong "Wang Xifeng".
With the great success of the film "Cloud Mud", Jing Li became the darling of Hong Kong directors, and also won the Golden Horse Award that year, winning the special award of "Most Promising Actress".
It is worth mentioning that Jing Li's father, Jing Miao, gave his daughter a role in this movie, willing to set off the green leaves of the protagonist's red flowers, the old man played the father of the heroine "Susu" in the play, and the father-daughter relationship extended from outside the play to the inside of the play, which is rare and spread as a good story in the film industry for a time.
In the early 70s, Jing Li's acting skills won the favor of more directors, and Jing Li continued to play, and the directors she cooperated with became more and more famous.
In addition to director Tao Qin, she has cooperated with famous directors such as Xu Zenghong, Chu Yuan, and Zhang Che, and the roles she plays are also eclectic and have their own characteristics.
In the Hong Kong film industry in the mid-70s, martial arts action movies were popular, although there was less room for actresses to play, but even so, Jing Li became one of the few actresses who could be unique in the fight and kill scene.
In "Meteor Butterfly Sword", she plays Fluttershy has a hazy poetry, although the role is not much, but as soon as she appears, it makes people unable to move their eyes, with this picturesque temperament, for the male protagonists in the play, because of her obsession with fighting to the death, laid enough convincing in front of the audience.
In the early 1980s, Hong Kong was popular to shoot genre films based on "gambling", and Jing Li quickly adapted to this change, transformed into a salty and offensive "female old thousand", with "Gambling King Fighting Thousand Kings", "Gambling King Thousand Kings Heroes" and other films, once again shining on the big screen.
However, the phrase "ren hong" did not spare this versatile woman.
Jing Li's cooperation with major directors was later rumored to be that she had ulterior motives with multiple directors, and for the gossip of the outside world, Jing Li was cold and dismissive of the theory with the long-tongued woman.
She doesn't want to waste her good time in futile explanations, the kind of behavior of opening a press conference at every turn, endlessly consuming her own gossip, in order to win attention, are all tricks that little stars do, and Jing Li disdains it.
Maybe the real artists are somewhat untamed, dashing and uninhibited and love freedom?
At the peak of her career, Jing Li once entered a marriage in the 70s, her husband was named Xie Hongzhong, and the two gave birth to a son and a daughter after marriage.
Although she survived the itch of seven years, but could not survive the rumors of the city, the two divorced in the 80s, after the divorce, Jing Li devoted herself to career, never been bound by scandals to her own pace, and thus cast a generation of legendary actresses artistic bones.
Jing Li once confessed: "I will never be the second Ruan Lingyu, and I will not sacrifice myself because of the fearful words of others."
On December 9, 2017, Jing Li passed away at the age of 72.
This woman who once added luster to the Hong Kong film industry, left to future generations, a lot of unsolved mysteries, those seemingly true and false film secrets, is there really a thing? Or is it the words of a villain who is jealous of the able?
This mysterious woman is destined to become a legend in the history of Hong Kong film.
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