The long science fiction novel "The Phantom of the Chess Gate" is published

Beijing, January 20 (China Youth Network) -- Recently, children's literature writer Zhang Lu's long science fiction novel "The Phantom of the Chess Gate" was published by Tiantian Publishing House.

"Chess Gate Phantom" is a science fiction novel that connects history, reality and the future, depicting the little protagonist Haidan in order to find his missing sister, following the clues to participate in the "Spring and Autumn Chess Affair", which is an emotional clue throughout the novel and the logical starting point of Haidan's behavior; another clue in the novel, "Spring and Autumn Chess", is full of adventure "revealed" road. The two clues are closely related to the situation of the sister Hai Xiaohe and the "Spring and Autumn Chess Affair", and the clearer the sister's whereabouts and situation, the clearer the fog behind the "Spring and Autumn Chess Affair".

This book explores the ultimate propositions such as the meaning of human beings and the value of human beings - if a person loses the ability to think independently, erases the memory, and clears the trust and dependence between people, he will be manipulated like a robot; it also conveys a simple truth: in the growth of teenagers, the three are indispensable between individuals, families, and society, and without the companionship, help and supervision of the family, individuals who are lost in society are easy to go astray.

In this book, Zhang Lu skillfully integrates elements such as Go, robots, family affection, and human nature, and the storyline is relaxed, with a great sense of picture and three-dimensionality, depicting for us an unknown world that is both close to reality and full of science fiction.

Zhang Lu wrote in the afterword: "When writing science fiction works, we often pay attention to 'science' and ignore 'literature'. I'm talking about the human heart! This 'text' should also include social science aspects such as ethics and philosophy. No matter how much we pursue magic, we hope not to forget the connotation of the work (this connotation is of course a personal choice). I hope our science fiction works should not only be mysterious, but also beautiful..."