The new directors of the noonday sun have their own strengths, and the worst one is known as the "shame of noon"

Wen | Ling Fox Bo Guang

On January 1, Bai Jingting, Zhao Jinmai, Liu Yijun, Liu Tao, Huang Jue, and Liu Dan co-starred in the time loop drama "The Beginning", which was broadcast for eight consecutive episodes (members), and really did a good job after watching eight episodes in a row. As for the separate analysis of the TV series, if you have time to do it, it is still the director who writes about this drama.

Among them, the directors who can independently direct at Noonday Sunshine include Kong Sheng, Li Xue, Zhang Kaizhou, Sun Molong, Jian Chuanxuan, Lao Suan and others. And one of these directors has always been known as the shame of the noonday sun, that is, Zhang Kaizhu. The director information of "Beginning" shows that it is Sun Molong, Liu Hongyuan, and Lao Suan.

At present, Liu Hongyuan has not directed independently, and lao Only independently directed a web drama "Madhouse". Compared with Zhang Kaizhou, who also directed several plays independently, Sun Molong currently independently directed two dramas of good quality, so it seems that he and Lao Cai who are the hopes of the noonday sun?

One is a master brother, and one is just a partner? These two directors should not be confused

Kong Sheng's status and influence in the domestic drama director is beyond doubt, after 2000, the top ten of this generation, I think the top five are also ten to nine stable, as to whether it can enter the top three, there is a certain controversy, after all, it is difficult to compare directors in different fields.

Kong Sheng has an advantage that is difficult for other big directors to compete, that is, because of the support of the mature industrial chain of the noonday sun, the output of Kong Sheng TV series is very high, the theme span is very large, but the quality is very high. My personal impression is that I am the first of my generation of great directors, not even one.

In the future, there will be government grassroots TV series "County Committee Compound" and "Langya List 3", which are worth looking forward to.

In the noonday sun, Kong Sheng looks like everyone's teacher, and his young director is almost Kong Sheng's disciple. Their experience in filming dramas is basically carried by Kong Sheng, almost all of them are photographers, and then they are executive directors and assistant directors, and they have experience in shooting several TV series in a row, and finally independent directors of TV series are alone.

This Japanese made a cameo by Li Xue

Li Xue is almost a master brother, the executive director of "Life and Death Line", co-directed with Kong Sheng are "Wenzhou Family" and "No War in Beiping", and the first independent director of the TV series is "The Pretender", which opens the door to domestic idol spy dramas.

Later works include "Surgical Storm" and "Dajiang Dahe 2", I think Li Xue's style is not like Kong Sheng, because Kong Sheng's rhythm is slower and has a feeling of life epic. Li Xue's drama has a slightly faster pace, but it inherits some of Kong Sheng's delicacies, and this skill is still there, but it still lacks the masterpiece of independent directing.

In the past two years, Li Xue's independent director's works have not been broadcast much, mainly because "We are young" has been pressed for several years. In addition, "My Superhero" was filmed, and the drama to be filmed was "Big River 3".

There is another director that everyone should not be confused with, that is, Zhang Yongxin, the director of "The Age of Awakening", who is not a director under the noonday sun, but a director of the same "Mountain Film Department". But he and Li Xue are of the same generation, Zhang Yongxin 72 years, Li Xue 74 years, only two years apart.

I think Zhang Yongxin is likely to be one of the top directors of domestic dramas in the future, "The Age of Awakening" and "The League of Military Teachers", this director has a deep skill, and is a rare director with a romantic epic temperament, if you can make two or three more "The Age of Awakening" in the future, this status will arrive.

One is Kong Sheng's son-in-law, and the other is most like Kong Sheng? Who will be the light of the noonday sun in the future

Zhang Kaizhu mentioned it again below, and then there was Sun Molong, Jian Chuanxuan and Lao Suan. These three young directors are also quite interesting, one is Kong Sheng's son-in-law, one is the most similar to Kong Sheng's style, and one Kong Molong and Kong Sheng's son-in-law are combined.

I think the director who most resembles Kong Sheng in the style of noonday sunshine is Jian Chuan, and the independent director of Jian Chuan is "Ode to Joy 2", the quality is not good, and then "All is Good", "Anai + Jian Chuan" has become a fixed combination of noon modern urban drama. Good at modern urban dramas, with tight rhythms, climactic climaxes, smooth editing, and indeed more like Kong Sheng in the details of life and humor.

The disadvantage is that the plot is relatively bloody, and there is still a gap in the treatment of life to reach Kong Sheng's loud voice. Future dramas to be broadcast include "Season of Falling Flowers" and "Ode to Joy 3" (the 3rd, 4th and 5th parts are expected to be filmed together).

The old man is Kong Sheng's son-in-law, Kong Sheng's daughter is called Kong Gezi, and she runs a special effects company called Beijing Polar Region. The TV drama special effects of the noonday sun are basically made by this special effects company, which is also the strength of the whole industry chain of the noonday sun. Directing, writing, art, special effects and much more.

Lao Suan is kong Gezi's husband, and his current independent director's work is only one web drama "Madhouse".

Originally, there was a modern war drama "Overseas Group" co-directed by Kong Sheng and his son-in-law, but the project was yellow. Why does Sun Molong have to talk about it with the old calculation? Because compared with other directors in the noonday sun, these two directors are obviously younger, born in 89 years, Sun Molong did not check that they were older, but their styles are very similar.

Sun Molong's first drama is "I am Yu Huanshui", the first drama of the old calculation is "Madhouse", and now the co-director's "Beginning" has begun, I believe it can be seen, the two directors' dramas are fast-paced, new themes, few episodes, and they are all online dramas, and their TV series are obviously more in line with the current young people. They are also directors of noonday sun exploration of new themes and web dramas, and the future is still promising.

He's coming, he's coming? Why is Zhang Kaizu a shame of the noonday sun

Finally, there is Zhang Kaizhou, if Li Xue is the master brother, then Zhang Kaizhou is the second master brother. But this second master brother really has a lot of resources and time to hone, and as a result, he has not really supported it until now, and he is the most controversial director in the noonday sun. Zhang Kaizhou, like Li Xue, has just been established in the noonday sunshine period to independently direct the TV series, Li Xue is the 2015 "Pretender", Zhang Kaizhou is the same year's "He came to please close your eyes", but the quality and results are well -

Later, independent directors of the dramas include "If snails have love", "Do you know if it should be green fat red skinny", "Qing Ping Le" and "Children of the Qiao family", and his independent director of the TV series has 5 works. You want to say that he is very bad, except for "He Came Please Close Your Eyes", but it is very good and cannot be exaggerated.

This director really makes the audience love and hate, because he is the most romantic director of the noonday sun, referring to the treatment of the lens and the picture, which is not like Kong Sheng and other noon directors, but a little like Zhang Yongxin. The advantage is that the lens is particularly beautiful, the aesthetic is particularly good, the light and shadow processing is particularly good, and every frame of the empty mirror is the wallpaper.

This disadvantage is that the pace is very slow, and does not like the climax, flat and straight narrative, the most serious problem is that the narrative is not divided between the main and secondary, the editing is a mess, resulting in the story plot and character shaping usually have no focus, each line plot and role want to take care of, but the fast is not fast, the slow is not slow.

"Children of the Joe Family" regards the contradictions in the marriage life of the children who are relatively dog-blooded as the main content, and I remember that some fans commented that the death scene of the uncle's important role was brushed over, and as a result, Qi Cheng was filmed as a ppt when he first cheated, and it was really impossible to figure out his brain circuit.

I learned that Zhang Kaizhou and Zhang Yongxin are simply two sides of the same coin, and they are also a bit like Cao Dun, another Mesozoic director in China.

That is, their aesthetic and lens processing is really international first-class, and it is the top level in the country. The picture composed of art, composition, and costumes is really so beautiful that just one or two scenes even have a feeling of a master. If they can handle the rhythm, narrative and editing problems, it is a bunch of "Age of Awakening".

The problem is that they can't, this kind of obvious can be better but it is a little worse, and unlike the director team that deliberately feeds s shoddy, the audience's mentality towards Zhang Kaizhu is really indescribable. That is to scold him, you can't bear it, after all, the TV series is so beautiful, but you can't boast about it when you see the plot, it's simply a shame.

After "Children of the Qiao Family", Noon tried to create a new combination of "Yang Xiaoyan + Zhang Kaizhou" of the noon reality drama. Although it is not as good as Li Xue at present, or even two disciples, but in the prevalence of domestic bad drama directors is still good, the latest work is "In the Name of the Son", I hope to change this problem, to be so many viewers are afraid to really give up on him.

Some people are stable, some people are hopeful, some people are "shameful"? Domestic dramas need more "noonday sunshine"

"The Beginning" is being broadcast, "The Season of Falling Flowers" is about to be broadcast, and it is up to you to see if you can surpass "All Is Good" at the level of the noonday sun, the above directors have new dramas, and there are two new noon dramas that do not know the director.

"Tree of Life" is speculated to be a co-director of Kong Sheng and Sun Molong similar to "Mountains and Seas", and Gao Mantang is the script planner, but Kong Sheng, who is more than 60 years old, can still withstand the altitude sickness of the Qinghai-Tibet Plateau, so it is possible that Sun Molong is dominant, so Sun Molong may have to carry the top drama.

Another "Cherry Amber" talks about the love of young people in the context of the big era, and the prediction may be Zhang Kaizhu.

Finally, the young directors of the noonday sun have their own strengths, but due to experience and other reasons, this level of ability is indeed uneven. However, even if their ability is lacking, the two advantages of the noonday sun have always been what other domestic film and television companies and even all domestic dramas need to learn.

First, the noonday sun mentioned above is one of the few film and television companies in China that have a mature production industry chain, directors, screenwriters, artists, costumes, special effects, etc., and the film and television behind the scenes are very strong. We definitely don't see ah bao color, skin grinding cutouts, five-cent special effects and all kinds of shoddy production in the TV series of the noonday sun.

On the contrary, every time the noonday sun has a TV series broadcast, whether it is a film and television style or the cultural elements of domestic dramas, it has led the production mode of domestic dramas many times, which is rare in the current domestic drama environment, and there is no need to repeat it, everyone does not want to watch shoddy domestic dramas, right.

Second, the young director of the noonday sun may not be able to do it, but the aesthetic and attitude are still very correct. I think aesthetics determine the artist's ceiling, while attitude determines the basic quality of the work. The directors of the noonday sun are basically photographers, and with the former state-owned factory "Mountain Shadow Department" out, there is no problem with aesthetics and attitudes.

Even if there are many problems in the dramas made by the new director, we can't see the kind of operations that the TV series are shoddy and deliberately guide the traffic to feed in order to make money. On the contrary, even if the most controversial Zhang Kaizhuo can't say that he doesn't work the contrary, he is very hardworking, but his ability is a little worse.

At present, the domestic film and television drama is shoddily made, and how many people deliberately feed s in order to circle money still need to be said?

Finally, I know that there are many viewers because the works of the "Mountain Film Department" are better, they are all serious art dramas, and the noonday sun is all IP dramas, and the quality is OK but it is far worse than before. But if we think about it, the serious drama Kong Sheng is filming, the young director is exploring genre dramas to maintain the operation of the whole company, and young directors also need to grow. The former supports the art of domestic dramas, and the latter supports the bottom line of domestic dramas.

I hope that there are more and more film and television companies like Noonday Sunshine, so that domestic dramas can have hope.