When it comes to Wei and Jin calligraphers, the first thing that comes to mind is the Erwang, and you should also look at the cursive writing of these eight.
"December 13th Thesis", cursive, Eastern Jin Dynasty, Shen Jia.

This post is calm with a pen, and the starting, line and receipt of the dot painting are meticulous. The subtlety of the dot method is a major feature of this work. Taking the point of reference as an example, the first line "first", the second line "deep", the third line "servant, dispatch", and the fourth line "first", there is no similarity, each has its own beauty. A large proportion of the characters in the closing words of this work are bound to stretch to the right and down, which is rare in the works of the same era. Words such as "moon, jia, dun, nostalgia, cut, labor, dispatch" and so on, such a treatment is very unique.
Eastern Jin Dynasty Wang Qia "Codex"
The Eastern Jin Dynasty Wang Hui 'Boiling Post' Calligraphy is strong and straight, extremely powerful, clear and elegant, unique. The style and its idyllic and unruly personality are another example of "books as people".
"Wang Yan Ti", passed down as the Book of Wang Monks, Tang Facsimile.
The Crescent Moon Thesis is said to be the Book of Wang Hui, a facsimile of tang. This post is mainly based on line letters, free swing, changeable penmanship, and smooth beauty. Song Xuanhe Book Genealogy. Commented on his calligraphy as "composing words and also rhymes with self-rhyme".
Wang Zhi (460-513) was a native of Linyi, Langya. The king monk is a pious man. Book of Liang, vol. 21, "The Biography of Wang Zhi": "Zhishan Caoli, at that time, thought it was the Law of Kai. ”
"One Day Without a Post", (also known as "Sore Throat Post")
Xie Anti, selected from the "Great View Thesis".
Eighteen Days Of Thesis, Cursive, Eastern Jin Dynasty, Wang Min.
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