On January 13, the sixth "Woodpecker Cup" Chinese Literary and Art Critics Annual Pushing Andy Cloud Release Ceremony sponsored by the China Federation of Literary and Art Critics and the China Literary and Art Critics Association was held in Beijing, and the China Federation of Literary and Art Writers and Literature and Art Critics commended the sixth "Woodpecker Cup" chinese literary and art critics for 35 outstanding works of the year, and 4 works by Guangdong literary and art critics were on the list, accounting for 11.4% of the total number of outstanding works commended, ranking the forefront in the country.
The four works listed in Guangdong include 2 annual excellent literary and art criticism works and 2 annual outstanding literary and art long-term commentary articles, namely Li Nan's book "From "Watching" to "Concept"" by Southern Weekend Newspaper Photo Director and Senior Editor, "From "Watching" to "Concept"" and Li Xinfeng," a distinguished professor of the Cultural Industry Research Institute of Shenzhen University, "Four Great Aestheticians of Japan", and the literary and art criticism article "Imprint: The Development of Lingnan Printing Studies in the Late Qing Dynasty and its Cultural Integration" by Kwong Yiming, Literary and Art Director of Guangzhou Borges Culture and Media Co., Ltd. and Yang Lili, associate professor of the School of Communication of Shenzhen University, the literary and art criticism article "Forty Years of Documentary Photography in Shenzhen: Narrative and Fun under Super Urbanization".
In addition, in the sixth "Woodpecker Cup" of Chinese literary and art criticism annual outstanding works commended by the China Federation of Literary and Art Circles, the China Federation of Literary and Art Critics, Hong Zicheng, a famous Literary and Art Critic from Guangdong and professor of the Department of Chinese of Peking University, "Red, Yellow, blue: The "Political Science" of Color -- The Compilation of the "History of Red Literature" in 1958" was also selected as the annual outstanding literary and art long-term review article.
Li Nan and Kwong Yiming delivered speeches at the cloud launch ceremony.
Li Nan said that being awarded the sixth "Woodpecker Cup" Chinese Literary and Art Criticism Annual Excellent Work is an affirmation and encouragement to oneself, as a literary and art critic, we must be cautious and dedicated, deeply cultivate and study, strictly manage learning, seek truth and innovation, dare and be good at putting forward our own insights and ideas, and make due contributions to building a good ecology of literary and art criticism and creating fine literary and art criticism. "Photographic commentary, there must be something to do, but also a lot to offer!"
Kwong Yiming said that this article is the result of years of speculation and objective comments on the academic charm of Lingnan Indian Studies that is not recognized and understood by the academic community. As a member of the new literary and art group, through the study of the "unpopular learning" of Lingnan Indian Studies in the late Qing Dynasty and the Republic of China, it was recognized in this selection, reflecting the care of chinese literary and art critics for the new literary and art group critics, as well as the expansion of the perspective and the extension of space of the current literary and art criticism - this is actually one of the important manifestations of the prosperity of Chinese literary and art criticism.
This time, Guangdong was listed in the sixth "Woodpecker Cup" Chinese Literary and Art Review annual promotion of 4 works (pieces) Shenzhen accounted for two, becoming "half of the country".
Li Xinfeng's "Four Great Aestheticians of Japan" was born out of his doctoral dissertation completed during his doctoral studies at Peking University from 2002 to 2007, and then applied for the National Social Science Foundation general project "Research on Modern and Contemporary Aesthetics in Japan" (07BZX068) to obtain the project, and completed the project in 2012 and closed with an excellent grade. Since then, due to busy work, I have not had time to take care of the publication of this achievement. At the beginning of 2019, when he was hired as a full-time distinguished professor by the Cultural Industry Research Institute of Shenzhen University, he had sufficient time and energy and good scientific research conditions, so he took out the manuscript at the bottom of the pressure box and carefully polished it, carefully revised it, and handed it over to the China Federation of Literature and Literature Publishing House. This work is a by-product of his attention to and study of Japanese aesthetics and art theory while engaging in the main business of art research, but it is the result of Li Xinfeng's attention, translation, interpretation, and evaluation of Japanese aesthetics as the "stone of his mountain" for my use and reference for the academic community, and the result of nearly 40 years of academic accumulation. Li Xinfeng said that General Secretary Xi Jinping put forward the fundamental guideline of "not forgetting the original, absorbing foreign, and facing the future" for philosophical and social science research, and this small book is to try to base itself on the reality and practice of contemporary Chinese aesthetics and art theory, analyze and evaluate the aesthetics and art theory of Japan, our neighbor of East Asia, and make a little effort of our own in terms of how to "absorb foreign".
Yang Lili, an associate professor at the School of Communication of Shenzhen University, who has been engaged in photography teaching and photography theory research for nearly 20 years and won the Photography Theory Award of the 10th China Photography Academy Awards, said affectionately that she has been in Shenzhen for nearly 20 years, out of concern for the current local photography and curiosity about the process of shenzhen's rapid urbanization, from the perspective of the "time and space framework" of urbanization, the post-1979 Shenzhen documentary photography is discussed, exploring how the most explosive growth city in history has shaped its photographic interest.
It is understood that the "Woodpecker Cup" Annual Promotion and Excellence Activity of Chinese Literary and Art Criticism covers literature, drama, film, television, music, dance, fine arts, photography, calligraphy, qu art, acrobatics, folk art, and art theory, aiming to launch outstanding literary and art criticism works, motivate literary and art critics, promote the innovation and prosperity of literary and art criticism nationwide, and promote the healthy development of literary and artistic undertakings. The event is held once a year and has been successfully held for five times from 2016 to 2020.
The submission of the annual promotion and excellence activities of this year's "Woodpecker Cup" Chinese Literary and Art Criticism is mainly recommended by the unit, and on the basis of the two projects of the annual excellent literary and art criticism works and the annual excellent literary and art criticism articles (long reviews) previously established, the annual excellent literary and art short evaluation article items have been added. A total of 548 submitted works were received, and after preliminary evaluation and re-evaluation, 157 works (articles) entered the final evaluation, and finally 5 outstanding literary and art criticism works, 20 long-term review articles and 10 short-term review articles were finally selected.
In recent years, with the support of the Propaganda Department of the Provincial Party Committee, the Guangdong Provincial Federation of Literary and Art Circles and the Provincial Appraisal Association have launched the incubation plan for literary and art criticism, implemented the system of contracted literary and art critics, and vigorously cultivated the backbone of young and middle-aged literary and art critics. The Guangdong Provincial Federation of Literature and Art Critics and the Provincial Literary and Art Critics Association have always attached great importance to promoting the creation of literary and art criticism works, and actively organized Guangdong literary and art criticism works to participate in the "Woodpecker Cup", and a total of 5 works and 10 articles in the first five sessions were selected as excellent. In the sixth "Woodpecker Cup" Chinese Literary and Art Criticism Annual Excellent Works Promotion, a total of 16 (articles) of literary and art critics in Guangdong Province entered the final evaluation, accounting for 10.2% of the total number of final evaluation works, and finally 4 (articles) were selected, continuing to lead the provinces and municipalities in the country.
Attached: Guangdong authors were selected into the list of outstanding works of the 6th "Woodpecker Cup" Chinese Literary and Art Criticism of the Year and the judges' opinions
Li Nan, photo director and senior editor of Southern Weekly Newspaper, published a literary and art criticism book "From "Watching" to "Concept" (Zhejiang Photography Publishing House, January 2021), the judges selected the opinion: The author takes the professional vision and academic accumulation of senior photo editors, takes the observation of photography creation as a clue, integrates many Chinese and foreign photographic concepts from "viewing" to "concept" with the attributes of photographic art, and systematically considers photography as an active image production mechanism and contemporary visual medium. In view of the problems existing in the actual creation, we will seriously reflect and sort out. This book not only has a clear social stance and meticulous exposition logic, but also has a wealth of phenomenon analysis and pragmatic method discussion, with novel and unique insights, which has profound inspiration for the creation of photography art in multiple dimensions.
Li Xinfeng, Distinguished Professor of the Institute of Cultural Industry of Shenzhen University, published the literary and art criticism book "Four Great Aestheticians of Japan" (China Federation of Literary and Art Publishing House, March 2021), and the judges' opinions were selected: This book closely focuses on the theme of East and West, tradition and modernity, and selects four representative japanese aestheticians in modern and modern Times, Ōnishi Keri, Ueda Shouzo, Toshio Takeuchi, and Imamichi Michinobu, to conduct research, clearly outlining the evolution of Modern and Contemporary Japanese aesthetics in the process of social transformation. It has reference significance for the study of the development process of modern and contemporary Chinese aesthetics, and has positive reference value for Chinese aesthetic circles to think about and deal with the contradictions between East and West, tradition and modernity in the process of social transformation.
Kwong Yiming, Literary and Art Director of Guangzhou Borges Culture and Media Co., Ltd., published a long-term review of literature and art "Imprint: The Development of Lingnan Indian Studies in the Late Qing Dynasty and the Republic of China and Its Cultural Integration" (published in the Journal of Nanjing University of the Arts, Art and Design, November 2020), and the judges selected the opinions: Lingnan Printing is of great research significance, but it is a weak link in the study of modern art history, and this article can make up for some gaps with this as a research object. The article has made great efforts in sorting out historical materials, has evidence, solid literature, clear organization, strong academicity, and has reference value for the construction of printing theory.
Yang Lili, Associate Professor of the School of Communication, Shenzhen University, commented on the long-term article "Forty Years of Documentary Photography in Shenzhen: Narrative and Fun under Super Urbanization" (published in the December 2020 issue of China Photography), the judges selected the opinions: This article is based on the long-term observation and experience of Shenzhen in the local area, analyzes the interactive relationship between documentary photography and urban development in the change of time and space, summarizes the commonality of Shenzhen photography, and makes a certain academic analysis and generalization under the two directions of "narrative" and "fun". It has certain theoretical significance for further understanding the history of the development of photography in Shenzhen and promoting the creation of photography.
( Information provided by provincial evaluation association)