Dong Qichang (1555-1636), also known as XuanZai, Sibai, also known as Xiangguang Resident, was a native of Huating (present-day Songjiang, Shanghai). In the sixteenth year of the Ming Dynasty (1588), he entered the priesthood and was appointed as a scholar of the Imperial Household Bureau. Proficient in the appreciation of calligraphy and painting, he has collected many works of famous artists, and has written many works on the theory of calligraphy and painting, and his painting theory of the "Southern and Northern Sects" has had a profound influence on the painting world after the late Ming Dynasty. Gong calligraphy, which claims to be obtained in a spontaneous way, has a great influence on the book world of later generations. His calligraphy and painting creation emphasizes the pursuit of the ancients, but it is not muddy, and pursues the first maturity and then the birth in the use of pen and ink, and the clumsiness is showy, reflecting the plain and innocent personality of the literati in the creation. Coupled with his prominent political status at that time, his name was important in the world and had a profound impact on the art scene of the Qing Dynasty. He is the author of "Painting Zen Room Essay", "Rongtai Collection", "Painting Purpose" and so on.
Dong Qichang calligraphy vertical axis collection
Seven scrolls of poetry from the book
Record Wang Wei's five-sentence poem axis
Imitation of the Mi shu poetry axis
Du Fu wrote in cursive writing because Xu Bafeng sent Jiang Ning Min shangren poetry scroll
Cursive Lu Chang shocked the snow poetry axis
Cursive Writing Zhang Shu Seven Words Poetry Axis
Record Wang Wei's five absolute poems
Cursive five-fold poetry axis
Line scroll
The Seven Scrolls of Poetry
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