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Tan Jianxun's "Zhou Ren Returns home" is put away freely and strives to be stable (with wonderful video)

Tan Jianxun's "Zhou Ren Returns home" is put away freely and strives to be stable (with wonderful video)
Tan Jianxun's "Zhou Ren Returns home" is put away freely and strives to be stable (with wonderful video)

"Zhou Ren Huifu" is an excellent traditional drama. There are many famous artists who have performed this play in the Qin cavity circle, and many of them have sung red because of this, such as Li Yunting, Luo Binghua, Liu Yuzhong, Su Yumin, Ren Zhezhong, Li Aiqin, etc. Their performance of "Zhou Ren Huifu" is still popular to this day, and the zhou ren stage art image created by these many famous artists with their own hearts and wisdom has its own strengths and weaknesses, and each leads the way. Tan Jianxun plays Zhou Ren, and there are many Zhou Ren stage images that he can learn from, but how to create Zhou Ren with Tan Jianxun's artistic style is not easy, it is quite difficult. Tan Jianxun has a unique opinion on Zhou Ren, the character in the play, he believes that Zhou Ren served as a soldier and horse officer, and then lost the imperial grain, Zhou Ren and his wife were as deep as the sea, they were completely sincere to their friends, and they were not afraid of danger in the face of the adulterous appearance of the power for a while, and they were forced to give in, so that they were separated from life and death. He was a young student but not an ordinary young student; he was very brave, but not a mighty brave man. Tan Jianxun believes that in the character of Zhou Ren, anger, bitterness, determination, helplessness and sadness are all in one, tan Jianxun portrayed all of this delicately and accurately, so that the audience felt the authenticity, touching and artistic beauty of Zhou Ren's stage art image.

In the "Repentance Road" scene, Tan Jianxun changed the three hammers forward to a continuous retreat, fully showing the great pain and contradiction in Zhou Ren's heart. In the "Back home", the husband and wife agreed on dayi to replace the sister-in-law, after a dialogue, Zhou Ren turned his back on the audience, his whole body trembled, and said softly but clearly: "That's like, who still blames you..." At this time, the audience clearly felt that Zhou Ren's tears were flowing uncontrollably, until he couldn't bear it, "Just, wife!" With a shout, the character gushed out with emotion, and he was out of control. At this point in each performance, the audience applauded warmly. In "Crying Tomb", Tan Jianxun used a lot of programmed actions, accompanied by large sections of passionate singing, and the audience reached a drunken state. When Tan Jianxun created Zhou Ren's artistic image into a good state, he was good at controlling his thoughts and feelings, and he could do what he should receive, and let go, and strive to be steady, and his acting skills were perfect. Therefore, the audience praised him as "Living Zhou Ren".

Qin Cavity "Zhou Ren Huifu" weeping tomb

Zhou Ren: Tan Jianxun (played)

Hu Xiuying: Zhang Yumei (played)

Du Wenwen: Li Wenli (played)

Lü Zhong: Liu Jianqi (played)

Shaanxi Provincial Academy of Opera Mei Bowl Troupe performed

Excerpt from Zhang Xiyuan's "Qin Cavity Name Xusheng Tan Jianxun"

Editor/Liu Jun Review/Yan Wei Final Review/He Jun

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