The long river of history is running endlessly, there are calm waves, there are also waves, let Xiaobian take you into history and understand history.
Liu, Guan, and Zhang worshiped as brothers in front of the Jiang Ziya Temple in QingyuanDong, Qingkou, and prepared to do great things. After the worship, Liu Bei said, I myself am alone, you both have a family of old and young, once you have an old and young, it is equivalent to having a back road. I am afraid that you two will regret it in the future, always worrying about your own way back, and eventually interfering with our big things. As soon as Guan Yu heard this, he hurriedly expressed his loyalty and said, Then I will go back and kill my family. At this time, Zhang Fei interjected with the second brother, but what about your own family, can you do it? Why don't we help each other? You killed one of my families, and I went to kill your family. In Zhang Fei's view, killing each other's entire family in this way solves the problem, which not only expresses the determination to break the boat, but also has to go to the poison.
Liu Bei was also very happy and agreed. Zhang Fei then carried the bronze sword and went straight to Guan Yu's hometown. According to Hua Guansuo's biography, Guan Yu's hometown is in Xieliang County, Puzhou. As soon as he entered Guan Yu's house, Zhang Fei went on a killing spree, only one to kill one and two to kill a team, killing 18 members of Guan Yu's family before and after. Zhang Fei met Guan Yu's son Guan Ping in the process of killing, Guan Ping was already half a size son at that time, he immediately begged Zhang Fei for forgiveness, saying Third Uncle You don't kill me, I will be useful in the future, can I lead you a horse, play a front stand or something? Zhang Fei thought about it and let Guan Ping go. Except for Guan Ping, who only managed to escape in this tragic drama of flying disasters and destroying the door, this was Guan Yu's wife Wu Jinding. Moreover, Hu Jinding escaped with his pregnancy, and after returning to his mother's house, he gave birth to the child. Later, Guan Suo went missing at the age of seven, and then he learned from his teacher and achieved the theme story of Hua Guan Suo.
Tonight, the horror story of this Taoyuan tie-up six hundred years ago, everyone will definitely wonder, Liu Guanzhang's three people did a big thing is obviously to gather a township brave to help the imperial court suppress the peasant uprising, how to make it as big as the rebellion, before killing each other's entire family to show their determination? The direct reason for the emergence of this plot is estimated to be that the Huaguan Suo biography is derived from folk tales, with a large number of rough storyteller plots, story structure characteristics. Since the owner of this book, pry locks, is most of the time a bandit cottage with falling grass, so there will be such a scene, which is equivalent to putting Guan Suo's cottage online loan and the theme of the previous one falling grass for Kou to the heads of Liu, Guan, and Zhang Taoyuan Jieyi. If we analyze the plot of killing the whole family in this section of Guan Suochuan from the root cause, it actually involves a famous theme in the history of ancient Chinese literature, that is, the hero killing his wife.
Yes, you read this theme correctly, killing a wife is also one of the important manifestations of a hero. Of course, this theme of ancient literature does not mean that the wife of the hero must be killed, but that in order to reflect the hero's spirit of sacrifice and chivalry, the hero can be arranged to kill the wife of the hero who is the master of the plan and the wife of the hero's hind legs. The reason why this kind of horror theme of heroes killing wives appeared in ancient China is that it has a lot to do with the influence of the idea of red face and disaster water in China's feudal society for a long time. From Xia Shang Zhou's daughter Mo Xi Daji and Zhang Lihua, Emperor Ming of Tang, and Concubine Yang of The Empress Dowager Chen. In short, this kind of view is deeply rooted in the belief that heroes who like women do not have a good end. Under such a widespread story, it is the ancients' strong fear, and even hatred, of the red face and the water. In many of the ancient family trainings that have been preserved today, we can see statements such as a heroic instrument that is shorter than a few children's feelings. The reason why Hua Guan Suochuan will have such a horrific mutual killing, the whole family is actually a variant of this theme, which is the hero killing sister-in-law theme, because Guan Yu and Zhang Fei killing each other's wives is equivalent to the equivalent conversion from killing wives to killing Cao.
Objectively speaking, this plot appeared in the mature Huaguan Suo biography of the Yuan Dynasty. For the long-term theme of Hero Killing Seven, it can be said to be a representative progress. Yes, you don't look so cruel and ridiculous, but it is still an improvement. Its appearance shows that in the Yuan Dynasty, people have begun to realize that even if the hero's wife drags his feet, the hero should not kill his wife, which has become a basic opportunity for many people to think of human morality. As Zhang Fei said to Guan Yu in the biography of Hua Guansuo, after all, it is your own wife, how can you get your children?
hand? For the ancient hero killing seven theme, the previous theme was even simpler and ruder than killing each other's entire family. The original theme was either to treat the wife as a finance, or to treat her as a burden, not only to kill, but also to kill the hero himself, that is, a more than a person who can be poisoned and feel at ease. By the time the source code of Hua Guansuo's book had changed, such euphemisms as killing wives for each other showed that the theme of heroes killing wives must be improved. At that time, people did not eat this set very much. With the plot of the wife killer that appears in the Yuan Dynasty's HuaGuan Suo Biography and other miscellaneous dramas, we will see the development from this hero's wife killing theme to the future. In the late Yuan and early Ming Dynasty, it completely evolved into a hero killing his sister-in-law, which is the story of Wu Song killing his sister-in-law Shi Xiu presented in the Water Margin. It's no longer simple in these episodes. Brutally accusing women of being red-faced and guilty should be killed, but it becomes a justification for women being killed. For example, women deserve to be killed because they are out of the wall because of red apricots, because of lasciviousness.
And even if the wife deserves it, she needs to be killed. The heroes in these new generation of heroes who kill their wives cannot do it themselves, and basically rely on the hero's younger brother, that is, the little uncle, to kill by hand. From this point of view, the establishment of the theme of hero killing his wife is a conceptual progress compared with the hero killing his wife. From the theme of hero killing sister-in-law, one step further, is the resolute deletion of such plots by the Romance of the Three Kingdoms. Although Luo Guanzhong's Romance of the Three Kingdoms still retains the perverted plot of Liu An's killing of his wife, the bad remnants of Liu An's wife-killing story mainly come from his wife and belong to personal finances. The purpose of such a feudal concept is that the author wants to reflect Liu Bei's benevolence when inheriting the Song and Yuan dialects, and everyone will not hesitate to provide for him with money, including his wife.
At the same time, we can see that Luo Guanzhong resolutely deleted the plot of Hua Guan Suo Chuan Guan Zhang who appeared before him, and his basic idea has developed into a hero, and there is no need to kill his wife to prove that he is a hero. In fact, Luo Guanzhong deleted not only the hero killing the sister-in-law in the biography of Hua Guansuo, she also deleted the Romance of the Three Kingdoms, the original three kingdoms Zhiping words in Zhang Fei scolded Liu Bei's wife Sun Shangxiang's heroic killing plot is also to Luo Guanzhong here the hero killing sister-in-law development of a new stage, you can no longer kill, it is best to be a lot. This is a difficult progress for the deformed conception of women in ancient China. However, with this progress, there will be more classical literary works that take women as the perspective and are no longer women's red faces, and successively appear in the history of Chinese literature.
Well, today's sharing ends here, and we'll see you next time