laitimes

Gao Shi's two masterpieces, generous and tragic, show the extraordinary literary talent of Sheng Tang Caizi

Tang poetry is the pride of Chinese cultural history and the peak of classical poetry, and many outstanding talents emerged in the Sheng Tang Dynasty. The prosperity of Kaiyuan and Tianbao has made countless literati and inkers full of confidence, and they have rubbed their fists and read hard in the cold window, hoping to make contributions as soon as possible.

Confucianism pursues the best of things and the fullness of human nature, but it is difficult for the imperial court to select all talents, and it is impossible to be wild and virtuous. Therefore, many students lament that they are difficult to meet Bole, and they are even more miserable and hopeless. Although there is a poet in Sheng Tang who has unlimited scenery in his later years, his experience in his youth is extremely bumpy, and the following two famous works of Gao Shi are generous and tragic, showing the extraordinary literary talent of Sheng Tang.

Gao Shi's two masterpieces, generous and tragic, show the extraordinary literary talent of Sheng Tang Caizi

Send Li Shiyu to Anxi

Tang Dynasty: Gao Shi

The line is against the flying canopy, and the golden whip refers to the iron horse.

Fame is thousands of miles away, and the heart is in a cup.

Yanzhi is north of The Barrier, and Qincheng is too white to the east.

Leave the soul and look at the sword!

His friend Li Shiyu was going to the front line, and the poet envied that he could show his skills at the border pass, but also worried that he could not go with him. So before leaving, the author said goodbye to him and gave him a poem, expressing his reluctance.

Gao Shi's two masterpieces, generous and tragic, show the extraordinary literary talent of Sheng Tang Caizi

The opening is a metaphor, friends are about to embark on a journey, the road ahead is long, and the misfortunes are unpredictable, and I don't know when to reunite. The wanderer is like a light and spiritual "flying canopy", fast and fast. The poet uses the "iron horse" to refer to the thousand-mile horse, and the "golden whip" is waved, heroic and refreshing, galloping for thousands of miles and full of pride.

The jaw joint undertakes the first link, further expressing the admiration of the poet. Friends do not hesitate to go thousands of miles away to build meritorious deeds at the border pass, and the title of marquis is also just around the corner. And the poet was full of sorrow, even if he was full of talent, he could only stay alone in Chang'an, and the sorrow in his heart had to be relieved with turbid wine. "Ten thousand miles, a cup", forming a huge psychological gap, the author does not mention a sad word, but full of sorrow.

Gao Shi's two masterpieces, generous and tragic, show the extraordinary literary talent of Sheng Tang Caizi

Although the poet is sad, he does not want the other party to be affected by this emotion, so he quickly changes the subject. The neck link seems to simply list several place names, in fact, there have been fierce battles in each place, especially in this place, where Li Guang, during the time of Emperor Wu of the Han Dynasty, fought against the Xiongnu. He imagined his friends passing through these places along the way, with the intention of encouraging each other to actively prepare, and hoping that he would return triumphantly as soon as possible.

The last two sentences are full of expectation, and the poet advises friends that although the Anxi you are going to is far away from the capital, don't be sad, because your friends will always think of you. The poet also firmly believes that the soldiers in the front must be brave and tenacious, and they must be able to break through the bamboo and "look at the sword and the sword". The last sentence is impassioned and earth-shaking, and friends who read this poem will also be greatly encouraged.

Gao Shi's two masterpieces, generous and tragic, show the extraordinary literary talent of Sheng Tang Caizi

Return from the north of thistle

Drive the horse thistle gate north, the north wind side of the horse mourning.

The vast mountain pass is open-minded and open-minded.

The five generals have gone deep, and the former army has stopped halfway.

Whoever pitied him, the sword returned alone.

Gao Shi is a famous poet of the border plug, many of his works are magnificent, emotional, and full of the spirit of the times. This poem is the author recalling a defeated battle, feeling sad, lamenting that the commander was not properly commanded, so he gave the poem lyrics.

Gao Shi's two masterpieces, generous and tragic, show the extraordinary literary talent of Sheng Tang Caizi

The first link is directly lyrical to the chest, and the two "north" characters form a thimble technique; a "mourning" word also sets the sad tone of the whole poem. The poet drives his horse to the north of the Thistle Gate, and the north wind whistles and the horse sings Xiaoxiao, which not only renders a poignant and cold atmosphere, but also truly expresses the poet's inner sorrow.

The poet ran for a while, then took the reins again, stopped the horse slowly, and then dismounted sideways. He stood quietly on the vast earth, but his mind traveled through time and space, out of the canyon, and came to the vast Saibei Tianyu. The author depicts the empty and vast, vast and tragic scenery outside the Cyprus with a dynamic background, showing the extraordinary literary talent of the talent.

Gao Shi's two masterpieces, generous and tragic, show the extraordinary literary talent of Sheng Tang Caizi

Using the allusion of the neck, Emperor Xuan of Han sent Tian Guangming and five other generals to lead 150,000 cavalry and more than 2,000 miles out of the fortress to prepare for a decisive battle with the Xiongnu army. However, halfway to the road, because of his own selfish interests, he did not garrison the troops, did not participate in the battle according to the predetermined plan, and finally gained very little. The author uses this metaphor to allude to the defeat of the Tang army in battle, which is very euphemistic, which shows that his inner grief and indignation cannot be expressed.

The ending uses an allusion to Feng Chen during the Warring States period, who was once a disciple of Meng Tianjun, and because he felt that he was not reused, he leaned on the pillar to play the sword and sang. The author uses cross-examination techniques, the three words of "unexpected", echoing the "lament" word of the first link, expressing the author's full of sorrow that there is no way to serve the country, but it is even more sad.

Read on