Qu Jianwan is a teacher and researcher of fine arts at Shanghai Pudong Education Development Research Institute. Shanghai outstanding teacher and researcher, special teacher, senior teacher, member of China Artists Association, shanghai artists association children's art committee member, the first "national training program" expert, China Digital Art Education Research Center special researcher, Shanghai fine arts discipline famous teacher training base host, Shanghai Normal University school of fine arts part-time professor, master tutor, East China Normal University free teacher tutor, Pudong New Area Artists Association vice chairman. Establish the educational concept of "to the beauty and run the heart", advocate the educational idea of "educating people with beauty in one day, educating people in one life", put forward the discipline education strategy of "shaping with art, carrying beauty with shape, carrying morality with beauty, and educating people with morality", actively explore the idea of educating people and the strategy of educating people with "telling the Chinese spirit, Chinese culture and Chinese story with a paintbrush", and was praised by the famous painter Mr. Liu Danzhai as "the pioneer of art teaching and research".
Classic reconstruction gives new artistic life
The history of Zhu Zhilu has always engraved the image it hides in the way of time. Since the last century, "How to construct the modern form of Chinese painting?" "It has always been the core proposition of the development of Chinese art. Many artists have given their own responses to this proposition. The level of response fundamentally determines the historical value and status of the artist. In the process of reading Qu Jianwan's new works in the series of "Classic Reconstruction", we can't help but integrate the wisdom of individuals with the ups and downs of history.
▲Size of "Five Bulls": 250X 45cm
In the historical process of promoting the modernity of Chinese painting, Professor Qu Jianwan has completed the modern transformation of classic works from the aspects of concept, theme, time and space, schema, structure, pen and ink, and color from the aspects of concept, theme, time and space, pattern, structure, pen and ink, and color, with the strategy of excavating and reconstructing the oriental humanities and aesthetic characters, based on the perception of the universe and the flood, with a strong sense of subjectivity, abundant innovative concepts and language experiments, and created a new painting style with deep connotation, meteorological exaltation, pen and ink, and the atmosphere of the times and the style of China. This not only presents the experience of modernity accumulated by Chinese painting over the past hundred years from one side, but also satisfies the imagination of the East and the West on "Chinese contemporary art" from the two aspects of concept and form. In an era of Chinese and Western cultural games, this achievement also confidently proves the inherent value of Eastern culture.
▲Partial "Five Bull Figure NO.1" Size: 150X45cm
What is particularly gratifying is that in Teacher Qu Jianwan, we can not only feel the unique style of swallowing the universe and imprisoning the ancient and modern, but also often moved by his irrepressible desire to create: across teaching, research and academia, he still shows the tiger and tiger of the young man, smelling the chicken dancing, the pen is not quitting, and the masterpieces are repeated and unstoppable. In the daily light of the light, Teacher Qu Jianwan's thoughtful expression and the gesture of the pen outlined by the skylight are the most moving and most emotional images of our time. The New Age context contains a complex set of elements. The mainstream contexts of China and the West are eagerly looking for forms of works that can satisfy the imagination of "Chinese contemporary art". From Mr. Qu's works, we can read such an answer - by bordering with the trend of the times, we can engage in dialogue with nature, society and self with the height and concept of Chinese contemporary artists, thus creating a language system with universal values and distinct personality.
▲Partial "Five Bull Figure NO.2" Size: 100X45cm
If the viewer pays a little attention, he can appreciate the different changes in Qu Jianwan's work before, during and after the framework of reconstructing the pen and ink. As he himself said, in the early stage, more attention is paid to the "narrative of the spirit of life", and in the middle period, it is turned to "the white painting of shouzheng innovation", and at present, this "reshaping of the classic" I prefer to understand as the beauty of "spilling the hills in the heart". Teacher Qu's exploration of "classic reconstruction" artistic creation is like a shining light, illuminating the road under our feet, warming our eyes of hope, inspiring the fighting spirit of our pursuit, and rekindling the flame in our hearts.
▲Partial "Han Xizai Night Feast No.1" Size: 85X68cm
▲Partial "Han Xizai Night Feast No.2" Size: 90X68cm
▲Partial "Han Xizai Night Feast No.3" Size: 90X68cm
▲Partial "Han Xizai Night Feast No.4" Size: 100X68cm
▲Partial "Han Xizai Night Feast No.5" Size: 100X68cm
▲Partial "Han Xizai Night Feast No.6" Size: 68X68cm
▲Partial "Pounding Figure NO.1" Size: 80X68cm
▲Partial "Pounding Figure NO.2" Size: 68X58cm
▲Partial "Pounding Figure NO.3" Size: 95X68cm
▲Partial "Pounding Figure NO.4" Size: 85X68cm
▲Partial "Hairpin Lady Figure NO.1" Size: 68X68cm
▲Partial "Hairpin Flower Lady Figure NO.2" Size: 90X68cm
▲Partial "Hairpin Flower Lady Figure NO.3" Size: 68X58cm
▲Partial "Hairpin Flower Lady Figure NO.4" Size: 90X68cm
▲Sketch "Hairpin Lady Figure NO.1" Size: 68X55cm
▲Sketch "Hairpin Lady Figure NO.2" Size: 80X68cm
▲Sketch "Hairpin Lady Figure NO.3" Size: 68X55cm
▲Sketch "Hairpin Lady Figure NO.4" Size: 68X68cm
▲Sketch "Hairpin Flower Lady Figure NO.5" Size: 68X68cm
▲Sketch "Hairpin Lady Figure NO.6" Size: 68X55cm
▲Sketch "Hairpin Lady Figure NO.7" Size: 68X55cm
▲Partial "Five Kings Drunken Return Figure NO.1" Size: 80X68cm
▲Partial "Five Kings Drunken Return Figure NO.2" Size: 68X68cm
▲Partial "Five Kings Drunken Return Figure NO.3" Size: 100X68cm