The quality of the new director reality show "Let's Shoot" is very high, Wang Luodan crossed the border as a director for the first time, and some film critics criticized her for being "so ambitious", and even played an incredible "1 point".
Unexpectedly, Wang Luodan's "directorial debut" audience reputation counterattacked, film critics were hit in the face with extreme scores, and the so-called professionals were like "big jokes". Liu Zhenyun hit the nail on the head: film critics can't represent the audience.
Wang Luodan crossed over as a director, and the "melon-eating masses" were full of curiosity and expectation. However, fans are a little worried about whether the "screen goddess" will become the next "Korean director".
Bronze-level "Wang Dao" began to "fight monsters and upgrade", and at the beginning he didn't even "shout cards", and he was cute and bottomless, cute to foul. However, Wang Luodan's adaptability is extremely strong, and he quickly adapted to the identity change.
He said that he would never say that he would guarantee one thing", but in order to ensure the quality of the short film, Wang Luodan actually shot a shot 20 times in a row. "True incense scene" poked in the laughter, even Yuan Hong also "dug up the bamboo shoots" spit out: details control madman.
Wang Luodan crossed over as a director, and his debut film "Accompaniment Chat" exceeded expectations. The texture of the opening of the short film is too good, the light and shadow tones are beautiful, like the visual sense of the cinema blockbuster, and I have to admire the aesthetic ability of "Dan Goddess".
The dust in the light and shadow, the metaphor of the smallness of real life, the melodious cello dubbing, the sunlight outside the window is hope, and the sense of loneliness is instantly rendered to the fullest. Moreover, Wang Luodan is very good at selecting actors, and the only male protagonist, Yuan Hong, is online in acting, and the meticulous expression is accurate and in place.
The male protagonist played by Yuan Hong should be a "lonely person who is not understood", communicating with others through the phone. Every phone call is a story, and many details are very careful and full of substitution.
The "ultimate loneliness" expressed in "Accompaniment" is sad and direct, and the plot reversal is also intriguing. It turns out that the "loner" is a survivor of the end of the world, no wonder the daily food is only canned, and the logical self-consistency is very touching.
To tell the truth, Wang Luodan's experimental short film work "staying power" is very sufficient, the world is very lively, but the heart is very lonely. The only fly in the ointment is the white at the end, which seems to be a bit of a snake, and if it is condensed, it will definitely be better.
Undoubtedly, Wang Luodan's "directorial debut" is highly completed, the emotional communication is very accurate, and the first shooting is already excellent. In particular, the "Wang Director" 's mirror operation and art have almost reached the professional level, and Chen Kaige also praised it for its film quality.
However, the film critic's extreme score is not objective enough, and what is more exaggerated is that the film critic "Yingzhi" only scored "1 point", and the review is also a bit irresponsible. There are words in the words of "Yingzhi": Wang Luodan's transformation into a director is a bit lofty.
Liu Zhenyun sneered: Film critics can score freely, but film critics should also be responsible, and it seems a bit extreme to hastily play "one point". Interestingly, Wang Luodan's short film was launched, the audience's reputation achieved a great counterattack, and the so-called professional film critics were directly punched in the face.
Wang Luodan was so cute, patting his thigh "Milk Murderer" and shouting: Call the film critic who hit "1 point" to me, I want to talk to him well. Liu Zhenyunjing told the truth: word-of-mouth counterattack is enough to prove that the audience is higher than the film critics, and film critics should accept the reality.