Lishu series | the world's first Han Jian Wuwei "Ritual" Jane Zoom in to see the original so beautiful!

In July 1957, 480 wooden janes were unearthed in a Western Han dynasty joint burial tomb excavated in the Wuwei Han Tomb Group, 15 kilometers southwest of the city in Zhangye Prefecture (present-day Liangzhou District, Wuwei City), Gansu Province. Among them, 11 pieces are simple for daily taboos and miscellaneous contents, and 469 pieces are "Ritual Ritual" Jane, which is now in the Gansu Provincial Museum.

Each piece of the "Rites" is 55 cm long, 0.75 cm wide and 0.28 cm thick, a total of 9 articles, divided into three versions: A, B and C. There are 7 articles preserved in book A, and 1 article in book B and 1 article in copy C. It is best to preserve the nail book. This jane is the 90th jane of the First Book of The Thai Shooting. Each jane word is 60, and there are pages under the jane.

The Han Dynasty coincided with the promotion of Chinese classics, and it was also a period of dispute between the ancient classics and the modern wenjing schools, so the trend of copying and lecturing was flourishing. It was in this popular move that the Wooden Jane produced the Wuwei "Rites" that was different from Zheng Xuan's commentary, which was an important material for the study of Chinese Han Dynasty classics and collation surveys and the system of pamphlets.

The transcription of the volume is about by many people, and the overall shape and writing are relatively strict and standardized. Its Hanli calligraphy tends to be mature, the calligraphy is broad and atmospheric, the writing is strong, and the beauty is breathtaking. The Liturgy breaks the symmetrical format of left and right stops from the glyph knot, cleverly uses the center of gravity of the word to shift to the left, and then opens its main pen to the right to gain a sense of balance in order to obtain a sense of balance in the side. The pen edge is changeable, and the chapter processing constitutes a dense rhythm and a distant effect in the depths, which is very ethereal and beautiful.

Finishing: Xue Xin

This article is selected from the A05 edition of Culture and Art Newspaper on December 13, 2021