Feng Weimin (1511-1578), zi ruxing, no. haifu, also known as shimen, scattered music writer, Linqu people. Feng Yu's third son. Ming Dynasty essayist and opera writer. He is the author of the poetry collection "Feng Haifu Collection" and "Shimen Collection", the scattered song collection "HaifuShan Tang Lyric Manuscript" in 4 volumes, as well as the miscellaneous dramas "Bufu Lao" and "Monk and Nun Accomplice".
Although Feng Weimin has been out of the country for more than ten years, he is very unsatisfactory in official affairs and trivial matters, and he lyrically expresses his cynical feelings in the song, and his "Return to the Field Xiaoling" is written very sincerely. His scattered songs can jump out of the nostalgia of only hanging the ancient world, talking about Zen and retreat, Lin Quan Yixing, and the style of men and women, expanding the theme to all aspects of social life and enriching the content of the composition.
Statue of Feng Weimin in Linqu Old Dragon Bay.
Located in Linqu Old Longwan Feng Weimin's former residence "Jiangnan Pavilion".
Laolongwan Scenic Area is a provincial scenic spot in Shandong Province and a national AAA-level tourist area. Located in Linqu County, 60 kilometers southwest of Weifang City, the kite capital of the world, it is a bright pearl on the "Thousand Miles Folk Customs Tourism Line" in Shandong Province, and is known as "the north of the jiangnan, Luzhong Taoyuan". Old Dragon Bay ancient name "Kaoru Lake", is made of underground spring water gushing out of the surface river, because of the legend that there are springs in the bay directly to the East China Sea and there are dragons lurking in it, it has three major characteristics: "many springs, clear water, constant temperature in all seasons", there is a beautiful environment and ancient legends. Laolongwan has a long history, with the good sentence of "Floating Mountain Graphite Thousand Autumn Paintings, Smelting Water Without Strings Wanguqin".
Feng Weimin's artistic style of scattered music is known for its frankness and clarity, boldness and boldness, but there is also no lack of fresh and elegant works. His works make extensive use of slang proverbs, do not pretend to borrow anything, rarely carved, humorous and witty, vivid and vivid, maintaining the natural beauty of the scattered songs. Sometimes he put the scriptures, histories, sub-texts, and concentrated written words into the song, and arbitrarily expelled them, completely natural, without any blunt and dry drawbacks.
In short, from a basic point of view, his achievements far exceeded those of his contemporaries, bringing the Ming Dynasty Sanqu to a new peak. For Feng Qu, the commentators have spoken highly of it, such as Wang Shizhen saying: "Northern tuning ... Recently, Feng Tong judged wei min, uniquely outstanding, its board eyes, head, tight, all bent, and talent is enough to develop; stop using too much natural color, the northern tone is too complicated, and it is a white bi slightly flawed ear. "
The artistic value of its scattered music is mainly reflected in three aspects: a strong critical spirit of reality, a unique vision of materials, and a bold and magnificent artistic style. These achievements made Feng Weimin a figure in the Ming Dynasty and established his historical position in the history of Chinese prose music.
In the literary circles of the middle and late Ming Dynasty, the traditional poetry creation was in decline, the theme was narrow, the form was carved, and the southern tone of Yixing Xiaosuo filled the music scene. Feng Weimin corrected the shortcomings of the times, inherited the fine tradition of early Yuan literature, and used the musical form of Beiqu to create a large number of prose works with profound thoughts, long-term interest, simple language, and heroic and refreshing style, which made important contributions to the development of Poetry literature in China.
Feng Weimin's stone carvings. It is said that Feng Weimin is to the song, "there is a Xin abandonment disease in the Judean word".