Peking Opera art has been inherited for two hundred years, and many famous characters have appeared, but many people are accustomed to comparing Peking Opera actors, and today Xiaobian will talk about it.
When it comes to the big Qingyi in today's Peking Opera industry, many people are willing to compare Li Weikang and Li Shengsu, but these two are really not much comparable.
First of all, these two people do not belong to a generation, Li Weikang is obviously one generation older than Li Shengsu, how to compare it if they are not a generation?
The second is that these two are not a school at all, Teacher Li Weikang is a sect of eclecticism, and Teacher Li Shengsu is a descendant of the Mei Sect.
Finally, if you really want to compare, Teacher Li Weikang is higher than Li Shengsu in terms of qualifications and art.
Nowadays, there is a "first old student" in the Peking opera circle, and there is also a "first Kunsheng", "first old student" refers to Yu Kuizhi, and "first Kunsheng" refers to Wang Peiyu.
In fact, these two are not worthy of the name of the high, Yu Kuizhi has no charm is also well known.
Wang Peiyu is now addicted to variety shows to earn gold, and now the title of "Little Winter Emperor" may have become a pejorative meaning.
Therefore, none of these two can be called the word "first", and if these two are compared, Teacher Yu Kuizhi is still stronger than Wang Peiyu.
When it comes to the Cheng Pai actors in today's Peking Opera circle, they can't avoid these two, one is Chi Xiaoqiu and the other is Zhang Huoding, and many people are willing to compare these two teachers.
In fact, Teacher Chi Xiaoqiu adheres to the tradition of "Chuan Chuan" as the main development direction, while Teacher Zhang Huoding is developing in inheritance, so these two are excellent descendants of the Cheng School of Peking Opera.
But from the perspective of today's two-person art, Chi Xiaoqiu's art has declined and it is time to retreat to the second line, and Zhang Huoding is still popular and should perform more!