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Wen 丨 Fawn Kaka
"Genius Peking Opera girl" Wang Peiyu has repeatedly spoken out and questioned Guo Degang's professional level.
Guo Degang and Wang Peiyu are two people who are not related to each other, but Wang Peiyu believes that Guo Degang robbed her "cake".
Reprimanded Guo Degang for not understanding Peking Opera at all, and his attitude was arrogant and rude, which caused many netizens to controversy, and many "tightropes" said Wang Peiyu: Learn to be a person before learning art, excellent is not your proud capital.
"Genius" Peking Opera girl
Wang Peiyu's excellent background does give her reasons to be proud.
In 1978. Wang Peiyu was born in an ordinary family in Suzhou, and the traditional concept of parents was to favor boys, so as a daughter, she was not favored by her parents.
Wang Peiyu's parents always took advantage of her sleep to secretly give her brother fruits and snacks, and personally peeled oranges for her brother, of course, Wang Peiyu has never felt these treatments.
Her brother was still young at that time, and ran to Wang Peiyu's side to show off: "The oranges that my parents peeled for me are very sweet, you didn't eat them." ”
Wang Peiyu was very aggrieved, and the emotions she had been suppressing finally broke out, and she asked her parents: "Why don't you wait for me to wake up and eat together?" ”
Her parents said, "We didn't think about it at all. ”
This sentence made Wang Peiyu instantly break his defense, but he also understood his parents' favoritism towards his brother, so he made up his mind to get ahead.
"Heaven does not pay off", Wang Peiyu has been very talented since she was a child, and she learned it when she was five or six years old listening to Suzhou commentaries and humming a few words, and she herself also loves to listen to it very much.
At the age of eight, she won the championship in the Suzhou Pingtan Competition, singing "New Mulan Word", she did not undergo any professional guidance, but relied on self-study to have such excellent results, many locals also praised her as a "judge".
Wang Peiyu's parents realized her advantages in this area and began to focus on nurturing her.
They first sent their daughter to learn the pipa, then Peking Opera, and finally succeeded.
The road to fame
The road to learning Peking Opera is not easy, and it takes a lot of hardship. One minute on stage, ten years off stage, she will start training intensively at a young age.
The most important thing in this industry is the basic skills, and it is necessary to accumulate strong "capital" in order to shape each character with ease.
They get up at 6 a.m. every morning to practice: running the circle, pressing legs, kicking legs, taking tops, tiger jumping, flipping, hanging voice, etc., are all daily training routines, day after day, year after year, many children feel bitter and wail day by day, but Wang Peiyu has never cried.
Three points are destined, seven points rely on hard work, which is the biggest reason why she can succeed.
Wang Peiyu, who can endure hardships and is not afraid of fatigue, is naturally a proud protégé of the teacher, and then was accepted as an apprentice by Fan Shiren, a descendant of the Yu faction.
Two years later, Wang Peiyu had achieved success in her studies and signed up for the "Five Cups" in Jiangsu Province, and then she won the Lao Dan Award for "Fishing for Golden Turtles" at the age of 13.
Fan Shiren saw her potential and told her for better development in the future: "If you want to become a horn, you have to sing old students." ”
For the "Winter Emperor" who is on par with Mei Lanfang, Wang Peiyu has always been very fond of it, and with the order of Fan Shiren's teacher, she decided to change from the Danjiao she learned at the beginning to a raw angle.
In 1992, Wang Peiyu was admitted to Shanghai Opera School with excellent results, and since then has specialized in old students.
Start a business and lose all your savings
Wang Peiyu is a "genius" in the Peking Opera industry.
At the age of 15, Mei Baojiu watched her performance and praised her.
At the age of 18, he went to Hong Kong to perform and sang "Search for Orphans and Save Orphans" on stage, and there was Meng Xiaodong's own son Cai Guoxuan sitting in the audience.
After the performance, Cai Guoxu seemed to see his teacher and asked, "Who is this?" ”
Mr. Tan Yuanshou also gave the highest evaluation: "Isn't this the living Meng Xiaodong."
Since then, Wang Peiyu has the title of "Little Winter Emperor of Liyuan" and has won various awards.
But compared with the babbling of Peking Opera, pop music, rap, etc. are now more popular with young people, and fewer and fewer people listen to Peking Opera, Wang Peiyu wants more young people to like to listen to opera, carry forward the thousand-year-old Peking Opera culture, and reproduce the former glory of Peking Opera.
She quit her job at the Peking Opera in Shanghai, opened a studio and started her own business.
But she has no talent in this area, does not know how to operate, and does not know how to do this to publicize.
Wang Peiyu lost all her savings, and the studio could only announce its dissolution, and she returned to her previous place to work.
But let the belief in inheriting Peking Opera culture deeply rooted in my heart.
After that, Wang Peiyu used the Internet and her own popularity to frantically go on variety shows, so that more people could understand Peking Opera and feel the charm of Peking Opera.
Her efforts finally saw results and gained many fans.
But there are many popular people, and her remarks on Guo Degang have pushed herself to the cusp.
and Guo Degang-for-tat
In an interview, Wang Peiyu commented on Guo Degang: "Guo Degang knows nothing about Peking Opera, at best, he is an ordinary audience, and crosstalk cannot bring fire to Peking Opera." ”
In the face of such ridicule, Guo Degang only replied with five words: "There is no intention to fight for spring." ”
However, Wang Peiyu's remarks are understandable.
As a talented and intelligent Peking Opera artist, Wang Peiyu has practiced hard since she was a child to have today's world, and has always regarded herself as a "commodity" to hype Peking Opera culture, and only then has a trace of results.
But Guo Degang, a professional crosstalker, is indeed inferior to professional drama actors, and her publicity results are even better.
Because of Guo Degang's super popularity, his Peking Opera and Qilin Opera Club are deeply loved by the public, and it is difficult to find a ticket, and the Qilin Opera Club has become the only Peking Opera group in China that can support itself by selling tickets.
As a professional Peking Opera artist, Wang Peiyu's tickets for her performances are difficult to sell, and the attendance rate is less than 70%.
Wang Peiyu said sarcastically: "If Guo Degang hadn't performed with famous Peking Opera artists, the tickets wouldn't have sold so well." ”
But I don't think so, although Guo Degang is not a professional Peking Opera actor, he is an authentic Qi Men heir, so Wang Peiyu said that Guo Degang did not understand Peking Opera, so he was "self-defeating".
Guo Degang has made great contributions to the cultural inheritance of crosstalk and Peking Opera.
At that time, crosstalk was also an ordinary industry in the mainland, and Guo Degang entered Beijing three times and founded Deyun Society. In the face of peer competition, apprentice betrayal, etc., he has always persevered, so that he has cultivated many excellent comedian actors and has today's fame.
Even if Guo Degang used his popularity to drive the Qilin Opera Club, it was not to promote Peking Opera culture.
Traditional performance forms and techniques are no longer in line with contemporary trends, so they need to find another way, and the ultimate goal is to promote traditional culture, which brings benefits to Peking Opera, and there is nothing to criticize.
It can be said that the re-entry of opera culture into the lives of ordinary people, Guo Degang has made a great contribution.
Other Peking Opera ticket holders said that Wang Peiyu's business level is declining because she has been participating in various activities.
Her publicity method and Guo Degang's propaganda crosstalk model are similar, both have a trend of commercialization, so Wang Peiyu's relative purpose for Guo Degang is very clear.
Guo Degang touched her interests, and he attracted Wang Peiyu's audience away and robbed her of her job.
In recent years, she has also worked hard to learn to combine Peking Opera and pop music singing, and her creation of "Feather on the String" has won many praise and fans.
Singing pop music in the voice of Peking Opera, which is also in line with contemporary cultural trends, not only promotes Peking Opera, but also attracts more young people.
Although the "genius girl" is professional and has made small achievements in the Peking Opera industry, this is not a reason for arrogance, nor is it a confidence to attack others. We must learn to listen to opinions and improve them, so that our career will be better.
Wang Peiyu should not be pretentious and deny the achievements of others' efforts, the common purpose is to promote Peking Opera, learn to cooperate for win-win results, and create a brilliant and prosperous era of Peking Opera.
It is undeniable that her love and efforts for opera are admired by many people, and she can also be described as a mainstay in the opera industry, and has been trying to develop opera in a new way, inherit theater culture, and make everyone like opera again.
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