The model opera is the product of the Ten Years Cultural Revolution, and many excellent works have been created and rehearsed in the past ten years, of which the Peking Opera repertoire accounts for a relatively large proportion.
So what attitude should the main actor of the model play be?
Some people say that the model play has achieved those main actors, which I think is no problem, and some people say that these main actors have achieved the model play, which I think is more reasonable than this sentence.
Because the repertoire of Peking Opera model plays is limited, and there are many Peking Opera actors in the country, it is not a problem to choose a suitable model play starring.
Secondly, there is also a reason why the model drama starring Feng Shen is that they have been running on the stage for ten years, and they have continuously improved to really grind a sword in ten years. And in ten years, their artistic image has become an inherent stereotype in the minds of the audience.
Therefore, the model drama has made some Peking Opera actors, and most of these Peking Opera actors are just emerging, and the model drama makes them the stars of that era.
Liu Changyu is a famous Peking Opera performance artist, Gongdanjiao, Zongxun Sect, and disciple of Peking Opera master Xun Huisheng. He once worked for the National Peking Theatre and was the actor of "Li Tiemei" in the model play "Red Lantern".
Teacher Liu Changyu knows that a large part of her fame comes from the model play, so she argues on the issue of the return of the model play to the stage, and indeed many audiences also like the model play.
And teacher Liu Changyu also said that after winning the gold medal of the Danjiao group of the Mei Lanfang Gold Award Competition, he also said that his entry was "Red Lantern" Excerpt and he was stained with the light of "Li Tiemei".
In his later years, Liu Changyu also understood his old partner's own master brother Qian Haoliang, so liu Changyu's teacher is upright and very transparent!