Peking Opera has been passed down for more than 200 years, and in the past 200 years, many famous artists and famous characters have appeared in the Peking Opera circle, and many plays have been created.
Model plays and revolutionary modern dramas are the products of the "Cultural Revolution" period, and many excellent plays were created and rehearsed during this period, such as "Jie Zhenguo", "White Haired Girl", "Red Lantern", "Sha Jiabang", "Wise Tiger Mountain", "Surprise Attack on the White Tiger Regiment", "Ode to Longjiang", "Cuckoo Mountain", "Plains Battle", "Rock Bay" and so on.
In fact, there is still merit in literary and artistic creation in this period, that is, boldly using new talents. Because in the Peking Opera circle, which has always paid attention to seniority, it takes many years for the younger generation of actors to emerge, and even the older generation of artists suppress young people. And some of the plays created are mainly based on the older generation of artists, and it is true that their artistic attainments are very high, but it is undeniable that the younger generation of actors are more suitable for some roles.
Liu Changyu's famous Peking Opera performance artist, Gongdanjiao, Zongxun School, was once taught by the Peking Opera master Xun Huisheng, but did not worship under Mr. Xun Huisheng.
Teacher Liu Changyu played the role of "Li Tiemei" in the model play "Red Lantern", and thus became a star of that era, in fact, from the perspective of roles, these roles did not exceed Teacher Liu, even Teacher Du Jinfang, one of the "four top cards" of the National Beijing Theatre, was not as good as her.
However, Teacher Liu rarely acted in xun pai's famous drama "Red Lady", and even if he acted, he sang excerpts, and did not fully perform the video of this play. And her disciple's "Red Lady" was also studied with Mr. Song Changrong.
In fact, this is also normal, because Teacher Liu learned drama in the drama school, not only hua dan but also tsing yi opera at that time, and later participated in the creation of revolutionary modern Peking opera, so it is likely that he did not learn this play.
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