Actresses who starred in Woody Allen's love film works can be roughly divided into two types.
One is the approachable type, that is, if she is near your home, you have a certain chance that she will think that she is a neighbor nearby, but it is charming to appear on the big screen.
The other is the sexy and shiny type, that is, if she appears around you, you will be enveloped by some kind of goddess-like light.
Today we will take stock of the 4 goddess-level characters in these love movies!
1. Goddess of Admiration: Scarlett Johanson.
Masterpiece: Midnight in Barcelona.
With blonde hair, delicate lips, bright eyes, and a bumpy figure, she is The new generation of Hollywood sexy goddess Scarlett Johansson, and she is the goddess in the hearts of many directors, even Woody Allen is no exception to bow down under the pomegranate skirt.
Scarlett is not only born with a variety of styles, she has been exposed to drama training since childhood, and she has a thick foundation of acting skills, and Woody Allen, who has worked with her in three films, has publicly praised her: "With irresistible sexiness, her acting skills are not flat and stiff like a pictorial girl, but an actress with real talent and depth." 」
In the "British Trilogy", Scarlett Johansson starred in "End of the Race" and "Scoop", and then she filmed "Midnight in Barcelona" with Woody Allen in Spain.
Scarlett Johansson's image in several films in Woody Allen is different, but in essence, her role always makes the male protagonist fall in love at first sight. Perhaps, this is also Woody Allen's on-screen confession to this very attractive woman through his films.
2. Anne Forever: Diane Keaton.
Masterpiece: Anne Hall.
For Diane Keaton and Woody Allen, both of them played a significant role in each other's lives and careers.
Woody Allen wrote the screenplay for Annie Hall based on his relationship with Diane, which became the most popular work in Woody Allen's creative career, and allowed Diane Keaton to win the first Oscar in his life for the role of Annie, and also won the Oscar for best director for Woody Allen.
After ending two marriages, Woody Allen fell in love during the rehearsal of the 1971 stage play "Dumb Goose" and began a period of cohabitation during the performance of the stage play. It was the first time New Yorker Woody Allen had fallen in love with a girl from another city.
Beginning in 1972 and ending their relationship, Woody Allen and Diane began a series of collaborations on the big screen. In addition to co-starring in the big-screen version of "Dumb Goose," Diane also starred in several films directed by Woody Allen, and the two continued until 1993's Manhattan Murder Mystery.
We can find in many of Woody Allen's films that Diane Keaton is the inspiration for many of Woody Allen's characters, and this expatriate in New York always has the optimism and simplicity that those New Yorkers in the film do not have, but her sensitive emotions are the epitome of the lives of modern urban men and women.
3. Lover and Enemy: Mia Farrow.
Masterpiece: "Midsummer Night Sex Comedy".
Compared with the peaceful breakup, Diane Keaton, who can still be friends after love, the love-hate relationship between Woody Allen and his former partner Mia Farrow is not so simple. Thirty years later, the two are still staging fratricidal and chaotic dramas, and the dramatic tension and spilling dog blood are greater than any film directed by Woody Allen.
In 1979, Mia Farrow began a relationship with Woody Allen. In addition, from the first collaboration of the two in 1982's "Midsummer Night Sex Comedy", several of his film productions from the 1980s and early 1990s were almost all starred by Mia Farrow.
In real life, the two of them jointly raised two adopted children and a biological son, Ronan, in the mode of unmarried and separated interaction. In 1992, Woody Allen's self-directed "Husbands and Wives" became the last commemoration of the decade of their relationship, in which they played a couple trapped in an unhappy marriage, reflecting the helplessness of the two people's real love affair.
And at the time of the film's launch, an unsincapable ambiguous relationship between Woody Allen and Soon-Yi, Mia Farrow's adopted daughter, broke out.
After the two broke up, the "father-daughter love" gradually came to the table, and the two entered the auditorium in 1997, and the relationship between husband and wife has been maintained to this day. The adopted daughter has become the new love of the ex-boyfriend, and the old Mia Faro still seems unable to accept such a twist and blow years later.
In 1993, when Woody Allen and Mia Farrow fought a custody lawsuit, he was accused of sexually assaulting his adopted daughter Dylan Farrow, who was only seven years old at the time, but the case was not resolved. The closest lover turns against the most hateful enemy, and the conflict between Woody Allen and Mia Farrow goes from the play to the outside, but it seems that it is not yet time for the play.
4. Competent working partner: Dianne Wiest.
Masterpiece: Sister Hannah.
Diane West, in particular, is a classic case of Woody Allen's work.
"Hannah Sisters" is Diane's second film with Woody Allen, and she also has a taste of the little golden man - winning the Oscar for Best Supporting Actress in the role of second sister Holly.
Because of the pleasure of working together, diane West has become the second closest actress to work with Woody Allen since "The Purple Rose of Cairo".
I don't know if due to close cooperation, there was a gossip, Mia Farrow once accused Woody Allen of cheating on Diane during the filming of "Hannah Sisters".
It is possible to assume that the two became lovers at the end of the film, so there is a suspicion of fake drama, so it is misunderstood by Mia Faro. But this is only a hypothesis, after all, the parties did not admit to this gossip afterwards.
How many love movies have you seen starring these "goddesses"?
I think they are quite classic, I recommend everyone to take a look.