"The People of the Celestial Realm" is one of the series of works created by Yonghua Teacher's realistic theme in recent years. Realistic creations often have the ultimate sense of landing and pyrotechnics. Different from major historical works, the epicness of the series of "People of the Celestial Realm" is not expressed through big people and big historical events, but from the perspective of a small person and an ordinary person, with delicate emotions and moving details to show the simple, warm and kind human brilliance of the people of the Celestial Realm. They used the most primitive way of life to inherit the simplicity of the Tibetan people and their devotion to faith.
Flower good full moon / ink on paper / 145X170cm
Is realist creation obsolete in today's ever-changing world? This is the topic that Mr. Yu discussed the most when he interacted with the younger generation of artists.
Snow home / Ink on paper /180X145cm
He believes that realist creation is not outdated, this panoramic description, with the attitude of always present to participate in the dual creation of narrative time and space and spiritual vision; if you want to come up with good realistic works, you need creators to have keen perception and insight ability, and at the same time have a level of deep thinking and flexible expression; also need creators to have rich material accumulation.
Watchman / Ink on paper/145X160cm
Realism is a complex process, but no matter how it changes, extends, the sincerity of the creator and the reflection on the basis of sincerity are indispensable.
Pilgrim / Ink on paper / 145X150cm
Speaking of the topic of realist creation, it has to be said that the recent hit annual drama "Human World", its hit has created a new round of realist creation in the film and television industry.
Early morning of the Buddha's Day / Ink on paper / 145X160cm
This film takes the life trajectory of three generations of ordinary workers in northeast China, Zhou Zhigang, as a clue, and connects the great changes in Chinese society in the 1970s to the 50 years. As a witness to this history, Teacher Yu has a common life memory with the characters in the play, and with the development of the plot, the frame of the past seems to be yesterday.
Spring of the Holy Land / Ink on Paper / 145X200cm
The changes and invariances of the times, the personal choices under the big times, and the brilliance of the personalities of ordinary people have shaped the pulse of Chinese civilization.
Sun in the heart / Ink on paper / 145X150cm
And good realism, whether it is painting, film or television or text, flashes the light of idealism behind the heavy epic sense, and wins the respect and resonance of the audience.
Yu Yonghua Introduction
A native of Dalian, Liaoning Province, he now lives in Beijing. He is a member of the China Artists Association, a tutor and professor of the Academy of Painting of Chinese Min University, the vice president of the Chinese Academy of Arts, the director of the Chinese Painting Creation Center, and the winning author of major historical themes of the "Belt and Road" National Academy of Painting, and his works have been collected by the National Academy of Painting. Most of his works are large-scale themes of Chinese ink figures, and have been collected by many art museums, art institutions, and private collections at home and abroad.