Group photo at the opening ceremony
At 15:00 on the afternoon of May 8th, the Daqian Ink Rhyme - Song Wenjian Calligraphy and Painting Art Exhibition, co-organized by the Hong Kong Artists Association, Han Mo Tang, ChangRong Media Group, Yue Zhu Zhai, Shang Yu Publishing and Chang Jian Daguan Art Museum, sponsored by the Century Glory Art Museum, was officially opened in Beijing.
As a re-disciple of Zhang Daqian, a legendary figure in the painting world, Song Wenjian fully inherited the traditional elements in He Haixia's paintings and integrated Zhang Daqian's techniques in splashing ink and color, thus forming his own unique style of landscape painting. His works have not only won the approval of many contemporary people, but also become a representative of China's modern Northern School of Heavy Color Landscape, thus winning the title of "the first person in contemporary Jinbi Landscape".
His unique heavy-colored splashed ink landscape works have been unanimously appreciated by art critics and collectors from all walks of life.
Guest speeches
Member of the China Artists Association, Wu Guanzhong entered the room as a disciple
Ling Xingzhi
Secretary General of the Capital Museum Painting Institute, member of the Calligraphy and Painting Professional Committee of the China Arts and Crafts Society
Wu Yonghui
He is a national first-class artist, a member of the China Artists Association, and the president of the China New Color Ink Art Research Institute
Jia Shaochang
Tutor of the Advanced Research Class of the Academy of Fine Arts of Tsinghua University, Executive President of the Zhang Daqian International Art Research Association of Dafengtang
Ho Ren-chan
Curator of the arts, Director of the Centennial Glory Art Museum
Glory
Artists of this exhibition
Song Wenjian
On-site guests were interviewed
Li Xiaoke is an assistant teacher at art studio and a member of the China Artists Association
Wu Tiancheng
He is a director of the Chinese Artists Association of China and a national first-class artist
Han Haibin
He is a national first-class artist and the vice president of the National Academy of Calligraphy and Painting
Chen Peihua
He is a member of the China Artists Association and a national first-class artist
Yan Yongming
(from left)
Zhao Yinong, a member of the China Artists Association and a painter of the National Academy of Painting of China
Yu Dongxing, chairman of Beijing Dongxing Hanhai International Auction Co., Ltd
Zhu Kaijin, vice president of the Chen Taijiquan Research Association
Dong Ziqi, researcher of the French Society for the Study of Chinese and Western Cultures, director of Lafayette Art Space
Member of Hebei Provincial Artists Association Rong Baozhai signed a painter Wei Qixian
(from left)
Song Wenjian's works are based on Chinese traditions and use innovative techniques to open up new avenues for ink painting with imagery and impressional colors. With many drops of color accumulation, many cold and warm gray tones are formed, which produce natural interest, and then combine with the vientiane of nature to create a unique style that is spontaneous and changeable. His creative philosophy is "exhausting the brilliance of color, integrating the spirit of pen and ink, and expressing the feelings of substitution"" and has been called "the founder of contemporary heavy color ink painting". He carefully preserved the creative achievements of the literati ink painting, strengthened the "color method" on the basis of paying attention to the brushwork and ink method, and established his own exploration direction of "pen feeling, ink interest, and color brilliance".
The scene of the opening ceremony
Appreciation of some works
The event site attracted many guests and audiences to stop and appreciate, they praised the works on display, Song Wenjian's landscape paintings maintained the style of traditional Chinese painting, referring to and using the colors of Western paintings, using many "painting" methods, but did not lose writing, lost pen and ink. More importantly, he follows the traditional aesthetic principles, writes scenes in landscape paintings, and pursues artistic expression. It can be said that his paintings absorb Western colors rather than foreign tones, and can be appreciated by the public and are not bad, with the character of elegant and popular appreciation. Xiao Han adheres to the color exploration of Chinese painting, and criticizes the prejudice of literati painting to ignore color from this point of view, but he also knows that the artistic road is infinitely broad, the development path of Chinese noodles is also very broad, he respects the creation of others in the ink hugh system, the road of ink painting is as long as the road of color, the exploration of predecessors and present people is far from exhaustive, and the future trend of Chinese painting will be ink and color, moving forward along their respective aesthetic goals. Of course, in the middle of the road of ink painting and the road of color, there is also a fairly wide area.