The new era needs literary and artistic masters, and it is also completely capable of creating literary and artistic masters! The new era needs a literary and artistic peak, and it can also cast a literary and artistic peak! In the long history of China for 5,000 years, there is a brilliant brilliance of artistic changes and amazing creativity everywhere, and it is their brilliant brilliance that enables Chinese civilization to live endlessly in the long river of history.
Jia Shaochang (Character Shuang Yang, Number: Shi Feng, Master of the Garden, Master of The Lacquer Cai Tang)
Born in 1972 in Guantao County, Handan City, Hebei Province, in 1988, he studied lacquer art with Mr. Qiao Shiguang, a professor at the Central Academy of Arts and Crafts. In 1989, he served as the assistant painter in Mr. Qiao Shiguang's studio, and in 1994, he became the secretary and designer of the secretariat of the China Three Gorges Painting Academy (participated in the creation of the China Three Gorges Painting Academy). In 1995, he was the acting secretary of the Chinese Lacquer Painting Research Association and joined the China Industrial Design Association. In 1996, CCTV was directed by Sun Lei to shoot "My Life, My Lacquer Painting". In 1999, he founded Beijing Yinma Decoration Design Co., Ltd.
In 2002, he was rated as "Representative of the Lacquer Art Professional Committee of the China Arts and Crafts Society" (at the same time, he went to Yangzhou To open the National Lacquer Art Conference).
In 2002, the lacquer painting work "Over" was selected for the first national lacquer painting exhibition.
In 2003, he graduated from the first National Lacquer Painting Advanced Research Class of the China Artists Association (Xiamen).
In 2003, his lacquer painting "Roots" was selected for the Beijing International Art Biennale (Beijing).
In 2004, the lacquer painting "Roots" was selected for the 10th National Art Exhibition (Nanjing).
In 2004, he joined the China Zhi Gong Dang and joined the Beijing Municipal Cultural Work Committee of the Zhi Gong Dang.
In 2005, the lacquer painting "Harem" was selected for the Xiamen Chinese Lacquer Painting Exhibition (Xiamen).
In 2006, Beijing Dashanzi Art District held the "Jia Shaochang Lacquer Painting Exhibition".
In 2006, his lacquer painting works were selected for the 2nd China Modern Arts and Crafts Exhibition.
2007 Beijing 798 Art District "Lacquer Lust - Jia Shaochang Contemporary Art Exhibition"
In 2007, his work "Harem Snow" was selected for the Xiamen Chinese Lacquer Painting Exhibition (Xiamen).
2008 Beijing 798 Art District "Origin Reconstruction - Contemporary Lacquer Art Six-Person Exhibition"
In 2009, the lacquer painting "Star Rhyme" was selected for the 11th National Art Exhibition (Xiamen).
In 2009, Ding Art Museum held the Lacquer Voice Jia Shaochang Art Exhibition (Beijing).
In 2010, he joined the China Artists Association. In 2011, he studied in the ink studio of Mr. Li Xiaoke of Beijing Academy of Painting.
In 2012, his works were collected at the London Olympic Art Congress in London, England (London). In 2012, the exhibition of works of Jia Shaochang was held in the Anshan Hall of The Prince of Gongwang in Beijing.
In 2013, his works participated in the opening ceremony of Wei Zheng Museum and were collected in four lacquer paintings (Hebei).
In 2014, his works participated in the Public Welfare Painting Exhibition of the Soong Ching Ling Foundation and were collected. (Beijing).
In 2015, his works participated in the China [Xiamen] Lacquer Painting Exhibition (Xiamen).
In 2016, he was appointed as the vice chairman of the World One Painting Kaitian Culture and Art Association.
In 2017, he was appointed as the director of the Lacquer Art Committee of the Contemporary Artists Research Association of the All-Union Folk Art Chamber of Commerce.
In 2017, he joined the Chinese Culture and Art Development Promotion Association of the Ministry of Culture. In 2018, he was hired as a lacquer art expert for the intangible cultural heritage project of Beijing Eighty Middle School.
In 2018, he was appointed as a professor in the Department of Arts and Crafts of Beijing City College.
In 2018, Qinhuangdao Zhenshe Art Museum held a "Lacquer Song and Ink Dance" art touring exhibition (Hebei Station). In 2018, the auction of color ink works was successful (Chinese painting and calligraphy).
In 2019, the Palace Museum in Beijing held a traveling exhibition of "Lacquer Song and Ink Dance".
Jia Shaochang's ink works
Jia Shaochang's ink works
Jia Shaochang lacquer paintings
Jia Shaochang's ink works
Jia Shaochang lacquer paintings
In 2020, the auction of the color ink work "Great Love Without Borders" was donated to the frontline of wuhan's fight against the epidemic. Baidu Encyclopedia 2020 filmed video and voice updates. In 2020, three painted ink works were placed in the permanent collection of the Museum of Pottery. In 2020, he became a contracted painter of confucius museum. In 2020, he was appointed as a visiting professor of the calligraphy and painting channel of Shandong TV Station "Hanmo Danqing". In 2020, the lacquer painting "Forbidden City - Hanging Flower Gate" was permanently collected by the National Museum. In 2020, the color ink work "Prosperous Lotus Rhyme" was permanently collected by the Great Hall of the People. In 2020, Tianjin Renmei published "Collection of Contemporary Chinese Masters". In 2021, he founded the China New Color Ink Art Research Institute in Hong Kong. In 2021, he was rated as an advanced individual by the Beijing Municipal Committee of the Zhi Gong Dang. In 2021, he participated in the invitation exhibition of famous calligraphers and painters in the centenary of the founding of the Party. In 2021, he was invited to participate in the invitation exhibition of ink masters and masters. In 2021, his work "Hexiang Jiuzhou" was collected by the National Art Museum of China. In 2021, he was invited to participate in the (National Culture Palace) Hanmo Heritage National Famous Artists Invitation Exhibition. In 2021, he was hired as a researcher by the Faculty of Arts, Oriental University, Thailand. In January 2022, he was appointed visiting professor at the Royal Victorian College of Art in Canada. In April 2022, China Education Television recorded the national teaching version of "MoXiang". Published: "Lacquer Painting Techniques and Performance", "Shaochang Lacquer Painting", "Lacquer Cai Life Jia Shaochang", "Jia Shaochang Works Collection", "Jia Shaochang Lacquer Painting Works Stamp Album", "Jia Shaochang Ink Works Collection", "Jia Shaochang New Color Ink Works Collection", "Dust Outside the LoneLy Label - Jia Shaochang New Color Ink Works Collection" and so on.
Ink transformation is the soul of artistic grafting innovation——— reading Mr. Jia Shaochang's lacquer painting ink painting has a feeling
Although he has never met Mr. Jia Shaochang, he has seen the painting as if he were seeing his person; the lacquer painting in the painting is the soul, the shadow is about the covenant, the shape is separated, the ink is the support, the line is simple and clumsy, the color is spotted, the state is elegant, the point is hazy, the strength is thick, the meaning is idyllic, the poetry of the order is always rushing to the face, refreshing the heart, making people refuse to look at the picture for a long time... The work can leave such a feeling to the viewer, and the person must be a benevolent person with a generous form, a inheritor of the study of ancient methods, a researcher who adopts new knowledge, an explorer of grafting lacquer and ink innovation, and a wise person who implements pen and ink conversion. Speaking of innovation, Master Li Keyan once said that "use the greatest skill to enter, use the greatest courage to play out", how to innovate can be described as a word to listen, Yu also borrowed the beginning of the ancient and modern innovation of Chinese painting ink art forms, and obtained the state to discover the Ming patent, with some personal experience; secretly think that only courage can not be beaten, but also inject other cultural and spiritual art forms many elements, so that the painter's original art structure can be reconstructed, and make its soul and appearance blend in, resulting in new forms and appearances. This kind of reconstruction is not a patchwork of various ancient and modern Chinese and foreign art forms, but a transformation of pen and ink. So that the ancient is no longer the original ancient, the ocean is no longer the original ocean, all this will become the Relationship of Chinese Painting and Ink for my use. Jun does not see that there are also so-called seekers in the Chinese painting world today, using the brush, ink and color of Chinese painting to directly paint gouache paintings on rice paper, watercolor paintings, there is no pen-and-ink relationship to speak of, and there is no ink and ink conversion of Chinese painting for Western oil painting, which is a rigid struggle and irrational misinterpretation of the combination of Chinese and Western paintings, and the result can only be contrary to the essential attributes of Chinese painting. In contrast, Mr. Jia Shaochang's lacquer painting and ink Painting Chinese painting is by no means a rigid combination of the forms between ancient and modern, between China and the West, and between Di Mei art, but rather the transformation of the lacquer painting art form from the spiritual level to the formal representation of the thorough and natural pen and ink form, and transforms it into a thoroughly Chinese painting ink art form. There are also lacquer painting shadows wandering, meaning wandering, and the details are not lacquer painting itself; but Chinese painting ink! Whether it is from Mr. Jia's color ink lotus or Jiangnan water town series, whether it is the rhythmic arrangement of the cold and warm, the size, and the strength of the large color blocks, or the dense, long, horizontal, oblique, and scattered composition of the lotus poles characterized by the line, we can see that Mr. Jia has a deep enough understanding and control ability for Chinese painting ink painting and framing pictures. Even if what is drawn, created, and innovated is ever-changing, it is always inseparable from the origin and essence of Chinese brush ink, ink painting, and color ink! This is also the most successful, most commendable and most shining highlight of Jia's lacquer painting ink art style. Also in the Chinese painting world, how to innovate Chinese painting, how to use the ancient for the present, foreign for the Middle School, middle school for the body, Western learning for the use, to the Chinese foreign, for my use, how to graft the art of Di Mei, there is a profound artistic enlightenment and the implementation of the success of the transformation of pen and ink art. This article is invited by Mr. Yu Dongxing to revisit the painting and sigh into this clumsy article, and it is prefaced.
Wang Kuohai on August 16, 2020 at Jinghua Shilin Garden
Jia Shaochang lacquer paintings
Jia Shaochang's ink works
Jia Shaochang lacquer paintings
Jia Shaochang's ink works
Jia Shaochang's ink works
Jia Shaochang's ink works
Jia Shaochang's ink works
Jia Shaochang lacquer paintings
Jia Shaochang lacquer paintings
Jia Shaochang lacquer paintings
Jia Shaochang lacquer paintings
![Comes with a sense of mystery! Come to the National Art Museum of China to see the exhibition of lacquer paintings in the collection of the past years[fig]](data:image/gif;base64,R0lGODlhAQABAIAAAP///wAAACwAAAAAAQABAAACAkQBADs=)