Dreams are also silent: one of Wang Cang's "Seven Lamentations" - inheriting the realist tradition of the past and the future
With the sad voice written chaotically, this feeling and pain few people know.
Ling Feng blew away the tears of the new title, just as deeply as two generations of teachers.
"Seven Lamentations" began at the end of the Han Dynasty, it is said that Wang Cang's first creation, is a new title that emerged after the Lefu poetry, Wang Cang has three "Seven Lamentations" passed down to the future, should be written in different periods, respectively, inscribed Dong Zhuo's rebellion, "Jingman" stagnation and border city suffering, with the first engraving of Dong Zhuo's chaos "Xijing chaos without elephant" Achievements as a model, is one of the representative works that fully embody the jian'an wind bone, but also Wang Yuezhi as the "crown of the seven sons" of the main landmark works.
The three "Seven Lamentations" were passed on to future generations, the shangcheng le fu "felt the actual tradition of mourning and happiness because of events" and "the quality is not commensurate with the quality of the wild literature", the innovative spirit of the lower Qi Kuang shi Shi Du Fu "that is, the name of the matter is not repeated", and the tragic situation of "the accumulation of chaos and the decline of customs and customs" in the social turmoil of the late Han Dynasty and the early Wei Dynasty directly inspired the realist masterpieces such as Du Fu Sanbi in later generations, and the "Seven Lamentations" is a monument in the realist poetry tradition, inheriting the past and the future.
In the earth-shattering chaos at the end of the Han Dynasty, in the frenzied plundering and slaughtering, Wang Cang was not a direct and personal victim, he was a "bystander" of the tragic images of that disaster, he was placed among those fleeing people, felt and experienced their pain at close range, and "watched" those scenes that could not bear to look at them at a close distance.
Cai Wenji is deeply involved in chaos, and is a member of the one who is directly trampled and trampled by social turmoil, so Cai Wenji's "Poem of Sorrow and Indignation" is poignant and sharp, with a sense of stimulation generated by direct physical pain, Wang Yue is the "lucky one" who escaped this disaster by watching the chaos of "the horse hanging on the side of the man's head, and the horse carrying the woman behind the horse" along the way, so his "Xijing chaos" is a deep worry and a heart-wrenching intolerance, the deepest sympathy from the perspective of a bystander, the most intuitive and true record.
This position and feeling are in line with Du Fu's position and feelings in the anshi chaos, so two great realist poets, just in the long road of similar cyclical rolling in history, unexpectedly encountered generations of voices, two intellectuals with the same strong spirit and bone strength, with the same weak flesh and physical strength, encountered the same era of chaos and tragic scene, at this moment, their hands seemed to be held together, their spirit reached a tacit understanding, They have come together with difficulty in the historical time and space spanning five hundred years, and with the same full of emotion, they have recorded the most cruel "separation" in the world, showing the most tragic and helpless deep sympathy.
They have similar family identities, similar ideological feelings, and most importantly, they have the same position and attitude when dealing with the current situation of social chaos and destruction of life and souls, and they do not forget to "establish their hearts for the lives of the people for heaven and earth" on the way to escape, they keep the Tradition of Confucianism, they "complain without anger and sorrow without hurt", they have deep feelings for the motherland under the chaos and devastation, they have deep sympathy for the lives of the people, and they open up their own innovative road along the remnants of the poetry and the national style.
The same tragic image of "white bones exposed in the wild", in Cao Cao, is the inspiration of an world, the urgency of saving water and fire, in Wang Cang, or in Du Fu, it is the deep affection of "not listening to this", it is the helplessness of "looking back at Chang'an", and it is also the desire of "one of the roads of the King of Ji", this different ideological feelings, different social role positioning, producing different tendencies and different emotional colors of the "chaotic world strong tone", constitute the perfect realm of yin and yang tuning qiankun complementary in the realist poetry tradition. And their common patriotic enthusiasm, common enterprising heart, common strong bones, common frankness, common generous rhythm and common sad and cool wind, let this great inheritance maintain a pure spiritual taoism and endless healthy vitality.
Dream is also silent famous poet, poetry critic, lover of classical Chinese poetry practitioner communicator, writer, film and television screenwriter, film and television planner.
Author: Dream Also Silent Editor: Zhang Xuefang
Review: Xiaolou Listening to the Rain Proofreader: Feng Xiao
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