Wen | Xia Shaoyi
Introduction: As one of the "Four Monks" of the Qing Dynasty, his paintings are fundamentally different from the qing and simple works of the other three monks. The remnants of the skull are deeply rooted in the essence of Song and Yuan landscape paintings, and its "bald pen thirsty ink" pen is very old and spicy, dense and thick. Through his landscape paintings, this article analyzes how his "bald pen thirsts for ink" pen to express personal emotions and life pursuits.
Keywords: skull, landscape painting, pen and ink; bald pen thirst ink;
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The Four Monks of the Early Qing Dynasty (Four Monks of the Early Qing Dynasty) "The Waterfall Of The Stream"
First, what is the "bald pen thirst ink" pen?
The so-called "bald pen thirsty ink" pen, as the name suggests, that is, when painting, the use of a bald pen without a sharp edge, the use of ink to thirst for ink, that is, the pen head is less water. Painting with bald brushes, ancient and modern landscapes are very good at, such as Fan Kuan, Xia Gui, Huang Gongwang, Ni Zhan, Ji Yan, Huang Binhong and others.
The "bald pen thirsts for ink" uses the pen to ask the painter not to pay too much attention to the brush when creating, and to be able to pick up a brush at will to draw. For those brushes that have been used for a long time and whose edge has been bald, they are more comfortable. When they paint, they dip the ink once and paint until the pen and ink dry up. For such dry pen thirst ink, it is generally used to outline and rub close-up mountain stones and trees.
The Four Monks of the Early Qing Dynasty (Fishing Map of Xishan Mountain"
Second, what is the unique feature of the "bald pen thirst ink" pen? How do you make the lines change?
He is very good at using bald pens and dry thirsty ink to sketch layer by layer, and dye the ink through continuous rubbing points. In the end, the picture is dense and thick, and the sky is vast, so that people can't help but want to enter the picture to find out.
The landscape paintings are mainly based on the composition of the mountains and rivers of the Northern Song Dynasty, using its thick center pen. At the same time, Huang Gongwang and Wang Meng of the YuanSi family were his main teachers, especially Wang Meng's dense "cattle hair" had a great influence on him. On the basis of extensive acquisition, he gradually formed his own unique pen habit of "bald pen thirst ink".
Although his pen habit of "bald pen thirst for ink" has the shadow of the sages of the Song and Yuan dynasties, there is still a big difference, and it is discussed as follows:
The depiction and rubbing of the broken mountain stones are mainly based on "phimping and dissolving the rope", which is changed from Wang Meng's landscape paintings. But it was different, because he used "bald pen thirst ink". Therefore, his mountain stone pen is more old and spicy, and his mountain stone structure is more absurd and chaotic, and at the same time, he uses Huang Gongwang's method of shallow descent and color, which looks very quiet and calm in the cang.
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The Four Monks of the Early Qing Dynasty (Valley Stacked Springs)
Third, combined with the landscape paintings handed down from generation to generation, try to analyze how his "bald pen thirsty ink" pen makes the lines change.
The Four Monks of the Early Qing Dynasty (Songxi Poetry Map)
For example, the "Songxi Poetry Drawing" shows the characteristics of the "bald pen thirsty ink" well, and uses dry pens, short edges, bald and light ink to carry out layers of hooking and dot dyeing in the mountain stone pen. In the process of writing, with the ups and downs of emotions, the brush in the hand is like the random beating of the rhythm of the notes in the hands of the pianist, and the lines on the screen are not divided into you and me, intertwined and intertwined, and it is impossible to distinguish which pen paths are hooks and which lines are wrinkles, completely mixed into one. Although the surface seems messy, the painter has a degree of grasp in his heart, and he is free to relax in reason, giving people a feeling of grand and vast interest and looseness. The connotation of the pen and ink line itself is extremely deep and the quality is very high.
Combined with the aesthetic connotation of this lush and heavy temperament is the natural expression of its inner temperament, its heart is not bound by the outside world and the pursuit of the purest emotions in the heart, paying attention to frankness and freedom, thus forming a unique "bald pen thirst ink" pen characteristics, which is to distinguish other people's pen and ink style.
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Qiu Ren (the four monks of the early Qing Dynasty) "Qiuhui Meng Fishing Rock" (1661).
IV. Conclusion.
All in all, this "bald pen thirst" pen style of the crippled is mainly due to his inner character characteristics and his natural formation by extensively learning the strengths of each family through both and extensively. His landscape paintings do not stick to the shape of objects, but pay attention to expressing his inner emotions. At the same time, he also pays great attention to the creation of the teacher, takes materials from the real natural mountains and rivers, and integrates into his own life pursuits, instilling his own understanding of creation. And on the basis of the predecessors, he made a bold breakthrough and created a very unique personal painting style and expression with a "bald pen thirsty ink" pen.