But all the friends who aspire to join the film industry like black comedy; anyone who wants to be a director to start making black comedy likes guy ritchie and quentin tarantino; but anyone who likes the above two likes to take material from them. In other words, aspirants who want to be directors, consciously or unconsciously, want to be the next Galley or Tarundino.
There are too many temptations to be these two benevolent brothers. One can enjoy the name of ghost talent, the second can be regarded as the ultimate god of movies, and the third will have a large number of high-quality talents and funds to seek cooperation opportunities. Putting aside the worldly fame and fortune, the "stylish" temperament of "ghost talent" is itself worthy of the pursuit of creators. Especially in this era when everyone wants to be kol, a line out of the street already has an aura to protect themselves, who does not want it? Unfortunately, there is only one Kallik, one Tarentino, who plays purely with comic book, pays homage to movies, and black humor, and often falls into the vortex of underskilled copycat.
Back to "Nothing Difficult to Do". It is not that the creators are not sincere, but it is too much of a "ghost talent" meaning. From the theme, to the style of storytelling, to the atmosphere of the movie, to the genre of playing zombie films, there is a taste that is too deliberate. Unlucky filmmakers turned into the underworld, got the big guy to beat a few million open dramas to shoot zombie films round movie dreams, how to kill the heroine (the big guy's woman) without opening the scene, all thoughts are gray but the show must go on the top hard, and finally eat black eat black eat black ... play type, play gangster, talk about creation, talk about choreography relationship, fun is there, but zhuyu is in front, Taiwanese gag is funny, there is a sense of familiarity.
In particular, when you think of the Japanese comedy master Yuki Mitani's "Bursting Belly", and the low-cost rookie Shinichiro Uehara's "Corpse Killing Set", one is enough to be a chip, and then compare, especially the treatment of propositions, "No Difficulty in the Jianghu" can't grasp the point. I want to talk about the friendship between the two protagonists, there are not many branches; I want to talk about the pain of the screenwriter, and I am a little bit superficial.
But "Nothing Difficult" still has its merits. Hao Huan, who is a producer, and the steady death of the director, wants to seriously make a "Taiwanese zombie film", but from the beginning to the end, there is no moment of mastery of his own destiny; after several twists and turns, to the end of the film, painted, but no one watched, and the localization of the "Taiwanese zombie" type is too biased, the market can not stand. Should filmmakers go to the market and enter the Chinese market according to the will of the big guy (because the big guy is addicted to drama and suddenly wants to change his career to make money for powerful people), or ignore the market and look for his own local positioning?
In addition, Yao Yiti, who plays a transgender person and a big guy woman, is interpreted by two kinds of split roles to teach people to admire; the big guy Long Shaohua is addicted to drama, and during the rehearsal, the fake play really does "confession" to Ma Qi's subordinates, and after watching it, it makes people laugh and turn over. The production cost of 36 million yuan may not be fully recovered in the end, but it is not in vain.