
In our stereotype, genius always seems to be something special. Some people are pretentious and arrogant, some people live in a secluded corner and look at the world coldly, and some people are not willing to accept fate through the ups and downs of their lives. All in all, it has the unique temperament of the poet, and the small body contains infinite whimsy, as if a volcanic eruption occurs anytime and anywhere. However, the Zhang Ruoxuan we want to talk about today actually seems to have never existed in a low-key manner, and such a genius does not conform to our logic at all, and how did such a mysterious Zhang Ruoxuan write the "Spring River Flower Moon Night" that overwhelmed Sheng Tang in the end? We have no way of thinking about it.
Zhang Ruoxuan is a strange flower among poets, and throughout the history of literature, there are probably few more low-key than him. How low-key is he? Zhang Ruoxuan, who was known as the Fourth Soldier of Wuzhong along with He Zhizhang, Zhang Xu, and Bao Rong, recorded in the annals of history the deeds of a large number of unruly people. After going through the historical materials, Zhang Ruoxuan's description is only a few short sentences. The Quan Tang Poems record that "Zhang Ruoxuan, a native of Yangzhou, was a soldier of Yanzhou. With He Zhizhang, Zhang Xu, and Bao Rong, Wu Zhongsi, two poems. What is even more tragic is that in the Old Book of Tang, in the He Zhizhang, in just six words, he zhizhang summarizes "Ruoxu, Yanzhou Bing Cao". Under the reflection of the three big coffee friends, it is more like a character who seems to have never existed. But it is such a low-key master who wrote the peak of the poem "Spring River Flower Moon Night", "Quan Tang Poems" only contains two poems by Zhang Ruoxuan, the first of which are excellent works.
The tide of the Spring River is connected to the sea level, and the bright moon on the sea is born together.
With the waves of thousands of miles, where the spring river has no moon!
The river flows around Fangdian, and the moonlit flower forest is like a thunderbolt;
The frost in the air did not feel flying, and the white sand on the ting could not be seen.
Jiang Tian was free of fibrous dust, and the lonely moon wheel was in the sky.
Who first saw the moon on the riverbank? When did Jiang Yue shine at the beginning of the year?
Life is infinite from generation to generation, and Jiang Yue looks similar every year.
I don't know who Jiang Yue treats, but I see the Yangtze River sending water.
The white clouds went to a leisurely place, and qingfeng pu was overwhelmed with sorrow.
Who's flat boat tonight? Where is Acacia Mingyue Building?
Poor upstairs moon wandering, should be illuminated away from the people makeup mirror table.
The jade curtain could not be rolled up, and the anvil was whisked back.
At this time, they do not hear each other, and they are willing to shine month by month.
The long flying of the wild geese is not enough, and the ichthyosaurs dive into the water.
Last night's idle pond dream fell flowers, poor spring half did not return home.
The river flows in the spring, and the river pool falls and the moon slopes to the west.
The oblique moon sinks into the sea fog, and the jieshi Xiaoxiang infinite road.
I don't know how many people returned by the moon, and the falling moon shook the river tree.
Everyone's evaluation of "Spring River Flower Moon Night" is all the way up, the literati in history are not without praising this poem, but it is by no means as highly praised by Mr. Wen Yiduo, and the most evaluation is "love truth" and "simplicity". At the end of the Qing Dynasty, a man named Wang Minyun wrote in his "On the Origin of Tang Poetry and The Flow of The Families-Answering Chen Guanfu's Question": "'Spring River Flower Moon Night' uses the style of "Xizhou" and is a lonely piece, but it is for everyone. Li He and Shang Yin made it fresh; Song Ci and Yuan poems did their best to make their tributaries. After that, it was the modern period, and Mr. Wen Yiduo's admiration for Zhang Ruoxuan could be described as a confidant. Zun "Spring River Flower Moon Night" alone overwhelmed sheng Tang, the peak of the poem, they were surprised that in the palace poetry, this kind of qi mi charm and charm, there was such a beautiful and fresh masterpiece full of charm. The whole poem has nine paragraphs and thirty-six sentences, four sentences and one rhyme, rigorous structure, carved words, perfect combination of form and content, and philosophical reflections on the rise of personal life experience to cosmic consciousness, so that this poem is worthy of the reputation of "Gai Quan Tang".
"Spring River Flower Moon Night" although it follows the old theme of Chen Sui Lefu. However, the language is fresh and beautiful, and the rhythm is melodious, washing away the thick powder of the palace poems, giving people a clear and clear natural feeling. Lyrical and touching parting and philosophical sentiments of life. In the poem, the moon and the river and water intertwine together, forming a perfect artistic conception. The transition from scenery to life to wanderers and wives is very clever and natural. Emotion and scenery merge into one. But it's atmospheric and elegant. Open and delicate. Don't taste it.
The whole poem is unfolded in turn by scenery, feeling, and reason, and the first part writes about the beauty of the Spring River. The second part writes about the feelings generated by facing Jiang Yue. The third part writes about the sorrows of the wandering wanderer in the world. However, the whole poem does not focus on depicting the pain of lovesickness and separation, but faces the changes and changes of "time and space things" with a light, indifferent, idyllic and calm mentality.
Life is infinite from generation to generation, and Jiang Yue is only similar every year.
This poem, with a consciousness beyond the ontology, breaks free from the shackles of time and space. As Mr. Li Zehou said: "Despite the sadness, it is still brisk, although sighing, it is always light." ”
Because of the beauty of this poem, it even evolved into a Kun opera. The story begins in the second year of Emperor Zhongzong of Tang' Shenlong, spanning half a century of the Tang Dynasty's rise and fall, crossing the three realms of man, ghost and immortal, telling the story of the poet Zhang Ruoxuan on the Yuan Festival Mingyue Bridge to meet the famous door Xiu Xiu Xinyi, fell in love at first sight, did not have time to pour out his heart, but was mistakenly detained by the ghost pawn and died. Zhang Ruoxu became a "nail household" in the Yan Luo Temple, refusing to reincarnate and determined to see Xin Yi's side. Cao E, who had become an immortal, helped him fulfill his wish, and 27-year-old Zhang Ruo came back from the dead, met with 66-year-old woman Xin Yi under the Mingyue Bridge, and sang "Spring River Flower Moon Night" for eternity. This legendary story also reflects the wonderful "Spring River Flower Moon Night" from the side.
People at the time are also quite familiar with "Spring River Flower Moon Night", but "Substitute Dream Return" can only be described as unpopular.
Guansai is early in the past, and the terrace is not expected to go against the law.
Try on the heating and open the mirror for Chunhui.
Swallow into the curtain, bees come to paint clothes.
Love peach Li Yan, heart sent orchestra flying.
Makeup wash towards each other, the wind and flowers do not return.
Where the dream soul enters, the silence is hidden.
The whole poem is gorgeous and neat, and wants to go out of the fence of the palace body, like the wind of Qi Wen Li. In the poem, the bustle of spring reflects the youthful beauty, joy and joy of the woman, and reflects the woman's lonely expectation and lovesickness, thus further enhancing the lyrical intensity. The beautiful acacia carries a bitter taste, but it is precisely because of this bitterness that the beauty of pure love is expressed. The author mostly uses the technique of side foil, with the help of things with emotional overtones to lyrically. The way this poem describes the psychology of the characters can be called unique. Sentences do not directly describe the state of mind, but sentences and sentences are written in the state of mind. Zhang Ruoxuan has many excellent works, but only two have been handed down. In addition to this one, there is also a widely circulated "Spring River Flower Moon Night". The rest of the poems were lost in the long years.
I think that his life does not need exaggerated performance art, and really wins and loses with poetry.