You have time to listen to music and relax your spirits. The Lefu poems and guzheng songs of "Spring River Flower Moon Night" are written about the emotional story of Zhang Ruoxuan and Wu Yan, that is, the ambiguity between a slightly shaved old man and a royal girl - the template plot of current popular TV series and online novels, interspersed with characters such as Princess Taiping, beautiful male prime minister Cui Xiang, Shangguan Wan'er, Wu Sansi and so on. The plot is complex and perfectly matches the love concept and aesthetic fashion of the Tang Dynasty. Moreover, the real history of the Tang Palace feud is definitely a hundred times more intricate and thrilling than the current court film and television drama. To paraphrase Lu Xun's words, it is probably true.
Brush up on Zhang Ruoxu's (c. 670 - c. 730) "Spring River Flower Moon Night" biography. This poem was first included in the Northern Song Dynasty Guo Maoqian's (1041-1099) "Lefu Poetry Collection" (vol. 47), which was collected by some people, which can be regarded as giving a safe place to live and gain existential value. Benefactor! Philanthropists! Ten kinds of Tang poems and Miscellaneous Novels of the Tang Dynasty, the Song Dynasty "Wenyuan Yinghua", "Tang Wenzhi", "Selected Poems of Tang Baijia", "Notes on Tang Poems", "Tang Poetry Anthology" in the Yuan Dynasty, and more than twenty kinds of poems in the first ming dynasty are not included or discussed. It is also a miracle to God. Guo Maoqian's "Collection of Lefu Poems" collects seven poems of the same title in the "Spring River Flower Moon Night", namely seven Lefu poems by The Sui Emperor Yang Guang, Zhuge Ying (Yang Guang's poetry friend), Zhang Zirong (Meng Haoran's brothers), Wen Tingjun and Zhang Ruoxuan. Subsequently, "Tang Poetry Collection", "Tang Poetry Institute", "Tang Poetry Interpretation", "Tang Shigui", "Deletion of Tang Poetry Pulse Notes Will Pass Commentary", "Tang Poetry Mirror" and so on were selected, but rare comments were made.
Some people care, some people comment, which is considered to give a social symbol value. The Ming Dynasty Jiajing Li Panlong's "Ancient and Modern Poems Deleted" and Wanli Hu Yinglin's "Shi Xue" also include this poem, and slightly commented on it. Through the recording and commentary of Ji Zhensun's "Tang Poems", Xu Zeng's "And An's Tang Poems", Shen Deqian's "Rewriting Tang Poems", Guan Shiming's "Reading the Snow Mountain Fang Tang Poems" and other anthologies or poetry collections, Zhang Ruoxuan's "Spring River Flowers and Moonlit Nights" gradually became famous. All kinds of commentaries, as far as the critics are concerned, they know their talents and pity their embarrassment. For example, Zheng Shuyi's "Miscellaneous Records of the Ming Emperor" said: "In Tianbao, Liu Xiyi, Wang Changling, Zu Yong, Zhang Ruoxu, Meng Haoran, Chang Jian, Li Bai, Du Fu, although they are famous for their articles, they are all wandering, and they are also born. "What Zhang Ruoxu has left behind for history is the image of a civilian literati who has fallen into the trough and has no shortage of dashing people." The lonely article presses the whole Tang" from Wang Minyun's "Xiangqilou on Tang Poetry" comment: "Zhang Ruoxuan's "Spring River Flower Moon Night" uses the style of "Xizhou", the lonely piece is absolute, and it is for everyone. Li He and Shang Yin made their freshness moist, Song Ci and Yuan poems tributaries, and the giant Lan of the palace body also. Wen Yiduo, based on this, derived his thesis "The Self-Redemption of Palace Poetry", and believes that Zhang Ruoxuan's "Spring River Flower Moon Night", with its strong cosmic consciousness, sublimated pure love and the sympathy radiated from it, is "the poem in the poem, the peak on the peak" and "the former to atone for the sins of the palace body poem for a hundred years". The court poetry of the four dynasties of Liang Chen, Sui and Tang dynasties has always been condemned as "the darkest sin", and with "Spring River Flower Moon Night", the heart of the palace poetry is clear. Sure enough, Zhang Ruoxuan threw Liu Xiyi, who wrote that "the flowers are similar every year, and the people are different from year to year", out of two streets, and instead cooperated with Chen Ziang to open the prelude to the "Sheng Tang Meteorology".
Every time it is known, it will be one in a thousand years! From Li Panlong to Wen Yiduo, Zhang Ruoxuan has so many cross-generation acquaintances, lucky enough, and even called his luck and luxury. Zhang Ruoxuan only has two poems, the other is "Answering the Dream of the Girlfriend", which is appended here: "Guan Sai is early in the year, and the building platform is not expected to violate; try on the heating, open the mirror to find Chunhui." Yan entered the peeping curtain, the bee came to paint the clothes; the love urged Tao Li Yan, and the heart sent the orchestra to fly. Makeup washes and treats each other, the wind and flowers do not return; where the dream soul enters, the silence hides the heavy. From this poem, we can also get a glimpse of the poetic historical value of Zhang Ruoxuan's Chengsheng Tang under Qi Liang. The most curious thing is that the deformed emotional story between Zhang Ruoxu and Wu Yan has undergone what kind of unfolding process?