Chen He, also signed Chen He. The word idle cloud, the number southeast corner. Born in Zaozhuang Shanting in 1975, he studied at Zaozhuang Normal School, the School of Fine Arts of Qufu Normal University, and the postgraduate class of calligraphy of Shandong University. He is now a member of the Shandong Artists Association and the Shandong Calligraphers Association
Awards Chronology:
In 2000, his works were selected for the Shandong Provincial Cross-Century Fine Arts Exhibition
In 2001, his works were selected for the first sketching exhibition in Shandong Province
In 2001, his works won the silver medal of the Chinese Literati Painting Exhibition
In 2003, he won the first prize in the teacher group of the "Century Star" National Calligraphy and Painting Competition
In 2006, he won the Excellence Award of Shandong Provincial Beautiful Praise Art Exhibition
In 2009, he was selected for the Qilu Wind And Bird Painting Exhibition in Shandong Province
In 2009, he won the Excellence Award of the First Youth Art Exhibition of Shandong Province
In 2012, he won the selection award of the National Calligraphy and Painting Competition for Young and Middle-Aged People
In 2013, he won the Excellence Award of the World Chinese Calligraphy and Painting Exhibition of "Family Affection for China"
In 2014, he won the silver medal of the "Changxing Cup" National Calligraphy and Painting Competition
In 2015, he won the selection award of the 19th Newcomer New Works Exhibition in Shandong Province
Idle Cloud Notes (Pen and Ink Shape God)
·“ "Pen and ink" began in the Yuan Dynasty, it is not attached to things, and becomes an object of independent appreciation. Becoming the primary criterion for the creation and evaluation of Chinese paintings is a major leap in the history of Chinese painting.
Throughout the history of Chinese painting, "pen and ink" is basically developed in a gradual way, which is closely related to the development of the history of Chinese calligraphy. After the "Fine Arts Revolution" at the beginning of the 20th century, some painters with new ideas revolutionized their brush and ink. Some painters completely abandoned pen and ink, some painters insisted on improvement, and then slowly returned decades later, and they revisited the tradition of the Fa to discuss the inheritance and development of ink in depth.
What is tradition? Mr. Lin Fengmian said that learning from tradition is not only to copy and repeat, but to activate the concepts and modeling concepts behind the traditional style. Imitation and observation are necessary, but more importantly, day and night. Keep applying it in your creations.
Gu Kaizhi put forward the theory of "writing God in form". "God" is the end, and "form" is the means. The means can be ever-changing, and the end is only one. The range of shapes is extensive. All traces left on the canvas on paper are shapes. The stroke is the shape, the ink dot is the shape, the water trace is the shape, and the blank is also the shape. Form is in the service of God, "outside the image of obtaining" and "getting overwhelmed" these should be the painter's understanding and sublimation of nature.
February 2017 in southeast corner
