<h1 class="pgc-h-arrow-right" Data-track="1" why read poetry >? Because there are life experiences in poetry, there is temperament and thinking. </h1>
Late Qing poetry is the last peak of traditional poetry, and famous artists have emerged one after another. The times are the closest to us, but they are mostly ignored, which is a pity. The sea of poems is beaded, the dark light is born, the dust is wiped away, and each poem is a beating heart.
Today, the monk Wang chose the three poems of the five laws of the late Qing Dynasty, or enlightened the Zen and enlightenment, or expressed the ambition of youth, or pinned on the sorrow of life, each with its own wonders, and after reading it, people were amazed. Why did the famous poet monk suddenly wonder, why did Tan Sitong open his heart, and why was Chen Sanli full of sorrow? Read these three poems carefully, feel the beauty of words, and explore the art of poetry.
△ Wang monk recommended classic poetry of the late Qing Dynasty, with wonderful characters
<h1 class="pgc-h-arrow-right" data-track="5" >01.Dream Cave Court Late Qing Dynasty and Early Republic of China · Shi Jing'an </h1>
Last night, the cave court was drawn, and Junshan Qing was in the bottle.
Pour the boiled tuanyue, but also bathe in the stars.
A crane was ordained, and the dragons came to listen to the scriptures.
Whoever played the flute suddenly woke me up.
Shi Jing'an was a famous poet monk in the late Qing Dynasty, he was born in Xiangtan, Hunan, and was known as the "White Plum Poetry Monk".
The first diptych of this poem is wonderful. He dreamed that he had put the water of Dongting Lake in a water bottle, and he wanted to pour out the water of Dongting Lake, boil the moon, and let the stars bathe.
Writing poetry should be good at association and exaggeration, and the association is peculiar and exaggerated, which will make the poem have a different color. Li Bai once said in a poem: "But the Junshan Mountain is good, and the Xiang river is flattened." Baling unlimited wine, drunken killing Dongting Qiu. "Li Bai likes Dongting Lake too much, so he wants to bulldoze Junshan so that the water of Dongting Lake can flow freely." The best thing is the second link, after the water of Dongting Lake flows freely, Baling's wine can flow down the water, and the author will not hurt even if he is drunk at Dongting Lake. Shi Jing'an's poem has quite Li Bai's arrogance and imagination.
△ Wang monk recommended good poems: poetry monk Shi Jing'an
In addition, it should be noted that the first two couplets of the poem are like prose strokes, which are more natural and smooth than the opposing sentences. Why did the author draw water from the cave? In order to wash the heavens and the earth, to wash the heavens and the earth can be preached. Therefore, the third author said that "a crane is ordained from the ordination, and the dragons come to listen to the scriptures", which uses anthropomorphic exaggeration and imagination to pinpoint the "dream" of the title. All the dragons came to listen to the author's sermon, the crane also had to follow the author's ordination to learn Buddhism, and everything in the world was intoxicated in the Dharma, and this joint was written with Zen meaning and was very good.
But this is after all a dream, and the tail link points out that the dream wakes up "who suddenly plays the flute and makes me wake up in Matsuma". Out of nowhere, a flute sound was heard, which caused the author to wake up from his dream and suddenly wake up from the pine forest.
This combination depends on the collocation, "piper" and "Matsuma", all of which seem ethereal. When writing poetry, we must pay attention to the collocation of imagery, and the author sleeps in the pine and wakes up listening to the flute. Imagine if the author heard the sound of the stir-frying pan and woke up from the inn, he would have completely lost its charm.
Monk Wang said: The realm of poetry is the realm of the author's thoughts and minds. Without a mind, without a mind, poetry is difficult to shine. The mind and realm come from reading, experiencing and thinking.
△ Wang monk recommended good poetry of the Ming and Qing dynasties: youthful ambition
<h1 class="pgc-h-arrow-right" data-track="17" >02.Chendeng Hengyue Zhu Rongfeng Late Qing · Tan Sitong </h1>
The height is unconscious, and there is no peak in the four looks.
But there is a degree of floating clouds, and the chest is always swinging.
The earth sinks to the stars, and the sky leaps and the sun melts.
Half a spoonful of cave water, autumn cold to rise up the dragon.
Tan Sitong wrote this poem at the age of 26. Who is Tan Si and who is he? One of the six gentlemen of Wushu, he has the ambition to serve the country and is generous and heroic, so his poetry has a strange temperament, and the male and handsome are extraordinary. Monk Wang once said: Once a person ascends to a high place and looks far away, his horizons are broadened, and his mind naturally expands, and his poetry and pride are full of pride. For example, if Du Fu did not ascend to the heights, how could he write the sentence "Boundless falling wood is under Xiao Xiao, and the Yangtze River is not endless"? If Meng Haoran did not go upstairs to see Dongting Lake, he would not be able to write the wonderful sentence of "Steaming Clouds Mengze, Waves Shaking Yueyang City". The same is true of Tan Sitong.
Zhu Rongfeng is the main peak of Hengshan Mountain, the tallest, so the author said from the beginning of the pen that "the height is not aware, and the four gu is no peak." Wang Anshi once said, "Don't be afraid of floating clouds to cover your eyes, only because you are at the highest level", Tan Si wrote with his pen the height of the mountain, there is no obstacle around, the broad mind, the lofty ambition, naturally in the poem.
△ Wang monk recommended a good poem: Hengshan Zhu Rongfeng
The diptych writes that "but there is a degree of floating clouds, and the chest is always swinging", which is quite similar to Du Fu's sentence "Swinging the chest and giving birth to stratus clouds". Because it is high, it can be seen far, and because it is alone, it feels like floating clouds are floating in the chest. In fact, what stirred his heart was not only the clouds, but also the pride and ambition.
The third link continues to write the scene, still a majestic and vast pen, "the earth sinks the stars, the sky leaps and the sun melts", the earth sinks, the stars are gone, the sun jumps from the sky, and there is a tendency to burn the whole sky red and melt. This joint is the title "Morning".
The Northern Song Dynasty Tao Bi once had a poem "The heavenly broad bird is suspicious of no grass, and the earth is about to sink the mountain" The momentum of the joint is similar to the same sentence of Tan Si, but it is not as powerful as Tan Si's poem. Li Qingzhao also has the words "sunset melts gold, twilight clouds merge", the beginning of the pen is also written that the sun burns the sky to brilliant, but Li Qingzhao wrote that the sunset, there is a decay and low desolation. And Tan Sitong wrote about the rising sun, writing broad and vital, the night dissipated, the light came, full of vigorous hope.
The tail link "half a spoonful of cave water, autumn cold to rise up the dragon", is also full of deep meaning. The author stood on the top of the mountain and looked down, in the past, the eight-hundred-mile Dongting Lake of "Wuchu Southeast" was only "half a spoon" of residual water in the author's eyes, how could it bind the dragons in the lake water? In the cold autumn morning, the dragon will also flapp its wings and soar, and take off into the air.
△ Wang monk recommended good poetry: Tan Sitong's ambition and pride
This link still captures the perspective of "looking down", and writes his mind, courage and ambition in an exaggerated and metaphorical way. Du Fu ascended to the top and said, "Will be the top of the mountain, overlooking the mountains and small", Du Fu wants to ascend to the top and the small world, Tan Sitong wants to evoke the dragon, travel the sky, it seems to be writing scenes, are the grand ambitions of writing.
This is the poem that young people should write, if they are blindly sad and sad, and indulge in the ego, is it still called young people?
<h1 class="pgc-h-arrow-right" data-track="30" >03.Garden residence to see the light snow In the late Qing Dynasty · Chen Sanli </h1>
At the beginning of the year, there was still light snow, and the garden pavilion was full of excitement.
Tall branches gagged, and the stone was salivating.
Frozen and pressed a thousand streets quiet, before the sorrow of Vientiane.
The bay window picks up Mei Rui, and there is no chaos.
Chen Sanli is the late Qing Dynasty everyone, the standard-bearer of the "same light body", his poems pay great attention to the exercise of words and sentences, and the content is also more subtle and frustrated, delicate and tortuous, unlike the first two poems with imagination and momentum.
△ Wang monk recommended good poetry: Why is Chen Sanli so sad?
The key to this poem is "Saran", and the theme of the description is "light snow".
Introduce the background of the times: Chen Sanli supported the "Penghu Reform Law" and was also convicted of changing the law. At this time, he lived in Jinling, and although the imperial court had pardoned him for the crime of "en-quasi-official", the author's mood was still sad at the thought of the vigorous reform movement in vain.
At the beginning of the pen, "the first year is still slightly snowy, the garden pavilion is full of feelings", although the new year has arrived, but the weather has not warmed, and occasionally there is a slight snow falling. The beginning of the pen seems to write a scene, in fact, it implies emotion. The author strolled through the garden pavilion, there was no sign of vitality in the garden, and he felt "dazed" in the falling snow. Saran: The appearance of withering Xiao Suo. The first joint pen seems to be plain, in fact, it contains a lot of depth, spring has not yet arrived, the weather is still cold, and the author's heart is desolate.
The diptych depicts how the garden pavilion in the snow is fluttering. "High branches gagged magpie language, stone live snail salivation", magpies stand on the branches, there is no lively and crisp cry, and "gag", referring to the silence of the cicada, do not dare to speak. Although the author has been pardoned by the imperial court and re-established, does the author dare to defend itself loudly and insist on advocating it? Or, do the officials who previously supported the change of law no longer dare to speak out?
△ Wang monk recommended a good poem: the snow garden is sentimental
"Stone live snail saliva", this sentence is not easy to understand. The meaning is that the snow falls on the stone, and it is wet and melted in an instant, like the saliva of a snail. This is where Chen Sanli's poem "is surprising". The phrase "Live snail salivating at the stone" makes the scene of falling snow delicate and vivid.
In fact, "stone live snail salivation", the predecessors also have similar sentences. Chen Shidao has a poem that says that "the broken wall is composed of rain snails", which means that the rain falls on the broken wall, and its horizontal flow, like a snail crawling over, forms a strange text. And "live snail saliva" also has a hidden meaning. After the failure of the Penghu Reform Law, the imperial court basically abolished the new law, and the traces of reform seemed to be like falling snow on the stone, quickly dissolving, and it was difficult to leave traces. "Gao Zhi Que Yu Language, Shi Shi Live Snail Saliva", the writing of this link and the meaning of the words, worth savoring.
"Frozen pressure on a thousand streets quiet, sad before vientiane" triptych belongs to the whole piece of magic. The alchemy of "frozen, bright" is particularly wonderful. This link is still writing about snow, still full of metaphors, full of subjective imagination. It's freezing cold, a thousand streets are quiet, and this "pressure" is very powerful.
After the failure of the Penghu Reform Law, although the country is facing the risk of peril, the rulers are still fighting with each other, and the feeling of repression caused by this coercion has not made the world quiet? The snow is heavy and the cold is suffocating, which makes the author full of worry and sorrow.
△ Wang monk recommended good poetry: the Qing government's high-pressure policy
Snowflakes are pervasive, and the falling snowflakes are like the author's melancholy, exposed in the world, so it is called "before the sorrow of everything". Li Yu once said that "the plums falling down are like snow chaos, and the body is still full", in fact, what fell on Li Yu was not only the falling flowers, but the sorrow of the sky. Chen Sanli's sentence is similar to Li Yu's words.
Tail link "Bay window to pick up Mei Rui, zero chaos is not a Yan", this perspective moves from the snow to write plum blossoms, but plum blossoms are like snow, still buckle the title "snow". The word "pick up" is used particularly well. At this moment, the snowflakes are flying, and the plum blossoms are also withering in the wind and snow, falling like snow, and falling after the snow.
However, it should be noted that in the eyes of the author, snow and plum, although similar in shape, have a great difference in connotation. Snowflakes are like harsh social realities, bringing cold to heaven and earth, making the reform of the law a bubble; and plum blossoms are like the author's ideals, but also like the author's comrades. Plum blossoms withered and scattered in the wind and snow, completely without the temperament of the previous proud snow blooming, and there was no sense of prosperity of "thousands of flowers and low branches", but "zero chaos is not a beauty", scattered and fallen, without rhyme. The author wants to find spiritual sustenance from Meihua, but he finds nothing, but it makes him more worried and difficult to say.
△ Wang monk recommended good poetry: plum blossoms withering are full of sorrow
Therefore, this poem is subtitled, describing "light snow", and the sentences are full of unspoken meanings, which describe the author's suppressed disappointment and pain to the fullest. This kind of connotation and pen power can indeed be called the evaluation of "fifty years, dominating the sea".