Zhang Zongcang landscape paintings of the Qing Dynasty, the painting style is vigorous, the pen is calm, and the artistic conception is far-reaching
Zhang Zongcang landscape paintings of the Qing Dynasty, the painting style is vigorous, the pen is calm, and the artistic conception is far-reaching
Zhang Zongcang, born in 1686, died in 1756. The word is silent, and it is now a native of Suzhou, Jiangsu Province. He inherited Huang Ding, a descendant of the Loudong school of painting in the Qing Dynasty. Good at painting landscapes. In 1751 AD, the Qianlong Emperor toured the south, Zhang Zongcangjin presented the album "Sixteen Views of Wuzhong", which was deeply appreciated by the Qianlong Emperor, and later entered the Qing Court Painting Academy to make offerings and paint for the court, and was an important court painter in the Qianlong period.
Zhang Zongcang landscape paintings of the Qing Dynasty, the painting style is vigorous, the pen is calm, and the artistic conception is far-reaching
Zhang Zongcang landscape paintings of the Qing Dynasty, the painting style is vigorous, the pen is calm, and the artistic conception is far-reaching
Zhang Zongcang landscape paintings of the Qing Dynasty, the painting style is vigorous, the pen is calm, and the artistic conception is far-reaching
Zhang Zongcang landscape paintings of the Qing Dynasty, the painting style is vigorous, the pen is calm, and the artistic conception is far-reaching
Zhang Zongcang landscape paintings of the Qing Dynasty, the painting style is vigorous, the pen is calm, and the artistic conception is far-reaching
Zhang Zongcang landscape paintings of the Qing Dynasty, the painting style is vigorous, the pen is calm, and the artistic conception is far-reaching
Zhang Zongcang landscape paintings of the Qing Dynasty, the painting style is vigorous, the pen is calm, and the artistic conception is far-reaching
Zhang Zongcang landscape paintings of the Qing Dynasty, the painting style is vigorous, the pen is calm, and the artistic conception is far-reaching
Zhang Zongcang landscape paintings of the Qing Dynasty, the painting style is vigorous, the pen is calm, and the artistic conception is far-reaching
Zhang Zongcang landscape paintings of the Qing Dynasty, the painting style is vigorous, the pen is calm, and the artistic conception is far-reaching
Zhang Zongcang landscape paintings of the Qing Dynasty, the painting style is vigorous, the pen is calm, and the artistic conception is far-reaching
Zhang Zongcang landscape paintings of the Qing Dynasty, the painting style is vigorous, the pen is calm, and the artistic conception is far-reaching
Zhang Zongcang landscape paintings of the Qing Dynasty, the painting style is vigorous, the pen is calm, and the artistic conception is far-reaching
Zhang Zongcang landscape paintings of the Qing Dynasty, the painting style is vigorous, the pen is calm, and the artistic conception is far-reaching
Zhang Zongcang landscape paintings of the Qing Dynasty, the painting style is vigorous, the pen is calm, and the artistic conception is far-reaching
Zhang Zongcang landscape paintings of the Qing Dynasty, the painting style is vigorous, the pen is calm, and the artistic conception is far-reaching
Zhang Zongcang landscape paintings of the Qing Dynasty, the painting style is vigorous, the pen is calm, and the artistic conception is far-reaching
Zhang Zongcang landscape paintings of the Qing Dynasty, the painting style is vigorous, the pen is calm, and the artistic conception is far-reaching
Zhang Zongcang landscape paintings of the Qing Dynasty, the painting style is vigorous, the pen is calm, and the artistic conception is far-reaching
When Zhang Zongxun was the commander of the Twelfth Army of the Red Army in 1930, Tan Zheng, one of the ten generals, served as the director of the political department of the Twelfth Army and the political commissar of the teaching brigade, and Xiao Jinguang served as the chief of staff of the Twelfth Army.