Text/Ma Qingyun
The obscure Tsang Mei Hui Zi suddenly won the Hong Kong Academy Award for Best Actress. This actress is faced with the problem of how to evaluate. She is more like Jia Ling in the film industry, who has been confirming her position in the film industry with the novel "ugly review", and finally got the recognition of the film awards. A powerful actor like Zeng Meihuizi really lacks the recognition of a grand prize.
For the first time, the actor's face was widely remembered by the audience, which was actually in the TV series "Mobile Phone" written by Liu Zhenyun. At that time, Zeng Meihuizi played the role of Niu Caiyun in the play. This is a role that bears a lot of laughter and drama. In the original novel, Niu Caiyun is just the daughter of Lü Guihua, who is the classic character in the novel, carrying the memory of the whole story.
It can be said that in the TV series "Mobile Phone", Lu Guihua's girlfriend Niu Caiyun really entered the city, formally contacted the high-level social circle with the identity of a country girl, and hoped that she could get the opportunity to become a hit. This opportunity, it seems that it is not easy, when everyone is taking this country girl as a laughing point, and even the girl herself is also a joke, an idol recording, but accidentally fire Niu Caiyun.
Teacher Liu Zhenyun and co-signed screenwriter Song Fangjin, it is through such brushstrokes that a postmodern irony is realized. At that time, Zeng Meihuizi was still very young, but she carried a rural temperament that ordinary actresses did not have, and her thickness was closer to the appearance of a real rural girl. It can be said that the role of this Niu Caiyun is much more advanced than the same silly little swallow who was also angry at that time.
Since then, Zeng Meihuizi has not escaped the fate of clowns. Her appearance makes her very suitable for playing the image of some rural people. And this kind of face, from the perspective of filmology, is angular and very advanced. Entering the face in the film lens, the more distinct the edges and corners, the more layered, the easier it is to create a stereoscopic effect of the picture. And the Zeng Meihuizi that people see directly can really be described as not beautiful.
It can be said that Zeng Meihuizi has been preparing for many years to win the film festival award. Many of the films she has made with a strong literary atmosphere have not been released at all. It can be said that this actress has been "cultivating herself" in the ranks of literary and artistic films in movies. From the foot-washer girl in "Apple", to the little nanny in "Breathless", to Lou Ye's "Flower", and even Ye Jing's "Remember the Song of the Teenager", and even the Belgian film "Going to the Sea", etc., the best actress of the Academy Awards has actually participated in a large number of literary and artistic works in obscurity.
Of course, most of these literary and artistic works are also obscure. Zeng Meihuizi's closest big-screen electrocution to us was Zhang Ming's "Pluto Moment" last year. In this movie, Zeng Meihuizi still plays a rural woman, who has a full passion for life, and this emotion is expressed through many channels. In "Pluto Moment", there are some classic bridge sections, which provide a three-point portrayal of the image of the country woman.
In "Pluto Moment", Zeng Meihuizi's face is clearly angular, while her body is rounded and fleshy, which is where a huge contrast is formed. And this visual contrast also realizes the lens expression of the original desires of human nature. Therefore, many fans said that this Zeng Meihuizi, in "Pluto Moment", can already use her back to act.
In the "Three Husbands" that won the Academy Award, Zeng Meihuizi played a role that ordinary actresses dare not play. In fact, these scenes have long been involved in her Belgian film "Going to the Sea". The actors who rushed to win the film festival grand prize have long been just the world of drama in their hearts, and there is no superficial view of how the scale of the drama is. Zeng Meihuizi's drama path, in addition to winning the film festival award, there is really no other better path to go.
Her own appearance cannot grow into a traffic star who eats by appearance. Traffic women need to have a clear urban awl face, to provide her small audience with a luxurious aesthetic of the city. And Zeng Meihuizi, from the initial stage, is literary and artistic, local, and even ugly. She is more suitable for shaping a country woman into a clear three-dimensional. "Pluto Moment" can actually be regarded as one of the most important masterpieces of Zeng Meihuizi.
What is the premium of the movie? It is a higher level that is closer to the truth. Therefore, we can often see some plain-faced bridges in more advanced movie content. The high demand of this art is to abandon the luxurious parts and face directly the countryside, the countryside and the ugliness that are not luxurious. Zeng Meihuizi happens to be one of the few Chinese actresses who can play this type of role well. The most advanced ugliness is actually a member of the aesthetic sequence.
The character played by Zeng Meihuizi is actually old-fashioned. However, this kind of old soil is more directly close to the original appearance of human nature, and the old soil has become a direct and effective senior. In recent years, Chinese actresses have returned to a kind of cinematic old soil. For example, Yang Mi in "Baby", Ma Yili in "The Road Not Chosen" and so on. However, whether it is Yang Mi or Ma Yili, they have been stereotyped in the audience's memory, the embodiment of luxurious beauty, and it is difficult to perform the real surviving women of the old land.
In this way, because of the scarcity, Zeng Meihuizi's performance is more advanced.