The Trials of Youth
Adapted from the novel of the same name, "The Case of Zhang Gong" tells the story of two male protagonists joining forces to solve a strange case. Song Weilong plays Zhang Ping, one of the double detectives, and is a genius teenager who is a bit stunned but has an open IQ. In the past, in works such as "Phoenix Prisoner Phoenix" and "In the Name of Family", most of the roles he played were introverted, and his appearance alone could make the audience burst into the liver and chase the drama, but Zhang Ping's personality made him rarely feel the personality conflict between himself and the role: "He is a boy with a high IQ, but his emotional intelligence is a little 'low', and when he solves the case, he does not leak the cocoon, but when he returns to daily life, he will become a cold champion from time to time, so that others think that this person is a bit silly." ”
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In reality, Song Weilong is not a person who likes to have fun in logical thinking, he often can't get the invitation of friends, and the Buddhist department sits in the script killing bureau. "Playing this kind of game, I basically don't use my brain, it's too tired, I just enjoy the feeling of being with friends, lose and lose." 」 In "Zhang Gong Case", Zhang Ping's "witty words" opening and hanging mode appears frequently, and behind such lines is supported by strict case logic, Song Weilong gritted his teeth and straightened it from the beginning, and began to die half a month in advance: "Then in this process, I suddenly discovered the fun of burning my brain, and there were several cases that I unconsciously read and became fascinated, and then I looked up and found that it was dawn." Because the story is fascinating, he also has more ideas about the role of Zhang Ping, such as a scene, he feels that Zhang Ping is "flat", simply extracting some of the behaviors and small interactions of the people around him observed from life to make this role more vivid.
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But this kind of fun is only maintained in the process of interpreting the role of Zhang Ping, back to reality, Song Weilong still looks at the traffic around him with a sloppy mentality: "I may be a very lazy person, someone around me talks about a certain person and a certain thing, I have heard it and forgotten, at most it directly affects me at the moment, and I will seriously consider how I should solve it." ”
Looking at this different journey after the killing, Song Weilong was relieved, not because of the end of a painful and happy difficult task, but because he felt that he had grown a lot through this battle. "It's obvious that the line skills have gone up a level, and then it can be regarded as a training of logical thinking."
He rarely took the initiative to contact detective movies or novels in the past, but after trying, he found that it was like a new continent of the spiritual world: "Suddenly discovering that people should try more, a lot of things that you have strange feelings, maybe they can bring surprises." 」 Just like at present, my choice of roles is basically open-ended, and all kinds of types want to try, not to quickly find a position of their own, pure curiosity. ”
If reality is kinder than imagined
It is better to put away the competitive spirit
The current Song Weilong did not want to meet a classic role as soon as possible, clearly positioning himself in the actor market, but like an adventure to experience different roles, find fun in empathy with the role, and then precipitate himself. When it comes to the types of characters he most wants to try, he doesn't hesitate: "Villain. "Because of his exquisite facial features and clear eyes, he was not in the bad guy face of most directors in the first place. But Song Weilong believes that being a bad guy with such a face is more contrasting: "But I hope that this villain character is supported by a story, and as the story develops, everyone will see his wounds, and then make people feel painful." He even thinks that there are no pure bad guys in this world, and many times the public sees a side that has another hidden feeling behind it.
Most of the thinking and aesthetics at the level of the role are inseparable from the concept of right and wrong precipitated by his own life experience. Song Weilong, who joined the entertainment industry at the age of 16, began to learn martial arts at the age of 9, and began practicing every day at dawn until the sun set. With a natural star face, he is very good at finding a psychological balance for himself in the grinding: "At that time, I was really tired, and I felt more tired than filming." But at that time, the spirit of winning was very strong, and I thought that you must persevere and not lose to others. Song Weilong, who seemed very quiet, and even not very good at words, had buried a very strong competitive heart since he was a child. Especially in the environment of martial arts training and sports competitions, he always stares at the first place: "I was exposed to this kind of training earlier than many people, and I thought, I can't lose." ”
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Solid martial arts skills and the tenacity that followed gave Song Weilong self-confidence in the process of growing up, and even became a kind of conscious "pressure" after stepping into the show business circle for a long time. "Like a lot of difficult martial arts moves, I will tell the director that I can come by myself without a stand-in." Sometimes the director will be touched by this young actor in his early twenties, simply let him personally fight, but in the face of high coefficient dangerous actions, the crew will still "press" him and replace him with professional martial arts. "At first, I feel sorry because I obviously have a useful place but can't go up, but later as I receive more and more roles, I will realize that if I am accidentally injured, it may drag a lot of people down to work." 」 After gradually maturing and seeing the responsibilities in different positions, Song Weilong smiled helplessly: "Look, when you find that the world's tolerance and love for you is far more than hostility, over time, there is no original sense of victory." ”
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Thinking like this, he is more determined that any accumulation and momentum is a sense of security that takes the next step steadily. Take martial arts, for example, although the original practice of martial arts was not to be an actor to shoot the scene, but in the dark for those opportunities more than ten times prepared. After the scene, I found that it was far less difficult to face the test of this life than I thought.
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Once upon a time, it was the end
What is seen in the moment is someone else
Too many people have been smoothed out by reality, but Song Weilong has shifted his gaze from the "end point" of victory in good times. From this point of view, perhaps he is lucky, although he also laughs at himself: "Now it seems that no child can 'suffer', then it seems that the goal is clearer, there is nothing but to win." 」 But as you grow up, slowly begin to think about the process and learn to see others. ”
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In "Zhang Gong Case" with Song Weilong's partner is Jing Bairan, the other party has a large number of works to add, with Song Weilong's personality and experience, he will not feel pressure because of the partner "senior", but in the outside of the play, at the beginning, he was also cautious. But after long-term contact, I found that the other party and myself were both cold and warm-hearted people, and then gradually became acquainted, and sometimes changed dishes with each other when the crew was eating. Jing Bairan's way of treating people and things made him understand that "nature" is a high emotional intelligence in social relationships.
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Earlier in the reality show "Bull Brother", he also saw similar flashes in the senior members of the "Big Brother Group". The impression of the "big brothers" has already gone through thousands of sails, and they will not care about the winning or losing of competitive games in a reality show, but Song Weilong, who is keenly aware, finds that the big brothers have considerable opinions and winning intentions in the game. After several interactions, he slowly found that the "winning spirit" of the big brothers is not in winning or losing, but in order to make the whole game process more exciting: "If any 'big brother' has a rather impressive appeal, I think they have it, their personality is very distinct, that kind of clarity is a transparent openness, making people feel bright and simple." ”
Song Weilong in the reality SHOW game, still Buddhist, many times he chooses to put the opinion in mind, and then listen to the ideas and opinions of the senior teammates: "I think it is not a bad thing to obey the seniors, sometimes follow the ideas of the 'big brothers', and suddenly you will find that there are actually many things they have considered in advance, and they have the same quality, which is experience." ”
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This new and old generation of idols on the same stage of the variety show will put the status of two generations of artists on the stage, in the show is the "big brother" to guide the "little brother" to meet a variety of sudden challenges, and in the current market, the big beam is often provoked by the new generation of artists. Such opportunities followed after Song Weilong's debut, and it was impossible to say that there was no pressure. Just like when he was young, he faced the tempering of martial arts and faced the heavy pressure behind various opportunities: Song Weilong always had a calm state of mind: "In fact, in this society, everyone is under great pressure, and the pressure of actors may come earlier than their peers, but this also indicates that you will grow faster."