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Eight sounds of Ganzhou

[Song] Liu Yong

On Xiao Xiao twilight rain sprinkled on the river sky, a wash of autumn.

The frost and wind are tight, the Guanhe river is cold, and the building is left behind.

It is a place where the red decays and the green is reduced, and the radial things are rested.

Only the water of the Yangtze River flows in the east without words.

I can't bear to climb high and go far, look at my hometown, and it is difficult to return to my hometown.

Sighing over the years, what is the bitter drowning.

Want to make up the beauty of the building, mistakenly a few times, the sky knows the boat.

Knowing me, leaning on the railing, I am frowning!

The words express the author's perennial eunuch travels outside, lamenting the wandering career and missing his lover in the twilight of the early autumn. This theme of being a guest in another country and lamenting the old and sad autumn has a universal significance among the literati of the feudal era. But the author has characteristics in terms of specific lyricism.

The writer of the upper part of the word ascends to the distance, and the depiction of the scene is filled with a sense of sadness. At the beginning, I always write autumn scenery, and after the rain, the river sky is clear as a wash. The first two sentences are "Sprinkle the river sky with rain and rain, and wash away the autumn." Using the word "right" as the collar word, the lyricist is facing a rain scene of the autumn river in the late autumn evening. "Twilight rain" is used on the "Xiaoxiao", and the word "sprinkling" is used to describe it, which makes people feel as if they have heard the sound of rain and seen the dynamics of rain. It was a cool and sparse rain of autumn, and after this rain, "autumn" became more "clear". "Autumn" cannot be "washed", but the lyricist prefers to think that the "qing" of "autumn" is due to the "washing" of "twilight rain", which makes people feel vivid and real, and feels that the autumn sky is clear after the rain, as in the present. "Sprinkling the river sky" is also sprinkling dust into the air, but from this idea of "washing the autumn", the idea is more novel.

Next, use the word "gradually" to lead the next three sentences. After some rain, in the evening by the river, I felt that the cold wind was getting colder and faster. The feeling on the body is so, and what you see in your eyes is also a bleakness. "Guanhe": it is "snubbed", and the place where the writer is located is illuminated by the sun that is about to sink in the west. The scenery is vast and the realm is lofty and majestic.

Six or seven sentences continue to write what is seen at the head of the building. The flowers and trees that I saw decorated with nature were all withered away. Agree with the three sentences of "Bu Operator Slow" "Jiang Feng is getting old". However, the word first writes "Defeat Red Decline Cui", and then writes "Chu Ke Deng", and this song is the opposite, first writes that the person has ascended the stairs, and then writes "Red Decline Cui Decrease", the structure is arranged according to the whole word, so it is different. Two sentences, written under this change in nature, people cannot but cause many feelings, but it is not explicitly stated, only implied by "the water of the Yangtze River flows wordlessly".

The film is mainly based on writing scenes, but there is emotion in the scene, from high to low, from far and near, layer by layer, completely integrating the rich autumn atmosphere of nature with the sad feelings of the heart, dripping and cheerful.

The next film is made up of scenery. The film wrote that in the face of the twilight rain of the river and the remnants of the Guanhe River, it can be seen that the lyricist was originally "ascending to the far side", but the change of head was led by the word "unbearable", in terms of the article, it is a twist and turn; in terms of feelings, it is a euphemism and deep song. "Ascending to the far side" is to look forward to the hometown, but the hometown is too far away, "love does not see", what breaks into the eye is only a desolate scene that causes more nostalgia, as described in the previous film, which naturally makes people have "unbearable" feelings, and nostalgia is even more difficult to clean up.

Four or five sentences, from imagination to self-thought. Although the feeling of nostalgia is so strong and urgent, in recent years, the inspection point itself has still fallen into the rivers and lakes, drifting east and west, what is the purpose of it? The mention of the question here aggravates the tone, writes out a thousand turns of mind and a dazed look, and expresses "returning also failed to return, how to live", that is, the contradiction between "returning to thinking" and "drowning", containing how much is hidden. Exactly why it "drowned", the lyricist himself of course understands.

Because of his heartfelt desire, his wife, who thinks of his hometown, must also look forward to his return home. She had been wandering outside for so long, she must have wanted to look forward to it for a long time. He imagined that she would often stare obsessively at the distant sails on the makeup floor, and several times mistakenly believed that these boats were carrying her husband who had returned from afar.

The last two sentences, and then the other party returns to themselves. In the hopes and disappointments of many times "beautiful people", it is certain to complain that people who have not returned for a long time outside do not want to go home. Because of "what is the bitter drowning", sometimes even they feel a little dazed, and it is naturally more difficult for people who "stare at the makeup building" all day long. She may still think that she is happy outside and forgets to go back, how can she know that I am so sad when I am leaning on the distance?

Ben was looking forward to his hometown, cherishing people, and thinking of returning, but he wrote "beautiful people" from the opposite side and hoped to go back. Ben was leaning on his own sorrows, but he said that the "beautiful people" did not know their own sorrows. "Beauty" misses herself, out of imagination, it is a fiction, but it uses specific details such as "gazing at the makeup building, mistakenly returning to the sky a few times" to express its nostalgia, as if it were a real thing. Leaning on the railing and condensing, it is the truth, but from the other party's idea, with the "contention to know me" to lead, then it turns the real into a virtual, which seems very ethereal. The feelings are so tortuous, and the writing changes so much, it can really be described as a difficult feeling.

The whole word is layer by layer, step by step, with extravagant means, twisting and tactfully expressing the feeling of climbing the stairs and relying on the railing, looking forward to the hometown and thinking of relatives. The structure of the whole passage is strict, the overlap is open, the echo is flexible, and the beginning and end are taken care of, which can well reflect the artistic characteristics of Liu Yongzi.