Farewell works, gu Lai more to parting sadness as the tone, just the so-called "in the past I used to be, Yang Liu Yiyi, now I come to think, rain and snow Fei Fei", full of sad feelings, and later Wang Bo has "the sea memory confidant, the end of the world if neighbors" sentence, reading is very exciting, a change in the farewell tone of sadness, after Wang Bo, the feelings in the farewell poem are more abundant, such as Wang Wei's following "Send Zizhou Li Lingjun", which is a very special farewell masterpiece.
The date of Wang Wei's writing is unknown, but judging from the title, it is his friend Li Lingjun who wrote a farewell work for him when he went to Zizhou (梓州, in present-day Sichuan) to take up his post. Wang Wei's poem, starting from the writing of the scene, that is, the scenery is full of emotions, expressing the meaning of parting.
However, the main tone of Wang Wei's feelings in this poem is not to regret farewell, nor to be sad, but to encourage and exhort, the first four sentences of writing scenes, the last four sentences of words, writing scenes give full play to Wang Wei's strengths, vivid images, like pictures; words and events are eloquent, full of encouragement and trust for friends, of which, jaw link is a famous sentence that has been passed down through the ages, a beautiful and fresh artistic conception, fascinating.
Send Zizhou Li Junjun
Don Wang Wei
Ten thousand trees towering in the sky, a thousand mountains ringing rhododendrons. One night in the mountains, the trees are full of springs.
The Han women lose the cloth, and the Ba people sue the taro field. Wen Weng turned the professor and did not dare to rely on the sages.
Note: The treetop [miǎo], i.e. the treetop.
The first link starts with a scene, "Ten thousand trees towering in the sky, a thousand mountains ringing cuckoos", this is Wang Wei's imaginative pen, written in an intertextual way, very imposing, saying that the Zizhou area, thousands of mountains, everywhere can hear the cries of cuckoos. Visually and audibly, Wang Wei painted a macroscopic picture of Zizhou, which was dazzling and dizzying, and it was as if he was in the middle of the mountains and forests, and this kind of charm and magic brush can be called a model of writing scenes.
Then two sentences are the famous sentences that have been recited through the ages, "One night rain in the mountains, a hundred springs in the branches of the trees", the Shudi is rainy, the mountain springs are many, the poet wrote that it rained a night in the mountains, the rain fueled the water potential of the mountain springs, the springs in many places are pouring out, from a distance, it seems to flow down from the treetops, this is a wonderful scene, the mountain spring flows out due to the rain, the line of sight is obscured by the trees, looking far away, as if hanging upside down on the treetops, it can be said that the abruptness of the Shudi mountains and the majestic beauty of the spring water are depicted, natural craftsmanship, Fresh and lovely, very picture-like, the Qing Dynasty Wang Shizhen praised these two sentences and said, "Come to God, natural into the wonderful, can not be pooled", not exaggerated words.
The first four sentences of the poem, mainly to write scenes, the first two sentences from the big pen, the last two sentences from the fine, together, constitute the beautiful natural landscape of Zizhou, the first two links vividly convey the spirit, the sense of picture is full, Wang Wei is worthy of writing the scene of the holy hand, even the fictional scene, can be written like a picture, Wang Guowei said "the realm created by the great poet, will be in line with nature", really a good point. After writing the scene, Wang Wei turned to the folk customs of Shudi in the last four sentences.
The neck link "Han women lose the cloth, the Ba people sue the taro field", which means that the women of the Shu land work hard to weave cloth and pay taxes, and the Ba people often compete for lawsuits because of the fields. Zizhou was a gathering place for ethnic minorities, and the women and men there were mostly industrious, always paying enough cloth to the government on time, and often arguing for the right to use a small piece of land to the governor. When Li Lingjun went to Zizhou as an official, he had to deal with these things every day, and Wang Wei wrote in the poem to tell his friends that as the head of the party, they should assume the responsibility of parent officials.
The last two sentences, "Wen Weng turned over professors, and did not dare to rely on the sages", which is undoubtedly Wang Wei's words of encouragement, hoping that friends can carry forward Wen Weng's political achievements, rather than sitting on the mountains and relying on the merits of predecessors. Wen Weng was the Taishou of Shudi during the Han Jing Emperor's reign, he was in Shudi, Daxing School, attached importance to education, Shuzhong "by being Dahua", Wang Wei used the sages as an encouragement to friends, hoping that he could also innovate and make some political achievements, rather than relying on the original political achievements of Wen Weng and other sages, not thinking of making progress.
On the whole, Wang Wei wrote about the beauty of the scenery of Shudi and the industriousness of the people's customs, all for the final sentence of encouragement, and to become an official in Zizhou can show some ambition. Wang Wei's farewell in this way, there is no general courtesy, no dull sorrow, but there is positive exhortation to friends, as well as concern for the national economy and people's livelihood, it is very exciting to read, it can be said that it is full of positive energy, this poem as a farewell masterpiece, is undoubtedly very wonderful.