sequence
Chinese landscape painting was formed in the Wei and Jin Dynasties, the Sui and Tang Dynasties began to be independent, and the Five Dynasties of the Northern Song Dynasty tended to mature, more than a thousand years earlier than Western landscape painting, which can be described as the thickest cultural accumulation or the most simple philosophical thought in the hearts of literati paintings or Chinese. That is, the unity of heaven and man, to experience the eternity of the universe of heaven and earth from the perspective of individual life, to taste the transcendent and uneventful neutrality of human beings between mountains, rivers, plants and trees, and to deal with the relationship between man and nature, man and society.
White Pagoda Temple Sketch 55x40cm
"Draw three inches vertically, when a thousand blades are high; horizontal black is several feet, and the body is a hundred miles away." From landscape painting, we can read the artistic conception, style, charm and pen and ink of Chinese painting, which are actually the heritage, integrity, totem and character of the nation. Stressing the artistic conception is the characteristic of landscape painting, and it is also the painter's pursuit of the realm from emotion to meteorology, that is, "teacher creation". So that the painter and the viewer are immersed in the scene together, to achieve or resonate with the completion of the aesthetic process, so that we can perceive and approach nature through specific paintings, return to nature, and cultivate sentiments in the subtle, purify the mind, achieve the purpose of pleasing the body and mind, and sublimating the realm.
Today, when mankind is building a community of common destiny, when ecology rises, civilization rises, and ecological decline leads to civilization decline, which has increasingly become the consensus of the public. It is urgent to protect and restore the ecology, control environmental pollution, build an environment-friendly society, make people and nature coexist in harmony, and make human production and consumption activities and natural ecosystems coordinate and develop sustainably. At the same time, this also gives artists who indulge in landscapes a new responsibility, mission and place of use. In This flowery and leafy August, a group of young painters use the brushes in their hands to depict the great mountains and rivers of the motherland, the beautiful homes of birds and flowers, and outline the great practice of "green water and green mountains are golden mountains and silver mountains", I believe it will definitely bring you a new and beautiful enjoyment...
Ancient temple Zen sound 55x40
Enjoy the prosperity of the world, the prosperity of literature and art. Let us not forget the original intention, we must always be. Together, we will carry forward the spirit of traditional ink painting, innovate landscapes and danqing, be the guardians of green waters and green mountains, and draw a more beautiful and handsome Picture of China. At the same time, with the help of the magical platform of the Internet, an exhibition of Chinese landscape paintings that will never end is held. (July 2019 in Chang'an)
——Hao Xiaoqi Former director of Xi'an Daily, senior editor title, currently executive editor-in-chief of Loess School Art Newspaper
Wang Yongxu, a native of Tangshan, Hebei, currently lives in Beijing. He studied under Zhai Zhili, Direction, and Mai Hongjun. In 2017, he studied chinese painting tutor class at Peking University School of Art. He is currently a member of the China Young Artists Association. He is a member of the China Association of Chinese Associations. He is a member of the Art Committee of the China Association of The Federation of Arts. Member of Henan Provincial Beauty Association. Vice President of the 90 Painting Society. Art consultant of Xiamen Yuan Art Museum and Wuhan Golden Dragon Painting Institute.
Jialing Fanying 55x40cm
Fragments of Wang Yongxu's artistic creation
I think it's a coincidence that you draw good things, you need to think and create every day, and then inspiration is a spark that you can occasionally encounter along the way. Painting is ultimately about painting aesthetics. Aesthetics is an uncompromising autocracy, and aesthetics is the true appearance of the ego's spirit. Because aesthetics are not hypocritical, aesthetics cannot please classes that are not on a spiritual level.
Jiangshan Guifan 138x69cm
I've always said to focus on both the eyes that can communicate and dialogue with the ancients and the hands that can create contemporary art. Becoming an ancient or repeating an ancient is a boring thing, at least that's what I think. Today's creation is tomorrow's tradition, so think about what to do now.
Good scenery on the outskirts of Beijing 55x40 2018
Artists in today's day are certainly a combination of technology and ideas. But now more and more people only have ideas and no technology, and I prefer to be a craftsman. The goodness of motivation, coupled with the pursuit of excellence and the pursuit of oneself, is the most fundamental thing for a craftsman.
Quiet village 55x40cm
At first, when we learned to paint, we were particularly concerned about how to draw, and we were obsessed with solving the basic techniques, but as a painter, what is more important is what to draw, and this time the technique is just a means, just like learning a "language", which is used directly. Each pair is a true portrayal of itself, not a simple repetition! To repeat others, to repeat yourself.
A corner of the mountains 55x40 2018
Smoke and Rain Gangnam 68x46 2018
Taihua cloud from 180x97
Xishan visitor photo 136x68cm
Balcony Hill Sketch 55x40
After the rain Miao Zhai 138x69 2017